Mr. Wang Xuezhong berthed at night, and there were two words "Prince" and "Tai Weng" at night. 1925 was born in tengxian. Wang Xuezhong is currently a professor at Tianjin University, a visiting professor at Tsukuba University, the president of Wang Xuezhong Art Institute and a consultant of China Calligraphers Association.
Wang Xuezhong,
1925 10 was born in Jia Ning Village, Baogou Town, Tengzhou City, Shandong Province. The real name is Wang Nai, pen name, first name, first name is Weng, and the number is broken. 1942 was admitted to the Chinese painting department of Beijing Academy of Fine Arts in Beiping. 1945 After graduating from Qiu Shiming, Wu Jingting and Rong Geng, he transferred from the Department of Ink Painting of Beiping National Academy of Fine Arts to the Department of Painting of Central Academy of Fine Arts to study New Year pictures and oil paintings. At the same time, he also got the guidance of Qi Baishi, Huang, Xu Beihong and Li Keran. Calligraphy is profound, good in all aspects, especially good at it. 65438-0978, joined the Chinese Painting Creation Group of the Ministry of Culture. From 65438 to 0985, Tianjin University established the "Wang Xuezhong Art Institute" and served as its director. 1989 won the Tianjin Luxun Literature and Art Award. His published works include: Calligraphy Collection, China's Painting Spectrum, Wang Xuezhong's Art Theory, Wang Xuezhong's Calligraphy Theory, Wang Xuezhong's Poetry Collection, Ye Bo's Painting Collection, etc. At present, he is the vice chairman of China Calligraphers Association, the chairman of Tianjin Calligraphers Association, the director and professor of the Art Institute of Tianjin University Graduate School, the consultant of China Poetry Society, the professor of the Art Department of National University of Tsukuba, the vice president of Beijing Yanhuang Painting Academy in China, and a special painter of Tianjin Painting Academy. During the period of 1987, Wang Xuezhong Art College of Tianjin University, Wang Xuezhong Art Museum of Tengzhou and Wang Xuezhong Art Museum of Qufu were successively built. In the 1980s and 1990s, they went deep into the northwest for many times, and completed a series of representative works in the northwest, such as The Tomb of the Han Family, The Tomb of Xixia and The Tengger Sand Sea. ? His works also include Four Seasons Prosperity, Hanging Yang and Drinking Horses? ","Double Carp Map "and so on.
Wang Xuezhong In his research, Mr. Wang Xuezhong's art is well-known at home and abroad, but his successful experience is difficult and long. 1October 23rd, Wang Xuezhong was born in a scholarly family in Jia Ning Village, Tengzhou City, Shandong Province, China. At the age of five, I went to school with my teaching father and began to learn to write Chinese calligraphy. I have been practicing until 17 years old, and I have visited teachers and friends everywhere to learn painting. Later, he was admitted to the Department of Chinese Painting of Beijing Jinghua Academy of Fine Arts, where he studied calligraphy and painting with famous teachers such as Wu Jingting, Qi Baishi and Huang. Wang Xuezhong and his two disciples.
1in the summer of 946, Mr. Xu Beihong, a famous Chinese painter, became the president of Beiping National Art College. Wang Xuezhong's talent was appreciated by Mr. Xu Beihong. Encouraged by Mr. Xu, he came to Beijing National Art College for further study. ? On the day when the freshmen of the Art College reported for duty, several works combining poetry and painting caught the attention of the president Xu Beihong. President Xu smiled and said to everyone, "The author sleeps at night, and his poems, books and paintings all look a little strange." How about collectively calling them' three eccentrics'? " "。 " Sleep at night "is the pseudonym of Wang Xuezhong. Mr. Xu turned to say, "The word strange has both derogatory and commendatory meanings. Isn't' Yangzhou Eight Eccentrics' also a' freak'? Your calligraphy and painting have some interest in literati painting, but you need to work hard, have the footprints of the times, have the characteristics of things, and have the personal appearance of artists. " ? At that time, Xu Beihong personally taught oil painting and Chinese painting. Wang Xuezhong was lucky enough to hear his confession in class, and he often went to xu teacher's house for advice in his spare time. ? On one occasion, Wang Xuezhong sent a calligraphy collection he wrote to Mr. Xu Beihong for advice. After careful examination, Mr. Xu appreciated it very much. He knew that there was another name in Wang Xuezhong called "Huyan Sleeping at Night", and immediately wrote an inscription on the album: "Huyan was born as a teenager, and his book is so successful and unique. Fang's ancients were close to Beihai in the Tang Dynasty, the valley in the Song Dynasty, Ni and Wang Juesi in the Ming Dynasty, instead of Zhao Dong's secular posture. ? 1953 On the night of leaving school in July, Xu Beihong specially drew a picture of "Running Horse" for Wang Xuezhong, urging him to keep forging ahead in art? After graduation, Wang Xuezhong was assigned to teach at Tianjin University, where he has been working ever since. During this period, he is not only full of peaches and plums, but also his poetry, calligraphy and painting art are constantly maturing and developing. As Wang Guangying, vice chairman of the National People's Congress Standing Committee (NPCSC), said, "Poetry, calligraphy and painting are all beautiful"!
Wang Xuezhong and his two disciples, Wang Xuezhong, were invited to give lectures in Japan? Wang Xuezhong's calligraphy and painting art is very influential in Japan. In September, Mr Wang Xuezhong was invited to give a lecture at the National University of Tsukuba. Courses offered include calligraphy (a compulsory course for undergraduates and postgraduates) and Chinese painting (an elective course). Because of Wang Xuezhong's influence in Japanese painting and calligraphy art circles, some of his friends in Japanese painting and calligraphy circles specially invested in the construction of "Wang Xuezhong Art Research Institute". ? When Wang Xuezhong gave lectures in Japan, he made many friends in Japanese painting and calligraphy circles and forged a profound friendship. ? 1982 On New Year's Day, Kazuo Matsumura, a Japanese graduate student who studied in Wang Xuezhong, invited him to his hometown in Qiyu County for the New Year. When Mr. Wang got off the bus, Matsumura's parents knelt on the ground to welcome him. On the morning of Chinese New Year's Day, Mrs. Matsumura bought five pieces of paper for everyone to write their inner prayers on paper. Mr. Wang Xuezhong solemnly wrote down the seven Chinese characters "I wish Sino-Japanese friendship everlasting" and tied the note to the branch devoutly. Two years later, when Lady Matsumura visited China to meet the teacher, Wang Xuezhong asked, "I'm afraid the note I hung was blown off by the wind and rain." Matsumura smiled and winked and said, "Teacher, look at our 3,000 Japanese youths coming to China again. Your notes and green trees will last forever! "
Is Wang Xuezhong's calligraphy European or China's? East learning and west learning? Reading Wang Xuezhong must also start with his cultural system, which takes middle school as the main body of humanistic spirit and is based on the equality between China and the West. This has a lot to do with his rising historical period for most of his life. No matter what mistakes are made in details, it will not damage the help of New China to rebuild national self-confidence. Of course, it is much more difficult to survive and develop without help than to hold dollars in your hand, and it is also much more self-respecting and noble. Wang Xuezhong
Mr. Wang Xuezhong wrote down his ideas on many occasions: "European and Chinese, East and West". Straight talk is a gift, representing self-confidence. Now, when we look at Mr. Wang's main creative achievements, we can see that this concept has been fully practiced; This confidence is well-founded. ? As a poet, Wang Xuezhong painted mountains and rivers with poetic feelings. As Wang Xiaobo pointed out, poetic feelings are everywhere, and grand poetic works always have a moving rhythm that people will never forget. In Mr. Xue Zhong's masterpiece "Han Family Tomb", there are no trees in the empty mountain, the rocky mountain is solemn and rugged to form a silent mountain, and the Han family tomb stands in the silent sunset. This is nostalgia for the heroic era, concentrated and slightly sad. There are no people and no trees in the empty mountain. But there seems to be a lingering sound of Huo Qubing Zhuang language, "What is home?" Thousands of troops roared past, and the dust under the hoof has not yet settled. This is not only tolerable for sadness, but perhaps the atmosphere of Cao Mengde's short songs can be used as a considerable analogy! Sad but not depressed, there is a deep agitation and heaviness hidden in it, which is where Wang Xuezhong is higher than ordinary landscape painters, and it is a painting of the poet's feelings. Let's take a look at the outstanding landscape painters in recent times. Anyone who can be called peerless romance is full of poetry. Fu Baoshi, like Li Taibai, depicts a rather unique style of "hair-trigger, a thousand valleys relax"; Lu approached Su Zizhan, sang "The River of No Return" and came to Chibi West ... This is the unique charm of China's painting, which forms a harmonious and unified whole with poetry and calligraphy and can never be separated mechanically. ? Wang Xuezhong's works technically decompose his landscape works, and his techniques fully embody the cultural proposition of "European style and Chinese style", which is different from Qi Baishi's landscape painters such as Qi Zihe. His techniques are not changing within the tradition, but almost similar to Xu Beihong's fusion of things regardless of priorities, and the superposition of colors in his works is closer to the techniques of western painting. At the same time, they were also inspired by Liu's rubbings, but everything. This kind of weakness and humility that has broken through hundreds of years is the embodiment of mainstream culture, the embodiment of the spirit of Confucianism governing the country and the world in painting, the recollection and development of the spirit of great men, and full of poetic and fierce masculine beauty. On the one hand, this pure artistic conception of a great man lies in his own poetic temperament, which allows him to control the general direction. On the other hand, when it comes to techniques, we have to admire his profound understanding of calligraphy. The swaying lines highlight the China spirit of the works-as we all know, lines may be the most important China element in painting. It is the foundation for Wang Xuezhong to become a great craftsman to express his pure and innocent spirit and masculine beauty through comprehensive and changeable techniques. ? The temperament of Wang Xuezhong's landscape art comes from his stability after grasping China culture, and also lies in his balance and softness in combining eastern and western techniques. For Mr. Wang Xuezhong, who is in his seventies, his painting state is more progressive and more individual than that of young and middle-aged landscape painters. He has a noble personality and strong sense of self-existence. In contrast, his flower-and-bird figures can be said to be well painted, but they are not noble. ? As far as Wang Xuezhong is concerned, the establishment of the style of "European style and Chinese style" has brought the confidence of "learning from the east and using the west", and he has indeed practiced the ideal of learning from the east and using the west.
Ms Liao, director of Xu Beihong Memorial Hall, made this comment on Mr. Xu's Art and Man:
"Wang Xuezhong is a great man. He has met many difficulties and setbacks in his life, and he has come all the way. Regarding his artistic achievements, Hong Bei said that his calligraphy is extraordinary. His later literati paintings, I think, are also very successful and artistic. In his later years of illness, he has been engaged in cultural and artistic activities. This spirit is great. "