1, tracking character. If you write for a long time, you will be confused if you write faster;
2. mechanical writing. Dead, unchanging, and lifeless;
3, can only write regular script, blindly think that writing fast is running script;
4, only respect regular script, exclude or even ignore other regular script;
5, do not understand the composition and pen and ink, creation is like abacus beads, white and plain;
6, temper twisted, brain dead, unable to listen to criticism, narcissism.
The above points are all caused by psychological factors, such as "only paying attention to regular script". Calligraphy has only regular script in its eyes, and never thought about other calligraphy styles (even exclusion psychology). Shangguan Waner believes that people who really understand calligraphy understand that the so-called basic skills of calligraphy are the comprehensive ability of various calligraphy skills. In short, it is the comprehensive ability of calligraphers to master the skill level of brushwork, brushwork and composition. Therefore, a successful regular script should be rich in calligraphy interest and highly infectious.
Regular script itself is the product of the maturity and peak of calligraphy art. Many people always can't write regular script well, whether it is the overall momentum or the specific use of pen or ink is not ideal. This is related to the difficulty of writing regular script, and also to the fact that we have not mastered some skills and methods.
However, the reality is that many people stubbornly believe that "regular script is the basic skill of calligraphy", and what's more, they think that "Tang Kai is the real basic skill of calligraphy". So, I stubbornly hugged one of Yan, Liu, Ou and Zhao, and persisted in the obsession for several years or even more than ten years. They only recognize regular script or Ou Yangxun family, which is very common, and most of them eventually become book slaves. Most of them are written in Europe, but they can't write Chu, let alone cursive. If you can write cursive, it is often written as a "trinity work" (the ink color is the same, the strokes are generally thicker, and the font size is the same).
Based on this, to learn calligraphy well, we should not only practice regular script, but also learn seal script and official script, so as to feel the charm and charm of running script. We can't ignore Wei Bei's boldness and agility. Only by learning more about his works, reading more, tasting more and feeling more can we enter Taoist calligraphy.
The ideal pen for regular script is the one with thick strokes, dry edges and astringent charm; The best way to use ink is to see embellishment in the dry, that is, to pull out the dry pen by relying on speed and center, pen power and pen posture when the ink is full, and to create a difficult and dangerous situation when the ink is out.
As far as reality is concerned, everything is true, everything is false, and there is truth in stippling. As far as straightness is concerned, the beauty of regular script lies in seeking straightness in music, seeking flatness in injustice, or falling, or falling, or falling. The regular script, which seems to be strict and unsmiling, is actually light and heavy, secret and false, reaching the back. Guan Waner believes that if you can master these things skillfully, you will be clever with your pen and the ink color will change in the clever brushwork. This kind of regular script is vivid and has vitality.