Thousand-character writing is one of the three major reading materials of traditional Mongolian studies. It is a rhyme composed of 1000 Chinese characters compiled by Zhou Xingsi, assistant minister of Liang Dynasty in the Northern and Southern Dynasties (before Sui and Tang Dynasties, words that didn't rhyme or contradict were called "pen" instead of "text").
Qian Wen Zi is an early textbook of Mongolian studies in China. Because it covers astronomy, geography, nature, society, history and other aspects, it is the best reading material for enlightening children and a vivid and excellent encyclopedia. The spread of Qian 1400 years shows that it is not only a widely circulated children's book, but also an integral part of China's traditional culture.
Many people not only read it as an enlightenment textbook, but also use it as a model for learning calligraphy. Famous monks are Zhiyong, Huai Su, Song Huizong, Zhao Mengfu and Wen Zhiming. Their works are widely circulated and have different styles, which can be described as thousands of words, various forms and great influence, promoting the spread of "Thousand Words" among the people and improving the popularity of "Thousand Words".
After the Tang Dynasty, the form of thousands of words was also widely used and studied, and a large number of works named after thousands of words appeared, such as the Sanskrit thousands of words compiled by the monk Yijing in the Tang Dynasty, the narrative thousands of words written by Hu Yin in the Song Dynasty, and the sexology thousands of words written by Xia Taihe in the Yuan Dynasty. In the Ming Dynasty, there were thousands of words of praise for adults, Lu Cai wrote thousands of words of praise, Wu Shenglan wrote thousands of words to celebrate the 70th birthday of the emperor in the Qing Dynasty, and the Taiping Heavenly Kingdom wrote thousands of words of imperial edicts. These so-called thousand-character essays have different contents, but they are all named as thousand-character essays, which shows the great influence of thousand-character essays.
Poems of a Thousand Families is a collection of poems of a thousand families in the Song Dynasty redefined by Xie Fangde (all seven-character poems) and five-character poems selected by Wang Xiang in the Ming Dynasty. This is an enlightening collection of poems in old China. Because most of the poems it selected were written by famous poets in the Tang and Song Dynasties, they were easy to learn and understand, with diverse themes: pastoral scenery, farewell to friends, homesickness, mourning for the past, chanting things, calligraphy and painting, catering, etc., which widely reflected the social reality in the Tang and Song Dynasties, so they were widely circulated among the people and had far-reaching influence. The book has 22 volumes, including 128 1 poem, all of which are metrical poems and quatrains.
Although it claims to be a thousand poems, there are actually only 122 poems in a thousand poems. According to dynasties: 65 in Tang Dynasty, 52 in Song Dynasty, 5 Dynasties 1 book, 2 in Ming Dynasty, with unknown authors and ages. Among them, Du Fu has 25 songs, followed by Li Bai, with 8 songs. The poetess only chose two sonnets written by Zhu in Song Dynasty.
Modern people often say "300 Qian Qian", that is, "Saint Amethyst", "Hundred Family Names", "Thousand Characters" and "Thousand Poems". Among them, Poems of a Thousand Families is a popular reading for children in Ming and Qing Dynasties. It was favored by readers from the beginning and was widely used as the title of "Thousand Poems". For example, thousands of poems in the Qing Dynasty, thousands of poems in the Republic of China, thousands of poems in guanting lake, thousands of poems in Lingnan, thousands of poems in Jiangsu, thousands of poems in the Five Dynasties, and contemporary.