? 1939 On February 27th, I was born in an old family in Beijing. Grandfather named Liu Longhai is a successful businessman. The family is rich. But by the time I was born, my family had fallen into financial difficulties.
? 1945, I am 8 years old. I started primary school, first in Qingxin Hutong Primary School for Nationalities, and then transferred to private Yu Ying Primary School. From 65438 to 0953, I went to a private Yu Ying middle school. Shortly after entering school, all private schools were changed to public schools, and Yu Ying Middle School was changed to Beijing No.25 Middle School. 1956, graduated from junior high school and walked to high school. But I dropped out of school due to illness 1 year, so I didn't graduate from high school until 1959. When I was in middle school, I had many interests. After several considerations, I finally entered the history department of Peking University. At that time, it was in a period of three years of natural disasters, and the supply was extremely difficult. I have suffered from bronchial asthma since I was a child, and then I kept having attacks. Finally, I had to drop out of school in the spring of 196 1.
? After dropping out of Peking University, I worked (unpaid) for a while in No.25 Middle School of my alma mater, and then worked as a secretary for Mr. Zhu Qiqian, the grandfather of Zhu Wenxiang, a middle school classmate. Mr. Zhu is a librarian of the Central Museum of Literature and History, a member of the China People's Political Consultative Conference, a well-known democrat and scholar. After working under Mr. Zhu, I opened my eyes and learned the truth of learning. I used to study history just to master the achievements of my predecessors. When I arrived at Mr. Zhu, I realized that only by exploring on the basis of predecessors and reaching a conclusion beyond predecessors is learning. 1in the spring of 964, after Mr. Zhu's death, I went to work in the Institute of Cultural Relics Museum affiliated to the Cultural Relics Bureau of the Ministry of Culture to study the identification of ancient paintings and calligraphy. 1966 after the "cultural revolution", the institute has no research work to do. I was fired because I was a temporary worker. Since then, I have to make a living by carving wax plates and copying manuscripts for others. After 1977, I worked as a temporary worker in the History Group of the Republic of China, Institute of Modern History, China Academy of Social Sciences. I got a high score of 1978 in the graduate students majoring in classical literature at the Institute of History of the Chinese Academy of Social Sciences because I copied the manuscript for Mr. Yu, a famous ancient philologist, and never studied ancient philology. Because Zhonghua Bookstore needed an editor of ancient philology at that time, I was hired to work in the bookstore, so I didn't go to graduate school. Since I arrived at Zhonghua Book Company, I have been engaged in the editing and research of ancient philology and ancient coins. The title was promoted to editor, deputy editor-in-chief and editor-in-chief, and he has served as deputy director and director of the language editing room. 1993 enjoys special government allowance from the State Council. I returned it at the end of 1999.
? Influenced by my father, I like writing since I was a child. Seeing that I was interested in this, my father bought me an old "mysterious tower" developed by Liu Gongquan in the Tang Dynasty and told me to learn calligraphy. After working as a secretary for Mr. Wang, I have been dealing with writing brushes every day and contacted famous artists such as Zhang and Zhang, which greatly deepened my understanding of calligraphy. Recognize that calligraphy is not beautifully written, but tastefully written. After I went to the Institute of Cultural Relics Museum from 65438 to 0964, I saw almost all the photocopied calligraphy works at that time because of my work. At the same time, due to the working relationship, I can also consult experts from time to time, such as Wang, etc., so my eyes are wide open and I have the idea of using Jin and Song Dynasties to improve my calligraphy. Since then, although my words have grown day by day, the structure has never been compact. I consulted Mr. Qi Gong on this issue. He said that my words were not intentional and taught me to study Zhang Menglong's Monument. I studied according to law, and the words I wrote were not only loose, but also steep. My literary talent is plain, and I have been copying for a long time. It is difficult to get rid of the influence of "official books" for a while, so the words I write are always awkward, and there is still a distance from the charm of the two kings. There is still a long way to go in the future to learn Jin and Song Dynasties and improve the level of calligraphy.
Liu, male, born in 1939, Han nationality, Beijing native. Before retiring, he was an editor of Zhonghua Book Company and director of the Chinese editing room. Now he is a librarian of Beijing Literature and History Research Institute. Young students study calligraphy. In the early 1960s, I enjoyed many copied calligraphy works and got in touch with famous calligraphers such as Zhang, Zhang and Zhang, and my calligraphy level was greatly improved. His works won the first national press and publication painting and calligraphy competition; First Prize (2002), Silver Award of Jinding Award National Calligraphy Art Competition (2005), First Prize of China-Korea Art Exchange Exhibition Competition in Seoul, Guilin (2006) and other awards. He is now a member of China Calligraphers Association and Beijing Zhongshan Calligraphy and Painting Society (Revolutionary System).
Resume recommended by Zhonghua Book Company
1. resume:
Liu, male, was born on February 27th. 1939. Beijinger, college degree. Member of the Revolutionary Committee of China. 1979 to join the work. Former director of Chinese editorial office of Zhonghua Book Company, senior three, editor. Physical condition is average. 196 1 year Peking University History Department. I live at Gate 4, Building 9, Courtyard 2, Cuiwei Road 103, postcode 100036, and telephone number is 68283272(h).
1959- 196 1 year, studying in the history department of Peking University (suspended due to illness).
1962- 1964, secretary Zhu Qiqian, member of the Chinese People's Political Consultative Conference and director of the Central Museum of Literature and History.
1964- 1966, attached to the Institute of Cultural Relics Museum under the Ministry of Culture.
1966- 1977, unemployed.
1977- 1979, China academy of social sciences institute of modern history.
1979- 1999, editor, deputy editor, editor-in-chief and director of the language editing room of Zhonghua Book Company, 1993 enjoys the special government allowance of the State Council. /kloc-0 retired at the end of 999.
2. Family members:
Couple? Yang, female, aged 53, is a retired employee of Beijing Commercial Real Estate Company.
Brother? Liu, male, aged 55, retired from Beijing Foreign Affairs Transportation Company.
3. Overseas friends and relatives:
Friends? Weng Wanghua, who has contacts and now lives in the United States, is the chairman of Yuan Hua Artists Association.
4, academic expertise, achievements and other contributions:
Comrade Liu has been engaged in the editing of ancient Chinese characters and coins for a long time, and has deep attainments in ancient Chinese characters and coins. In 2002, he won the second prize of the National Excellent Book Award for Ancient Books (1988- 199 1), The Pre-Qin Compilation of China Coin Dictionary, The Study of Coins in Qin and Han Dynasties, The Discovery and Research of Iron Coins in China and Luoyang Coins. In addition to editing, he has also written many papers on ancient Chinese characters and coins, which has a certain influence in academic circles. Member of the third and fourth sessions of the Chinese Coin Society, deputy editor-in-chief of the large-scale series "China Coin Series", and editor-in-chief of "10 Volume China Coin Dictionary".
Comrade Liu is very good at ancient philology. From 65438 to 0995, under the personal care of Comrade Li Lanqing, the State Education Commission, as a key project, organized the national college teachers to compile and publish five volumes of China Traditional Morality. He and my unit comrade Wang Wenjin (deceased) * * * served as the proofreading work of all ancient literature annotations in this book, which was well received by the State Education Commission.
1992, comrade Liu polished the Chinese translation of "creating a new Korea in the 2 1 century" written by the Korean president at that time. The book was published by Oriental Publishing House 1992+02.
Comrade Liu is a member of China Calligraphers Association. In 2002, he won the first prize of the first national press and publication painting and calligraphy competition.