Luo Yiping, male, doctor of fine arts, professor, librarian of cultural and artistic research, expert of special allowance of the State Council, curator of Guangdong Provincial Art Museum, president of Guangdong Provincial Art Museum Association, vice chairman of Guangdong Artists Association, deputy director of curatorial committee of China Artists Association, deputy director of professional committee of China Art Museum Association, member of expert committee of National Contemporary Art Research Center, member of fine arts theory committee of China Artists Association, professor of Sun Yat-sen University, visiting professor of South China University of Technology, and visiting professor of Asia of Russian Repin Academy of Fine Arts.
Chinese name: Luo Yiping.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Jiangxi
Date of birth: 1955
Occupation: Professor, curator, painter of Chinese painting.
Graduate school: Central Academy of Fine Arts
Main achievements: Chinese painting, art history research, art management, exhibition planning.
Masterpieces: Images in Art History (four volumes), Lin Quan's Notes and Luo Yiping's Notes and Paintings.
Main study and work experience
1983 received a bachelor's degree from the Fine Arts Department of Fujian Normal University.
In 2000, he received his Ph.D. degree from the Department of Art History and Theory of Central Academy of Fine Arts.
197 1 year-1976 workers
1976-1985 soldiers
1986 ——1993 Teacher of Nanchang Institute of Aeronautics and Astronautics.
1993 ——1996 Teacher of Art Department of Huizhou University.
1996 —2002 Associate Professor, Department of Art History, Central Academy of Fine Arts
2002 —20 10 Associate Professor and Professor, School of Communication and Design, Sun Yat-sen University
20 10 —— currently the curator, professor and cultural research librarian of Guangdong Art Museum.
research field
On Art History
Research on Contemporary Visual Arts in China
Art communication
brief introduction
Luo Yiping, male, doctor of fine arts, professor, special allowance expert of the State Council, curator of Guangdong Art Museum, vice chairman of Guangdong Artists Association, member of expert committee of National Center for Contemporary Art Research, member of fine arts theory committee of China Artists Association, professor of Sun Yat-sen University, visiting professor of South China University of Technology, visiting professor of Russian Repin Academy of Fine Arts, and chairman of China Committee of Asian Artists Union. .
work
Images in art history (four volumes);
Flower-and-bird images in China art history.
History and Narration: Lingnan Fine Arts Publishing House, a figure in China fine arts history.
Landscape images in China's art history.
Broken Dialogue: Images in Modern and Contemporary Western Art History Lingnan Fine Arts Publishing House
Notes on Lin Quan, Lingnan Fine Arts Publishing House.
Art informatics sun yat-sen university press
Introduction to Fine Arts Lingnan Fine Arts Publishing House
Chinese and foreign art information higher education press
China Fine Arts Review 2009 1 People's Fine Arts Publishing House
China Fine Arts Review 2008 1 People's Fine Arts Publishing House
authorized strength
Executive Deputy Editor of Contemporary Art in China: 1979- 1999 (English version, Chinese version), published by Zhejiang People's Publishing House.
China Contemporary Art: 1979- 1999 (English version, Chinese version), executive deputy editor, published by Zhejiang People's Publishing House.
Contemporary Art in China:1979 ——1999 Sculpture and Pottery Volume (English version, Chinese version), published by Zhejiang People's Publishing House.
China Contemporary Art: 1979- 1999, executive deputy editor of the volume of prints, watercolors and murals (English version and Chinese version), published by Zhejiang People's Publishing House.
Deputy editor-in-chief of A Complete Collection of Chinese Painting Techniques, published by Henan Fine Arts Publishing House.
Editor-in-Chief of Contemporary Ceramic Art in China, published by Jing Ya Creative Park.
Editor-in-chief of Xu Research, People's Fine Arts Publishing House.
Painting collection
Luo Yiping's Notes and Paintings, Lingnan Fine Arts Publishing House.
Scenes and Perspectives, Phoenix Media Press.
Set of watercolor paintings of Luoyi Pingshan, a village hero, Anhui Fine Arts Publishing House.
Luo Yiping Painting and Calligraphy, China Fine Arts Publishing House.
Luoshan, People's Fine Arts Publishing House
"One hundred and thirty-two-Luo Yiping's Chinese Painting Sketch", Phoenix Media Press.
Art appraisal Luo Yiping's landscape painting collection People's Fine Arts Publishing House
Taste Like Luo Yiping's Sketch Scenery, People's Fine Arts Publishing House.
thesis
Cultural Welfare and Civil Rights in the Art Gallery Era —— Art Watch No.5, 20 14
Create a new landmark of Guangdong cultural vision-Art No.5, 20 1 1
Walking in the Historical Context —— On Lin Yongkang's Oil Painting Art —— Art, No.3, 20 1 1.
From single space to multiple open spaces, Art Museum, 0 1, 2065438.
I want to play the piano alone with a three-foot sword: Lin Fengmian, Lai Shaoqi and Guan Liang's Art-Art,No. 12, 2009.
Harmonious Asian Image-Art,No. 1, 2009
"Reality? Virtual environment? " -China Fine Arts AppraisalNo. 1, 2009.
Lai Shaoqi's significance to the development of Chinese painting in the 2nd 1 century —— China Art Review,No.12009.
Cosmic Consciousness and Poetic Feelings —— China Art Review,No. 1 2009
Great Beauty Portrait with Great Brush and Ink —— Xu's Landscape Paintings —— China Art Newspaper, March 6, 2009
National Narration and National Collective Memory in Color —— Art Observation, No.2, 2008
We must resist the creative tendency of China's contemporary art to "demonize China" —— Art Watch, No.4, 2008
"Enlighten the mind by reaching the Tao, and shrink painting by doing nothing" —— China Art Review,No. 1, 2008.
"Be Virtual, Be Quiet: Zhang Gu's Landscape Art", China Art Review,No. 1, 2008.
Writing Literati and Literati's Writing —— Talking about Literati's Writing from Mr. Chen's Ink Painting-Calligraphy Art, No.5, 2008
Living Poetically: About "New Orientalism" —— Contemporary Art, No.3, 2008
Creation is cast in the heart, and images come alive with pen and ink —— Research on Ink and Wash, No.2, 2009
"The Realm Without Me" and "The Realm with Me" —— Text Strategy of Chinese Painting Creation —— Literature Research, No.2, 2007
Pen and Ink, Schema and Spirit —— Literature Research, No.2, 2003
The application of computer appearance measurement technology in the study of art history —— Art research,No. 1, 2004.
Talent and Culture-Art Research,No. 1, 2004.
Out of the "Monologue" State —— My Opinion on the Present Situation of Digital Art —— Art Watch, No.6, 2005
Auspicious Land of Qin —— Art Observation, No.3, 2005
"Creating the Environment with Silence, Creating Silence from the Environment" —— Art Watch, No.2, 2004
Media and Art Production —— Art Watch,No. 1, 2003
The Cultural Identity of Artists —— Art Observation, No.4, 2003
Between Words, Images and Meaning —— Art Observation, No.3, 200 1
Artist, Show Your ID Card —— Plastic Arts, No.4, 2003
Looking at Spirit through Innocence —— Rong Baozhai, No.2, 2005
Tradition and Transcendence —— Rong Baozhai No.3, 2003
Media is art, and media is idea —— Art Circle, No.6, 2004
A drop of water in Caoxi, several mountains in Meijia —— Master's Gate, No.8, 2005
The Meaning of Lines: the Pursuit of Visual Musicality of Calligraphy —— Appraisal of Calligraphy and PaintingNo. 1, 2005
Green tea, saxophone and wilderness-collection and auction,No. 1, 2004
A Precious Record: Teaching of Hu Yichuan and Maksimov Oil Painting Training Course-The First Issue of China Painting and Calligraphy.
His Dialogue with God: On Lai Shaoqi's Art-Ink and Wash, No.3, 2002.
Culture Determines Art Form —— Ceramics: Art and Perception 200 1 46
Between Tradition and Modernity —— Art Circle, No.6, 2002
The Image of Weeds —— Sinochem Cultural IllustratedNo. 1 2002
Culture Determines the Country —— Jiangsu Pictorial,No. 10, 200 1
Before "Mud and Fire" —— Artist, No.5, 200 1
The Application of Pythagorean Aesthetics in Medical Aesthetics —— China Journal of Medical Aesthetics and Beauty, No.6, 200 1.
Brief Analysis on the High Map of Lushan Mountain —— Rong Baozhai No.5, 2000
Idea, Infinity and Freedom —— China Ceramics,10,2000
monograph
"Elegance and Elegance —— Opening of Guangdong Art Museum15th Anniversary Collection Exhibition"
Meta-problem —— Back to the Art Museum itself —— Opening monograph of the 4th Guangzhou Triennial: Meta-problem —— Back to the Art Museum itself
Visual Perception and Visual Art: Re-questioning of Meta-question —— Monograph of the 4th Guangzhou Triennial Theme Exhibition: What Do You See?
Contradictory Ink-wash Schema —— Female Care in Left Painting —— The third topic of the 4th Guangzhou Triennial: Dimensions —— Three case studies
Heaven: Questioning the Ultimate Meaning of Man —— The Special Project Paradise of the 4th Guangzhou Triennial
China Fine Arts Synchronized with Social Development —— Monograph of the18th Asian International Fine Arts Exhibition
Media is Art, Media is Idea —— Monograph of the 9th Asian International Art Exhibition/kloc-0.
Rhetorical Strategies of Images —— Topics of the 2nd1Asian International Art Exhibition
Integration and Infiltration —— Special Topics of the 22nd Asian International Art Exhibition
Harmonious Asia and China —— Special Topics of 23rd Asian International Art Exhibition
Talking about Paper and Ink in the 20th Century: Monographs on Point, Radiation and Depth: China Contemporary Art Exhibition, Hunan Fine Arts Publishing House.
Lingnan Fine Arts in the Cultural Background of the Late Qing Dynasty —— Collection of Essays of a Generation of Elegance and Famous Chinese Paintings in the 20th Century.
Context, Language and Concepts: Written in the Twenty-five Years of Cao Cao Society —— Shanghai Painting and Calligraphy Publishing House in the Twenty-five Years of Cao Cao Society
Publicity of Contemporary Ceramic Art in China —— Proceedings of the International Symposium on Ceramic Art —— Published by Jing Ya Creative Park.
"Don't Ask for Gains and Losses" —— A Special Paper on the Invitational Exhibition of Teachers' Works in Guangdong Universities
Charm of Oil Painting Preservation —— Oil Painting Preservation Technology and Research Example Preface
The Narrative Power of the Narrative Structure of Sun Ge's Figure Paintings —— Preface to Sun Ge's Works
The Original Way —— Lu's Porcelain Embedding Art and Clan Culture —— On Lu's Porcelain Embedding Art
The Sound of Flowers Blooming —— Musical Expression of Qian Lingge's Abstract Paintings —— Monograph on the album The Sound of Flowers Blooming —— Qian Lingge's Art
manager
20 14, "danqing jinghua-20th century Beijing Chinese painting", Guangdong art museum.
20 14, "28th Asian International Art Exhibition", Guangdong Art Museum.
20 14, "Unprecedented Sound-Parallel Exhibition of Documents and Cases in the 55th Venice Biennale", Guangdong Art Museum.
20 13, "Asian Art Curator Forum", Guangdong Art Museum.
20 13, "ode to style and elegance-opening of Guangdong art museum15th anniversary collection exhibition", Guangdong art museum.
20 12, "The 4th Guangzhou Triennial", Guangdong Art Museum.
20 1 1, "Printing and Image-Exhibition of Foreign Prints Collected in Guangdong Art Museum", Guangdong Art Museum.
20 1 1 year, "Heart Image-Exhibition of Contemporary Visual Prints by Local Printmakers", Guangdong Art Museum.
20 10, "Starting Point, Moving Image Space-First Exhibition of Contemporary Pavilion of Guangzhou Grand Theatre of Guangdong Art Museum", Guangzhou Grand Theatre.
20 10, "Behind the Stage-Stage Art Exhibition of Cantonese Opera", Guangdong Art Museum.
20 13, parallel exhibition "unprecedented sound" of the 55th Venice Biennale, curator of China, Venice.
He was the academic chairman of 18 (China), 19 (Fukuoka, Japan), 2 1 (Singapore), 22nd (Bandung, Indonesia), 24th (Malaysia) and 25th (Ulaanbaatar, Mongolia).
Exhibitions and solo exhibitions
18 Asia International Art Exhibition (Hong Kong) 2003
19 Asian International Art Exhibition 2004 (Fukuoka, Japan)
2 1 Asia International Art Exhibition (Singapore) 2005
2007 22nd Asian International Art Exhibition (Bandung, Indonesia)
23rd Asian International Art Exhibition in 2009 (China)
2009 24th Asian International Art Exhibition (Malaysia)
25th Asian International Art Exhibition (Ulaanbaatar, Mongolia) 20 10
26th Asian International Art Exhibition (Seoul, Korea) 20 1 1
27th Asian International Art Exhibition (Bangkok, Thailand) 20 12
28th Asian International Art Exhibition (Taipei, China) 20 13
28th Asian International Art Exhibition China Exhibition (Guangzhou, China) 20 14
Sunshine Milan —— Invitational Exhibition of Excellent Chinese and Italian Artists (Milan, Italy)
Elegant Ode —— Guangdong Art Museum (China, Guangzhou)15th Anniversary Collection Exhibition
Taste-Contemporary Lingnan Freehand National Exhibition (Taipei, China)
China Contemporary Excellent University Artists' Works Invitational Exhibition (China)
International Excellent Artists Exhibition (Han Guoqing Mountain City)
National Excellent Art Exhibition (China)
Commemorating the 0/00th Anniversary of the Revolution of 1911 —— Joint Exhibition of Famous Paintings and Calligraphy Works of Anhui and Guangdong (China, Anhui)
The First Lingnan Jiangnan Famous Chinese Painting Exhibition (China, Guangzhou)
Happy Greenway —— Guangdong Artists' Creation Exhibition (China, Guangzhou)
Lingnan Chunxiao —— Guangdong Ink Painting Invitational Exhibition (China, Guangzhou)
Luo Yiping Painting and Calligraphy Exhibition (Lingnan Art Museum, Dongguan, China)
Cheng Huai Wei Xiang-Luo Yiping Pingshan Watercolor Exhibition (China Guangzhou Yu Fang Club)
Taste-Luo Yiping Sketch Landscape Painting Exhibition (Damei Gallery, Guangzhou, China)
Luo Yiping Painting and Calligraphy Exhibition (China Zhuhai Ancient Garden Art Museum)
Art-Exhibition of Luo Yiping's Landscape Works (Guangzhou Art Museum)