Zhang Yihua's Artistic Features

Yan Chu studied calligraphy, inherited many pagodas and monuments, traced back to Preface to Saint Education and Preface to Lanting, and later transferred to Mi Fei and Wang Duo. He accumulated a lot of money step by step and formed his own style, which is in the same strain as traditional calligraphy.

Familiar with four books and five classics, thirteen families and twenty-four histories, a subset of classics and history, a hundred schools of thought contend, Tang poetry and Song poetry, Yuanqu, Ming and Qing novels and modern literature. He is knowledgeable, his chest is full of latitude and longitude, his writing style is thunderous, fresh and elegant, and his aftertaste is endless.

In his works, the aesthetic complex of calligraphy art, whether vigorous, graceful, ups and downs, smooth or Gu Zhuo, flows out in the layout of rules and regulations, in the five colors of dry, wet, light and dry pen and ink, in fiction and fact, back to back, interspersed and condescending stippling.

His creative environment is born of mind, emotion, foreign affairs and mind. The excellent works he created often reach the selfless state of the unity of heaven and man, and people and books are old, which fully embodies the spiritual origin of his study of Ci.

Today, with the great development and prosperity of culture, his calligraphy works are highly concerned by collectors and cultural circles, and are generally approved by all walks of life.