Li Sixun tomb
Li Sixun's Tomb is located in the north of Beiliu Brigade Village, sealed with earth and tomb. It was destroyed during the Cultural Revolution and became a flat land. One hundred and fifty-three meters south of Fengtu Site, a tombstone of Hitachi, with a telephone number on June 28th, Kaiyuan. Li Sixun is the earliest burial tomb. Li Sixun was a celebrity in the palace. He was a famous minister at that time, so he got an "excellent gift" at the funeral. According to the words contained in Li Sichuan in the Tang Dynasty, he was born in Tang Gaozong for two years and died in Xuanzong of the Tang Dynasty for eight years. After Gao Zongzhu ruled Jiangdu, Wu Zetian was authoritarian and abandoned his official position to live in seclusion. When he was in middle school, he became Zong Zhengqing and was an official of the drum country. After the Tang Dynasty, a landscape painting style was established, which was dominated by landscapes and supplemented by figures. His paintings are delicate and exquisite, and his pen is gorgeous, forming a magnificent artistic style. Later generations commented on his paintings in detail, with a "rich flavor". There is a story in history. Emperor Xuanzong of the Tang Dynasty asked him and another famous painter at that time, Wu Daozhi, to paint Jialing landscape murals in Datong Hall of Xingqing Palace. General Zuo Wuwei, an official in Li Sixun, was General Yun Hui, so he was called General Yun Hui in history. The tombstone of the famous General Yunhui Monument is the first batch of key cultural relics protection units in Shaanxi Province. The inscription is a combination of Li Yong, a famous calligrapher and writer in Tang Dynasty. Li Yong was a famous minister in the prosperous Tang Dynasty, a famous Taihe native of Jiangdu, Yangzhou. He is a hero. He is an honest official and doesn't care about details. Because Tianbao was the prefect of Beihai in the fourth year (AD 745), he was called Li Beihai. Li Yong became famous all over the world when he was young, especially when he wrote inscriptions. The biography of Li Yong in the Tang Dynasty said, "Inviting people to write articles in brocade will make the whole story different." In 747 AD, in the first year of Tianbao, Prime Minister Li was charged in the first month with tight mouth and tight stomach. Insist on killing people in Beihai County, at the age of 73. Du Fu, who was trapped in Chang 'an at that time, learned that Yong was slandered to death, and his poems were bad for people and hurt readers. Li Bai also wrote in the poem "Answering Fifty-two Nights and Drinking Alone", "If it is not Li See Beihai, where is Mo Feng's heroism now?" Didn't you see Pei Shangshu (Pei Dunfu) living in a three-foot grave of Artemisia spines? I deeply sympathize with Li Yong's tragic death. Because of Li Yong's outstanding calligraphy and articles, the monument has a long-standing reputation in the world. Unfortunately, the characters on the lower side of the monument were cut off by the villagers from the north and the south and married in the Song Dynasty, so the ancient monument is extremely precious. The monument is four meters high, one meter wide and five and a half meters thick, with a turtle-shaped seat. The inscription is in the shape of a flat peach, which reads "Monument to Li Fujun, the ancient general of Wuwei in Tang Dynasty" 12 characters. The inscription is a review of Li Sixun's life. But there is no mention of Li's painting achievements in the inscription. He thinks he is the leader of the painting circle in the Tang Dynasty, and he is famous all over the world. Why not? This is caused by the atmosphere of not attaching importance to art in the Tang Dynasty. The calligraphy style of the inscription is impressive and full of vitality. Lu Xianggong, a poet in the Ming Dynasty, wrote in the article "The Monument to General Yunhui" that Yan Jin restrained the bones and Xu Yan, and the sound of Ming in Beihai was the best. As soon as the pen is written, the wind blows and the thunder rolls, which is even worse than General Yun Hui. He spoke highly of the art of the monument to General Yunhui. The existing handwriting on the tablet is complete and clear, and it is badly chiseled and unrecognizable. This inscription is recorded in volume 32 of the Collection of Stone Inscriptions of Tongfang.