Appreciation of excellent calligraphy works of ancient poetry and prose

Ancient poems have always been the characters that people like to use for calligraphy creation. So what is the art of calligraphy under ancient poetry? The following are the excellent calligraphy works of ancient poems I have compiled for you. I hope it works for you!

Appreciation of excellent calligraphy works of ancient poetry and prose

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Picture 4 of Excellent Calligraphy Works of Ancient Poetry Prose

Five misunderstandings in calligraphy creation

1, inappropriate content and meaning.

Do not pay attention to the selection of books and poems that meet the theme when creating. For example, I participated in the National Day Book Fair and wrote Du Fu's poem:? If you attend a book fair to commemorate the victory of the Red Army's Long March, write down Wang Wei's poem Zhuliguan:? I am alone in the dense bamboo forest, playing the lute and humming, which is obviously inappropriate and irrelevant. After writing the main body of the poem, use it when paying? Nod? Do you really understand this word? Nod? Meaning. Besides, when paying? Excerpts? 、? Excerpts? 、? Save a copy? With what? A book? Used before and after, it also appears repetitive. What's more, I left the poor money after writing the text, but it was still there when I signed it? Do you remember? 、? And know? Words, without any explanation or annotation, remember? What? Do you know? What? In addition, many works are not magnificent or watertight, but they persist? A wave? 、? Sweating? There is also a feeling of melodramatic inaccuracy.

2. Formalism

The form of a work is really important to be hung up for people to examine, but what form it takes must be reasonable. There are roughly the following works that commit formalism:

(1) Small print is big. The dense fine print runs through the whole six-foot-eight-foot rice paper, so it is difficult to read a line, let alone the whole article.

(2) words are big and small. A few figures, scurrying on the short paper, stood between the narrow letters, which was extremely uncoordinated.

(3) Write in sections. A poem, a paragraph, is divided into several pieces of paper and combined into a painting, which is tantamount to cutting off the breath and setting up obstacles.

(4) Multicolor collage. Put posters of several colors on a piece of paper and then write, or put a piece of paper on posters of different colors to make a picture. Strong sense of production.

(5) multi-body miscellaneous writing. A work has various styles and obvious forms of expression, and is often discordant and chaotic.

(6) blind clock printing. Some write big characters without big seals, and fold small seals into big seal shapes or decorative strips, while others write long scrolls, picture books or small characters, with seals everywhere between the lines, which is meaningless.

(7) Improper old waxing. Dye new paper with traditional Chinese painting pigments, such as pen water, tea, water and salt water, to look antique; Is there any wax paper that makes the ink knife rough and mottled? Jin Shiqi? , and first use a row of brush strokes to draw the color marks in the shape of bamboo slips, and then write bamboo slips, and pad the wooden board, cardboard and foam plastic board with grain under the paper to make the ink knife fly white? If you are uncomfortable, it will be self-defeating.

3. Text error

This is manifested in four aspects:

(1) improper grass method. If you don't understand the method of cursive writing, you can take it for granted that you can save some pictures, but you can't read them.

(2) Simple and complex. A work uses both traditional Chinese characters and simplified Chinese characters, which is complicated to remember, simple to remember and has no sense of standardization.

(3) write typos. Some are the misuse of traditional Chinese characters, variant characters and polysemous words, such as tea? What? Write in geometry? What? ; ? Queen? Before writing and after writing? After that? ; Stir? And then what? Write peace? Hey? ; Are you referring to me? Yu? Write redundant? Yu? ; Ten million? Are you online? Writing inside and out? Are you online? ; Talk about it? Cloud? Write it as a cloud? Cloud? ; Books? Volume? Written as a scroll? ; Boss? Send? Write about development? Send? ; No phase? Fuck? Is it about cadres? There are some mistakes in writing traditional Chinese characters. Broad? Inside and outside the door? Water? ; ? Worried? Both inside and outside the font? Have a plenty of gild the lily in your heart? Hua? 、? God? A word sum ending in a long vertical line? Sea? ,? Difficult? A kind of cursive script is habitually added a little more.

(4) Missing words and sentences.

4. Place words and copy books

There are roughly four situations.

(1) Without it, it is difficult to write, draw or overlap on the grid. If this continues, it will weaken the overall situation and adaptability, and inhibit spirituality and talent.

(2) look up words and piece together, find the required model essays from big dictionaries or different inscriptions, form an article and write an article. The paper goes its own way, and the shape is scattered.

(3) Insist on word by word, put it together one by one, put it word by word, there is little connection between stippling, words do not echo the rest, and the breath is impassable.

(4) Breaking the writing order, instead of writing from top to bottom and from right to left according to the traditional writing method, writing words on the checked paper with a pencil, starting from the top, filling them one by one and moving down as a whole; Or fold the grid in advance, write horizontally from left to right, and write line by line from top to bottom? If you write like this, there will be no echo between words, no books, and unreasonable ink color changes.

5. Abuse of tools

There are four most common types of errors:

(1) Write big characters with small pen, or stipple fine and flexible lines; Or drum crossbows for strength, throwing tendons.

(2) When students write formal books, the dotted line is too thick, and sometimes there are ink pigs and paper bumps.

(3) Write big grass on cooked paper, float and dry.

(4) If there is too much water in the ink, it will seep out, and the ink will be quick and urgent, and the word will not be finished. The stippling is not refined, and the ink is light and harmful.