At the end of the Northern Song Dynasty, Song Jiang and other heroes 108 relied on the natural barrier in Shui Bo to uphold justice for the sky, kill the rich and help the poor, eliminate violence and make peace, which shocked the world. Despite more than 800 years of historical vicissitudes, the traces of heroes are still vivid. Now, tourists can enjoy the stone carvings left by many famous painters and painters in Liangshan.
The most concentrated stone inscriptions are 108 cliff stone carvings next to the climbing steps. The most conspicuous place is Shu Tong's inscription "Liangshan, Shui Bo", each word is more than 2 meters high. Then there is Fan Ceng's "Hit the sky and return the water, uncover Liangshan on the Internet". Mr Fei Xinwo wrote the inscription "Famous Grass Mountain". Among them, the word "mountain" is superimposed with three words "people" to represent Liangshan heroes, and four water spots are used to represent Shui Bo. This deformation idea is really ingenious. This means that many heroes gather in Liangshan, Shui Bo. Mr. Zhao Puchu, former president of the Chinese Buddhist Association and vice chairman of the China Calligraphers Association, once wrote a poem praising the prodigal Yan Qing: "Yan Qing is Kerr, although his name is Meng Lang."
Son, don't be Li Shishi ". Wang Xuezhong, vice-chairman of China Calligraphers Association, wrote "Liang Shanqing, Shui Bo, Manchuria, Abandoning Grass, Gathering Righteousness Hall, Sword Shadows Roaring, Heroes have been left by the Imperial Court since ancient times". Mr. Liu Bingsen's "Nostalgia" is simple and solemn, with strong brushwork.
Most of the ancient stone carvings in Liangshan are concentrated on the stone wall behind the Lotus Buddha in Liantai Temple, with poetry as the main part. For example, in the Song Dynasty, Li wrote, "Dongcuiling Spring Twilight, the warbler's tongue is like willow smoke separated from spring, and it is secluded and secluded, with strange flowers and thousands of trees surrounding Jintian." Nearby, there are inscriptions on the reconstruction of Liantai Temple and Faxing Temple, which were carved in Jiajing period of Ming Dynasty and Qianlong period of Qing Dynasty respectively.
There are also plaques and couplets scattered everywhere, mostly by famous artists. The word "Black Wind Mouth" is the representative work of Mr. Sha Menghai in his later years. The tablet "Broken Golden Pavilion" was written by Fan Ceng. The plaque and couplets of Zhongyitang are all based on the description of Water Margin. The three gold-plated characters of "Loyalty Hall" were written by Liu Haisu, a master in his 90s at that time, so the inscription was "Hundred Years Old". On both sides of the door, there are two mahogany cards, which read "Never be faithful, never love wealth and never disturb the people", inscribed by Zhang Ding, the former president of the Central Academy of Fine Arts and a famous painter. On the plaque above the gate of Shuihuzhai, the words "Shuihuzhai" are written, and the couplets on both sides are taken from the conclusion of the first paragraph of Water Margin: "There are tigers and leopards in Wanzi City, and there are dragons in Liaoerwa", all from the hand of China sculptor Liu Kaiqu.