one
When you pick up the pen, you must do your best to send it.
(Gold) Wei Shuo's "Pen Map"
two
At the end of Yunxiantong, he was punished by the state. Lu Ling and Zhao Lu went to Nanpu and then returned to Yichun. The masses have culture, so they are famous all over the country. Yun secretly longs to go to primary school because he is taught by his children. In his spare time, Duke Lu suddenly said to the other party, "I learn from books and seek strength." . I don't know that the power of the pen is not power; For strength, the pen is dead. The virtual palm refers to the real palm, but the fingers are not in the palm. What is worship? Generally speaking, the word' forever' is eight methods, but it is actually stippling, and it is limited to one word. What is the difference? "
(Tang) Lin Yun's Preface to stirrup.
three
It is proud to be able to make the pen power come from the wrist and the pen tail is straight.
(Song) Huang Tingjian's Answering Qin Tie
four
My husband's books are not only packaged smoothly, but also thrive on them by writing.
Therefore, it is better to use news one by one, because we know that the strong are sacred and the weak are sick.
(Song) Calligraphy in Qin, Han and Wei Dynasties
five
Lou Dafang asked Ji Zhongyun, the former king of Fuyuan, "Why didn't the ancients seal their letters?" In the middle of the season, he said, "The ancients were full of manpower and didn't use their pens. This pen is strong, or burn it to make it bald, and the ink is dry. "
(Yuan) Liu You's "Yanbei" magazine rolled down.
six
Where you use a pen, it is not the force, but the force will kill you.
(Ming)' s series? Pen theory
seven
Zhong Yuan often said that "the strong are sacred and the weak are sick." Gaizhi knows that the beauty of the pen tip lies in the strength of tendon, which is transmitted to the wrist.
(Ming) Mo Shilong's "Mo Ting Han Ji"
eight
Lions will try their best to catch elephants; The lion caught the rabbit with all his strength. Calligraphers see treasures by faith, such as Yan contending for seats and two eulogies, all of which are unintentional pens, such as catching rabbits, and their intentions can be seen.
(Ming) Dong Qichang's "Rong Tai Bieji" Volume III
nine
What is power? It is also the name of strength. It can be divided into depth, depth, thickness, height and unpredictability. Exposing bones and muscles is strength, hiding bones and muscles is quantity, being weak without bones and muscles, being exposed in an emergency, not staying hidden, being gentle and charming is getting weaker and weaker.
(Ming) Hanshan broom talk volume.
ten
Although Dong gave everything he had, there was no news in the end, and it was so far away that he was really a fairy hand in the book.
(Ming) Ni Houzhan's "Ni Zawen"
eleven
To write fine print, you must use a solid pen to write paper, such as a thousand pounds of iron stick to the ground. If the fine print doesn't need gravity, it can be scattered and embellished, which is convenient to talk about dreams in this way. I have been writing Huang Ting for thousands of years. I use a round-headed pen, fragrant image, and wholeheartedly carry my wrist and shoulders for the loss of bones and muscles. I've been surging from Youtianzhu for a long time, and then I can change the word.
(Qing) Fu Shan's "Frost Red Niche Collection" Volume 25
twelve
People know the power of straight painting, but they don't know that the power of hairspring is stronger and more powerful.
If you want to know more power, watch it make your luck fall by the wayside. What is Jin Feng? Stick a flag all the way.
(Qing) Da Zhongguang's book raft
thirteen
When writing a book, we should focus on the idea, focus on the transformation, find the right focus, go beyond the pen, it is necessary to use force, or not, you need to know, then the expression will be inexhaustible and the tolerance will be relaxed.
(Qing) Chen's "Green Pavilion"
fourteen
Liang Yun: You must use the nib to pass through the back of the paper. How powerful is this? Most of the ancient times came from pen power.
(Qing) Tang Wang's "New Knowledge Record" Volume 21
fifteen
Those who are proficient in books and housework are often weak and lack of bone strength; Hard-working people tend to stagnate and lack opportunities. Although you should use all your strength to cover the pen, you should not use evil spirits, but use it with your heart.
When writing brush strokes, I feel that the front side sticks to the paper, as if I can't push it, and the front side sticks to the paper, as if I can't pull it out. You can reverse, pause, release, collect, fold and return every time. The pressure should be uniform enough, not all. The pen's breathing is also tight, which promotes the development of Chinese characters.
The front is straight, so it is not easy to draw a picture. Force must enter the paper, so-called painting sand, inkpad, wall road, leakage mark, broken hair; It is a skill to make the brushwork late, even and full.
The strength should be even, otherwise there will be diseases everywhere. Punch, lift, hurry, stop, spread out, shoot tight, turn around, close the net, as long as you are full, don't stop, like a hero, avoid stability. Liu Cheng hangs a cloud: "Sharp as a cone, sharp as a chisel; I can't get out, but I have to. "
"Draw sand with a cone" and "Yin Yinni" both say that the pen tip penetrates the back of the paper. How come... The front is upright and calm. If the front goes straight into the paper, the strength on both sides will be as clean as water, if the cone front goes into the sand, if the seal goes into the mud, and if the pen tip comes out, it is best to give an example. If it is not right at all, it will not be like this. Therefore, for those who are sinking, the best thing is just to "reverse the boat on the rapids, try your best and stay where you are."
A book must please itself, not just others. Writing one stroke after another is the key.
Pen and ink into paper is the essence of calligraphers. Straight before, straight after, ink late. The front is positive, the heart is ambiguous, and the strength is clean; Being late will lead to leisure intention and frustration. Pen into, the so-called "cone painting sand" also; Ink into the so-called "Yin Yinni" also. In addition, pen and ink are inseparable, but recognition is inseparable.
(Qing) Xu Yongxi's Notes on Ci Poetry
sixteen
Chu Suiliang said: "When using the pen tip, you must penetrate the paper." What a stroke of a pen! Most of them come from brushwork.
(Qing) Chen Jun's calligraphy couplet collection
seventeen
There must be something wrong with the pen.
There must be a stroke outside the word, dancing vigorously, winding in the air like a hairspring, like a dragon, falling into the air, coming and going without a trace, can be written in the word, but it can't be seen.
(Qing) Wang Shu "On Books? Yunbi
eighteen
Pointing at the painting, turning around, you must do your best.
(Qing) Wang Shu's Guide to Momo (Volume 2)
nineteen
Li Beihai's books rely entirely on strength, constantly expanding the shelves. If the "Lanting" and the "Half Monument" are infinite in power and look quiet, then this North Sea is not as good as it is. But beginners must start from Beihai, Europe and Chu, expand their strength and be extremely full, and then receive them at Lanting and Banbei.
(Qing) What is Wei Liang's Record of Cheng Jin Zhai on celebrity calligraphy.
twenty
In ancient times, there was a space between books and pens, but now there is a space without pens.
You can't write weakly, but when you write too hard, the brushwork at the corner will be loose. This is called going too far.
(Qing) What is Wei Liang's "Cheng Jin Zhai Lu" on learning books?
twenty-one
A beginner's book, such as learning to shoot an arrow with a bow, must first practice the arm posture, so as to create the world. When the bow is dry and soft, the whole body will exert its strength and then it will be strengthened. A good shooter does not need a bow, and a good writer does not need a pen. They pressed too hard and couldn't turn over at the corner. Can they become centers?
If you don't get into the paper, you will become superficial. The ancients called it "the power to penetrate the back of paper", which was very impressive. Every word should be magnificent, and the outside of the paper should be radiant. The word "right army" in the world is highly divided into two parts. The commentator thinks that pen and ink are thick and true, trying to solve things. The ink is so thick, how can it be as high as two o'clock? You should know that when the paper is fed out, the machine is using a pen, and the true qi is contained and overflowed. There is no one who doesn't jump on the paper.
(Qing) Yu's Fang Shishu Dialect
Twenty Two
Sitting up and writing, you can stretch your limbs. But the greater the strength, the lighter the pen, and the thinner it is at first. If it is unscathed and not weak, the fat is like meat.
Make a book with all your strength, carve strokes and cast structures; Occasionally use dry pen, such as drawing cocoon silk, but only by understanding seals and officials can we solve this problem.
(Qing) Jiang Ji's "Continued Calligraphy Theory? force
twenty-three
Like the pen of age, although it is absolutely charming, it will not fade; Beginners are eager for drums, but less ignorant. One is hard work and instability, and the other is not trying to be self-sufficient. Gradual waiting also.
(Qing) Ge Shouzhi's General Interpretation of Han Xi's Calligraphy
twenty-four
Books about Zhang Yutang.
Yutang said: How to use wrist strength? Shan Zhou said: Let the very soft pen read for itself. For example, if a person holds a strong man and straightens him, he will not exert himself; Holding a weak person, if you don't want to suppress it, the strength of the whole wrist will naturally gather at two fingers. In fact, the screenwriter only knows luck, not knowing that he has wrist strength. If you realize this, you can draw a pen behind Xihe, that is, to test whether his wrist strength is up, and there is no other fallacy.
(Qing) Liang's Book on Frequency and Safety.
twenty-five
Book potential compilation
Can't penetrate the back of the paper, and can't float on the paper.
Show it to my grandson in a book.
Calligraphy is like painting sand and printing mud, and this punch is enough to make the family work hard. However, there are two outlets for strength: Qi and strength. Although the strength is different, it is consistent. Strong and lifeless, weak and lifeless. If you draw sand with a cone, it is called qi; Yin Yinni, for example, called hard. The so-called words are hidden in the front of the situation, the gas is in the middle, and the force is outside. Every stroke, submission to the end, will be full of true qi, rather than drawing sand with an awl. Just look at it. Don't you see the hidden edge? Every stroke, from the middle to the side, should be balanced, not like inkpad and? Seen from a distance, don't you see its output outside? One outbreak, two ways of communication, so sometimes it is regarded as inkpad. The shape of painting sand has long been revealed, sometimes just like painting sand. The shape of the inkpad has been completed first, covering the end and end, connecting the middle edge, the middle edge and the end, so the gas is not strong enough, and the gas is not full, but it makes it strong and strong without regret.
(Qing) into "Nine Potential Breaks"
twenty-six
There is no word that can be used without force, and there is no method that can be used without force. Even pulling the thread to make it turn is powerful. Pay attention to the pen tip to make it peaceful, such as a good dancer paying attention to the head; Those who are good at using guns rely on the head of the gun.
(Qing) "He Jiang's Essays on Learning Books"