Xue Longchun's Calligraphy Research and Creation

This paper mainly studies the history of calligraphy seal cutting in Ming and Qing Dynasties, published in Literature, Reading, Art History Research, Calligraphy Research, China Calligraphy, China Painting and Calligraphy, Art History and Concept History, New Art, Journal of Tsinghua (Hsinchu) and Art History Research Series of Taiwan Province University. 2005), Research on Zheng Zi (Rong Baozhai Publishing House, 2007), Seal Carving (Cooperation, Jiangsu Education Publishing House, 2009), Wang Chong Chronicle (Shanghai Calligraphy and Painting Publishing House, 20 12), Yayi Mountain Scenery: Wang Chong's Life and Calligraphy (Shanghai Calligraphy and Painting Publishing House) won the first prize of the 7th National Calligraphy Symposium (China Calligraphers' Association), the second prize of the 3rd China Calligraphy Lanting Award (China Federation of Literary and Art Circles and China Calligraphers' Association), the third prize of the 11th independent completion of the 10th Young Teachers' Fund Project of Fok Ying Tung University "Wang Duo and Calligraphy in the Late Ming Dynasty" and In Linchi for more than 20 years, I have extensively studied the inscriptions and calligraphy since the Han and Wei Dynasties, and I am good at cursive script and official script. Participated in many important national exhibitions. His creative achievements were introduced by professional media such as China Calligraphy, China Calligraphy and Painting, Calligraphy, China Calligraphy, Art and Literature, Calligraphy Newspaper, Calligraphy Guide and Youth Calligraphy Newspaper. Participated in the organization of "Please Follow the Original Works-International Symposium on Ancient Calligraphy Creation Research", "Calligraphy Works Exhibition of Literati" (2009: 12) and "Expressing Emotion-Liuyuanshe Works Exhibition" (2005:5).