What is the logical relationship between calligraphers and painters?

The logical relationship between calligraphers and painters lies in their painting methods, namely calligraphy.

Hao Jing, a famous landscape painter in the Five Dynasties, put forward that painting has "six essentials": "God of one day, rhyme of two days, thoughts of three days, scenery of four days, writing of five days and ink of six days. "With pen and ink as the specific requirements, it is better than Sheikh's six methods. Qi, rhyme, thought, pen and ink, of course, are the same requirements for painters and painters.

In his later years, Wang Meng talked about his own experience: "When I was older, I gradually felt that my writing was pedantic and I wrote portraits and seals." Ke Jiusi also said: "When writing bamboo, the pole uses seal, the branch uses cursive script, and the leaf writes eight points, or by Lu Gong." There is a saying in the Yuan Dynasty that "a scholar-bureaucrat who paints must write a book, and his painting method is where calligraphy lies".

Calligrapher profile:

1. Calligraphers are people who are good at calligraphy, have the ability to write Chinese characters, and can push Chinese characters to the artistic level. In short, it is an artist who mainly creates calligraphy, or someone who is proficient in calligraphy.

2. The prosperity of calligraphy art began in the Eastern Han Dynasty. Calligraphy theory's works appeared in the Eastern Han Dynasty, and the earliest calligraphy theory author was Yang Xiong at the turn of the Han Dynasty.

3. The first calligraphy theory monograph was a cursive script written by Cui Yuan in the Eastern Han Dynasty.

4. The calligraphy of the whole Tang Dynasty is the inheritance and innovation of the previous generation. Regular script, running script and cursive script all entered a new situation in the Tang Dynasty, with outstanding characteristics of the times, and their influence on later generations far exceeded that of any previous era.