How to write next to left ear

How to write next to the left ear: horizontally fold and fold, the hook is short, and the stroke trend is upward to the right.

1. Introduction: Also known as the left ear knife side and the left round ear. In regular script, the glyph "霜" in the character "霜 (fù)" is transformed into "阝" written on the left side of the glyph. Fu, pictogram. The shape of an oracle bone is like the shape of a rock on the edge of a mountain cliff. Used to express terrain or lifting and other meanings. Original meaning: earth mountain.

2. Expansion: There are similarities in form between left ear and right ear, but from a philological point of view, these two radicals are actually not directly related.

The original shape next to the left ear is the character "Fu", which is mostly related to mountains, land, and terrain, such as mausoleum, yin, and yang. (Mountains to the south and water to the north are called yang, mountains to the north and water to the south are called yin)

The original shape next to the right ear is the word "邑", which means city, fief, and town, such as Lin, Du, and Zheng. (Deng, Zheng, Na originally meant the name of the country, and Zheng people bought shoes)

Although the two are similar in shape, upon closer inspection, there are still some detailed differences between the left and right ears, such as:

1. Structurally: the small shape next to the left ear is located in the middle left and upper side; the large shape next to the right ear is located in the middle right (relative to the left ear)

2. In terms of pen: the long vertical shape is next to the left ear In regular script, hanging dew and vertical strokes are often used, while in running script, hanging dew and hooked vertical strokes (to the right) are often used; in regular script, hanging needle strokes are often used, while in running script, hanging strokes and side sharp strokes (right-side sharp strokes) are often used.

3. In terms of form: the upper side of the left ear is larger and the lower side is smaller to avoid the right part; the upper side of the right ear is smaller than the lower side to stabilize the character.

The above are all in general terms. There are differences among different calligraphers and inscriptions, so we should not be rigid. If it is said that "a soldier has no constant potential, and water has no constant shape", then it can also be said that "a word has no constant method". We first master two basic writing methods as a basis, and then randomly apply and add changes according to different situations.