The general idea of the word is that the wild geese in the north are carefree, have no fixed place, and float around with the clouds in the west of Taihu Lake. Several isolated mountains in the distance look sad and depressed, as if a big storm is brewing at dusk. I want to live in seclusion next to Ganquan Bridge with Lu Guimeng, but does anyone still like him now? Where is it? I am leaning against the railing alone, recalling the past, and I can only see layers of withered willow branches fluttering irregularly in the wind.
This poem was written in the winter of 1 187. Jiang Kui went back and forth between Huzhou and Suzhou, and when he passed Wujiang in Jiangsu, he felt something in his heart, so he wrote this poem. Jiang Kui's favorite poet in his life is Lu Guimeng in the late Tang Dynasty. His name is Tian Suizi. Jiang Kui lived in seclusion in Song Wu before his death. He was deeply moved and wrote this word.
An important feature of Jiang Kui's creation is that he is good at telling stories and writing articles from blanks. In this poem, he derived the sadness of life experience and the pain of the country from the image, and integrated nature, life and history, which was a treasure in the patriotic words of the Southern Song Dynasty.
Appreciation and Introduction of Jiang Kui's Nanny Post in Wang Xianzhi
The Postscript of Wang Xianzhi's Care is the representative calligraphy work of Jiang Kui, a poet in the Southern Song Dynasty. There are not many original works, but the postscript of Wang Xianzhi Babysitting is enough to show Jiang Kui's accomplishments in calligraphy. The postscript on Wang Xianzhi Babysitting is a small print with a total length of * * * 3 16mm, with a total length of 10 1 line, which is now collected by the Palace Museum. In this post, Jiang Kui's brushwork is delicate, elegant and handsome. Moreover, Jiang Kui was deeply influenced by the calligraphy style of calligraphers in the early Tang Dynasty. He doesn't follow the crowd, fresh and refined.
Postscript is a style. For most people, the most familiar genre is "preface", which is similar to argumentative writing, narrative writing, lyric prose and so on. Some preface the discussion with emotion, in order to sum up historical lessons and express political opinions and personnel attitudes, while others are mixed with narration and discussion. Since the Tang Dynasty, the preface was also called the quotation, and in the Song Dynasty, it was also called the postscript. Although it is the same thing, it speaks slightly differently. Postscript is usually a supplement to the preface, which is often more concise and clear.
Jiang Kui's Postscript of Nanny Post in Wang Xianzhi is the inscription of Nanny Post in Wang Xianzhi. We praise its seven beauties, which are beyond other books and posts, and compare with Lanting.
Jiang Kui attaches importance to the taste of literati and does not advocate vulgar writing. In addition to this post, Jiang Kui's continuation book spectrum is another masterpiece of his calligraphy and the highest position in the Southern Song Dynasty. In his book, Jiang Kui puts forward all aspects of calligraphy art and expresses his true feelings and experiences. Although he "worshiped gold and belittled the Tang Dynasty", he did not completely deny the "Tang Law". In this book, he used a large number of articles to comprehensively and systematically expound his views and demonstrate them.
Appreciation of Jiang Kui's Old Moonlight Techniques
? Jiang Kui, a poet in the Song Dynasty, was born in poverty, never entered the official career, and his fate was not good. He often makes a living by selling words and helping his friends. Dim fragrance and old moonlight is a word that Jiang Kui borrowed from Mei. Among them, Jiang Kui can't forget Liu's sisters and Hefei lovers. May often misses people and recalls the good old days.
To quote Dimfragrance's old moonlight:
19 1 1 In winter, there was a snowy stone lake. After two months, I gave a simple sentence and a new voice, made these two songs, let Shi Hu play, and made the second prostitute Xi. The syllables were harmonious and beautiful, so I named them Dimfragrance and Thin Shadow.
How many times have you looked at me and played the flute in Bian Mei under the ancient moonlight? Arouse jade people and climb regardless of the cold. He Xun is old now, and he has forgotten the spring breeze. But the strange flowers are sparse outside the bamboo, and the fragrance is cold into the Yao mat. Jiangguo is silent, sighing and far away, and the snow begins to accumulate at night. Cui Zunyi cried, and the red calyx was silent and nostalgic. Chang Ji once joined hands to crush thousands of trees, making the West Lake cold and blue. When can you see it again?
When Jiang Kui wrote this poem, he was visiting Suzhou Fan Dacheng in the snow. When Fan Dacheng heard about his outstanding literary talent, he warmly invited him to give it to everyone as a poem. So Jiang Kui wanted to give it as a poem, and this Dimfragrance and another thin shadow came out. Peter said that Fan Dacheng got these two words, and he was even more praised. He not only asked two geisha to translate the word, but also gave him one named Xiaohong. So Jiang Kui lived here for more than a month and got along well with Xiaohong. One person plays, and one person writes lyrics for the confidante.
Dim fragrance and old moonlight describe the plum blossom snow scene in front of us, which is reminiscent of the beauty who accompanied the lyricist Jiang Kui to enjoy the snow and fold the flowers. "Climbing in spite of the cold" means that the time was very happy. As soon as the topic turns back to reality, "Getting Old" echoes the opening "Old Times" from a distance, with both nostalgia for the lost lovers and regret for the beautiful youth of the past.
Appreciation and Introduction of Jiang Kui's Huanxisha
"Huanxisha191/kloc-0" is a love poem by Jiang Kui. Shang Juan wrote her own voice by describing women's looks. The lines between the lines reveal the persistent emotional characteristics of ancient women, and it is recognized that a person has deep feelings. The second part talks about Yuanyang from the willow in the wind, and every word reflects the gentle characteristics of ancient literati. The text is straightforward, without too much modification, and it is simple and clear to read but full of affection and righteousness.
The general idea of the word is: women tie a swallow hairpin on their heads, tie their hair in a bun, and dress themselves up beautifully at night without any pleasure. She was full of longing to tie the departing ship with a belt, and grief and sadness suddenly welled up in her heart. On the banks of the river, willows fluttered and danced in the cold wind, while Yuanyang in the river could not sleep well in the strong wind. Some things shouldn't bother you for long.
This word was written in 1 19 1, expressing the scene and mood of a woman and lover. When the author wrote this poem, it happened that he left Hefei. This kind of farewell may never be seen again in this life. After that year, the last time he saw a local woman, it became a life-and-death parting. Since then, Jiang Kui has fallen into the emotional "Qian Qian knot", which is the heartbroken history of the author's life, from which the wonderful "Baishi Huairen Series" in the Southern Song Dynasty was derived.
Jiang Kui's first love poem, the first one is mainly about the people left behind who are reluctant to leave their lovers. First, they describe their demeanor and thoughts, and then directly point out their parting, while the second one is the inner comfort of the protagonist. Two sentences are compared and one sentence tells the true meaning.
What works does the Buyi poet Jiang Kui have?
? Speaking of the name Jiang Kui, many people may feel a little strange, but if you mention his famous title of Baishi Taoist, it will be very different. In his early years, Jiang Kui, like most scholars, devoted himself to reading and was recognized by the imperial court, and was able to fully display his talents and ambitions. Maybe it was meant to be. After falling out with Sun Shan many times, Jiang Kui turned to Jianghu. The beautiful natural scenery makes Jiang Kui's poetic style feel ethereal and subtle, and he has created many masterpieces handed down from generation to generation. Let's take a look at what Jiang Kui's works are.
The most popular thing in Jiang Kui's works is emotion, which is different from the "worry about writing new words". In his works, Jiang Kui showed a strong feeling of home and country, and expressed his feelings that he could not live in the world, so he touched the world and was loved by future generations. In addition to being moved from the heart, Jiang Kui is also quite accomplished in music, with the experience and knowledge accumulated in his childhood. Most ancient poems can be expressed in the form of songs, so the strong musical charm in Jiang Kui's works is also an important reason for his world-famous reputation.
As the saying goes, a good horse deserves a good saddle. Since such an excellent work has been created, it must be accompanied by Li Juan's words. It happens that Jiang Kui is also a calligrapher, which makes his works even more icing on the cake. In order to make it easier for future generations to inherit their own calligraphy, Jiang Kui deliberately imitated Sun's and created the book Continued, which has become one of the important reference books for future generations to learn calligraphy and has important teaching significance.
What did the Buyi poet Jiang Kui write?
? "Man Jiang Hong" has always been written with the rhyme structure, and the previous one, "Man Jiang Hong Rages and Rushs to the Crown" written by Yue Fei, is the most widely circulated and based on the old law. However, Jiang Kui changed the original rhyme and wrote it with a flat rhyme, creating a new pattern.
Jiang Kui's "Man Jiang Hong":
When Xianmu came, she was watching. It was a thousand hectares. Under the flags and chaotic clouds, it is in front of the mountain. Life drives the dragons, gold is the yoke and jade is the crown. At night, the wind will calm down and no one will smell the ring.
Magic, try it. Dedicated to the right deviation and blocked Jiangnan. Send six thunderbolts, not guarding Dongguan. You should laugh at the hero for not having a good hand and walk away from Cao Cao. How do you know? People are in Xiaojianglou, between curtains.
Jiang Kui created an amiable image of a fairy bathing in Chaohu Lake in Red River. He defended the people's side with elegant temperament, but he did not have the seriousness of a male fairy, nor did he have extraordinary skills, but he could give people a steady image. This is the immortality of the poet Jiang Kui.
At the beginning of the poem, it depicts the fantastic natural scenery of Chaohu Lake. The first is to render the atmosphere for Xianmu's trip, which is very powerful. Secondly, it describes the ostentation and extravagance of Xianmu's trip. The whole word Jiang Kui did not describe the image of Xianmu, but let people know its luxurious and elegant side. In addition, it also depicts the return of the immortal. The night of Wen is already deep, and the immortal has left, but it seems that you can still hear the lingering sound of Huan Pei in the distance, which is still not satisfactory.
In the latter film, Jiang Kui described the magical deeds of Fairy Mother, confusing history with reality, making the whole word romantic, and the ending led to the female image of Fairy Mother, raising the status of women in the old society, so as to belittle idle men.