Member of China Calligraphers Association.
Member of China Democratic League
Executive Vice Chairman of Huaiyin Calligraphers Association
Vice President of Huaiyin Painting and Calligraphy Institute
1978 was born in Huai 'an, Jiangsu.
Calligraphy works won prizes and were incorporated into the exhibition:
20 15 11th National Calligraphy and Seal Cutting Exhibition (China Calligraphers Association)
Top 32 of China Calligraphy Institute Award 20 14 (China Calligraphy Institute)
20 14 Changjiang cup national calligraphy and seal cutting exhibition (China calligraphers association)
20 14 Ecological Dalian National Calligraphy and Seal Cutting Exhibition (China Calligraphers Association)
20 13 the first national forest iron exhibition in China (China calligraphers association)
20 13 Wei and Jin Dynasties Ruicheng International Calligraphy Festival (China Calligraphers Association)
20 13 first "arctic pavilion" national calligraphy exhibition Excellence award (Jiangxi calligraphers association)
20 13 Gold Award of the 7th Jiangsu Youth Calligraphy Exhibition (Jiangsu Young Calligraphers Association)
20 13 The 2nd National Calligraphy Exhibition of Pingfu Sticker Cup (China Calligraphers Association)
20 13 Nomination for the 2nd "Huang Tingjian Award" National Calligraphy Exhibition (Guangxi Calligraphers Association)
20 12 China? Guizhou Baili Du Fu National Calligraphy Exhibition (China Calligraphers Association)
20 12 Calligraphy Exhibition of the Second National Album Exhibition (China Calligraphers Association)
20 12 "Zhang Zhi Award" Calligraphy Exhibition (China Calligraphers Association)
20 12 "Wuhai Cup" National Calligraphy Exhibition (China Calligraphers Association)
20 12 "Wang Xizhi Award" Calligraphy Exhibition (China Calligraphers Association)
Copying is the basis of creation. The basic intention of copying is to get some feedback from other people's experience and use it for me. Copying is a means of learning, and using it for me is the ultimate goal. What is real? "Realistic presence" refers to the restoration of temporary writing, that is, as close as possible, and the structure, pen, composition and atmosphere should be restored as much as possible. In the process of actual presentation, it should be noted that the words must be presented repeatedly first.
Why should it be true? Reality is the best way to learn from the ancients, especially calligraphy, such as Preface to Lanting, Pu Shu, Preface to the Holy Teaching of Yanta, Tiaoxi Poems, etc. Only when the works of the two kings are posted on the basis of a large number of realities can they lay a good foundation for future cursive writing.
What positions have you come to? To be creative, only one kind is not enough. A series of posts will provide many variables for creation. For example, book lovers who write cursive scripts need to write essays such as Preface to Lanting, Tiaoxi Poetry, Letters of Two Kings, Notes of Mi Fei and Notes of Dong Qichang. But it will be true, not necessarily creative. What else do you need?
Let's look at three pictures from a comparative perspective:
▲ The argument of conception follows the order of structural exaggeration, brushwork exaggeration and heavy style.
First of all, what is meaning?
Intention is to strengthen the image characteristics or composition of the object, and to highlight the performance of the object itself by strengthening the form. The result of copying is an exaggeration (including strengthening or weakening) of the image and structural relationship of the object, which we all call "meaning"
What is the meaning of meaning?
If "actual presence" is for posting, then "intentional presence" is a key link in posting. Through the investigation of classic works, it can be said that the establishment of the personal style of most calligraphers in history is formed by their subjective understanding in the process of "meaning", and it is a kind of "deduction" of the composition form of the copied object in form, and it is this "deduction" that has gained new performance compared with the original work.
The premise is that you can be practical and have a lot of practical experience, and then have a certain understanding of various factors in copybooks and calligraphy on the basis of practical experience. With these foundations, you can do meaningful exercises.
What are the methods in Italy?
The intention is to extract some features of a post to strengthen it, but at the same time, to weaken some features. Don't cover everything, but writing features will make choices, simplify and dilute some features, and you can also participate in the pen or structure of other posts. The picture below is a demonstration of Lanting in my online teaching course. Please correct me more.
Meaning, change the past and enter creation.
Having done practical and intentional exercises, we are getting closer and closer to creation. Take a post as the keynote, gradually add your own understanding and other post factors, and then continue to improve your aesthetics. We will look at the classics in the history of calligraphy, and at the same time, we will not avoid the trend of the times, and see how contemporary calligraphers learn and transform the ancients.