Many Pagodas is a famous work of Yan Zhenqing in the early and middle period. It should be said that it is not very mature (only from the perspective of a complete self-construction system), but it has inheritance and development, and it is meticulous and extremely serious. The structure is dense, the brushwork is thick and thick, the stippling is exquisite and meticulous, and the whole is dignified and beautiful, which completely has everyone's breath.
For beginners, it is absolutely enough to learn by the standards of these two peerless methods, and there is no bad problem. If you want to practice your words well, in this sense, everything is good. It is important to see which kind learners like.
Learners start with regular script, and the goal of further study until Chiang Kai-shek is regular script, official script or seal script, so there is little difference.
Duota Monument is a famous work in Yan's early days, which inherited the brushwork of the two kings more.
It has certain advantages to get started and trace back to the two kings. Liu Chengxuan's regular script pen and writing system are more rigorous and closed. It will be a very painful process to publish a post after learning and turn to the traditional calligraphy road with two kings as the mainstay.
The best way to get started with calligraphy is to start with many pagodas, because it is Yan's pioneering work, with exquisite structure and complete brushwork, enough to learn calligraphy and lay a solid foundation for entering the Olympic Games.
At this time, being meticulous and meticulous, being loyal to the original post and carefully copying at the beginning are of great significance for grasping the characteristics of Yan and Ti in detail. Moreover, the multi-pagoda rubbings are excellent and clear, easy to identify and copy, and are the best demonstration of the basic skills of painting and writing.
Dota inherited the writing system of Zhong Wang Yimai, accumulated brushwork for other regular script, and even changed it to cursive script in the future, which played an important role.
It is more or less related to Yan's later works, including Yan's running script "Sacrifice to My Nephew" (although it is not as close as Yan's relationship with Yan Hang), that is to say, it is possible to go all the way to Yan Hang.
Some people went straight to Yan Qin's Book of Rites, unaware of its harm. Admittedly, Yan seems to be easier to learn, because at this time, Yan has moved towards a rough and simple brushwork, focusing on the boundless and vigorous image.
It is unwise to learn this tablet for the first time, not only ignoring the process of learning implicit brushwork, but also difficult to understand the lofty artistic conception in Yan's works. Many people have made great progress in learning books in March, and writing is the body of veteran cadres, which really stems from this.
To sum up, it is a better choice for beginners to write multi-pagoda monuments. Before beginners have an overall understanding of calligraphy, they should reserve more possibilities for their artistic life. Walking through this door, behind the door, there is a wider world.