Where I am waiting for my husband, the river is surging. A woman turned to stone and never looked back.
After days of rain, pedestrians return to stone.
Cao Xueqin, a self-painted stone
Love this perforated stone, exquisite and natural.
Tracing back to the source, in which year will it fall into the world?
If you are willing to go back to the end and have nothing, you can make up for it.
Be a stubborn little fairy without asking for more rewards.
Shuangshi Baijuyi
There are two stones, strange and ugly.
Commonly used incomparable, people don't take it.
The knot begins with the embryo and ends at the mouth of Dongting.
Always stay in the waterfront, once in my hands.
Come to the county to wash away the dirt.
The hole is deep in black smoke and thick in moss.
The old dumplings are flat, with Gu Jian as the head.
Suddenly I suspect that the sky is falling, unlike this world.
One can crumble, and the other can store my wine.
The steep mountain is several feet high, and the depression can accommodate a fight.
Five strings are on its left, and a cup is on its right.
Depression is not empty, and Yushan has been depressed for a long time.
Everyone has his own hobbies and wants his spouse for everything.
I'm afraid of juvenile court. I can't afford to get old.
2. Idioms describing Chinese painting include dragon and snake writing, Mo Miao writing, dragon and snake writing, silkworm head swallowtail, hiding its head and protecting its tail, sinking happily, being calm and happy, beginning to learn graffiti, ups and downs, opening grass in Ding Town, forever grass in Ding Town, flying dragons dancing with phoenix, being full of muscle and strength, floating in phoenix pools, flying dragonflies in phoenix dances in ancient times. Eager to rush to spring, eager to be angry with horses, eager to rush to spring with deer, eager to learn from the back of paper, study in the pool, stick one's bones and tendons, fly and dance, fly like dragons and phoenixes, fly like dragons and snakes, stretch and bend like dragons, jump and lie like tigers, change like Rowen Hu Zhen, Rowen Hu Zhen and leopards. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pen, Tang Lin posts gold, draws a silver hook with iron, spits a silver hook with jade, Wang Yang is arrogant, Wang Yang is arrogant, and literary talents are illusory, writing Lei Feng and Lu Xian. Can't learn the sword, Yan Jia hunger, Yan Gu Liu Jin, Yan Gu, Yan Gu, a word to see the heart, silver hook tail, silver hook iron painting, silver hook jade spit, a cloud that surprises the dragon, a right army habit, jade Chu, a subtle spring breeze, a fine pen and ink, a unique face, an informal rope ink. Click on the screen to become a fly, draw symbols, carve ice and paint fat, spread from east to west, compete for fame and gain, break the pipe, break the pipe, break the porridge, break the ruler, break the inch paper, white and black, white and black, steep. Painting shadows and figures, painting fat and carving ice, there are poems in the painting, which are freely flowing, freely flowing, vivid and fragrant, difficult to fire, three hairs on the cheeks, such as painting mountains and rivers, golden pot of ink, carving jade pheasants without salt, abrupt stones, thunder and lightning, vivid, vivid, written as flies, buying king sheep, eyebrows and eyes vivid, painting ghosts.
3. What words are used to describe painting? 1. lifelike [xǔ xǔ rú shēng]: refers to the artistic image is very lifelike, just like living.
2. Make the finishing point [Huàlóng di m n jóng]: It originally described the painting wonders of Zhang Sengyou, a painter in the Liang Dynasty.
3. Vivid [huó líng huó xiàn]: Vivid description makes people feel as if they have seen it with their own eyes.
4. Stunning [tàn wéi guān zhǐ]: exclamation: appreciation; Guanzhi: It's enough to see here. It means to praise what you see to the extreme.
5. Supernatural [chshén rüHuà]: extremely superb realm. Describe the achievements of literature and art.
Make sentences:
1. The birds in this painting are lifelike, just like flying with open wings.
2. The story that makes the finishing point comes from Zhang Yanyuan's Famous Paintings of Past Dynasties in Tang Dynasty.
I was surprised to see the little girl draw a lifelike tiger after three or two strokes.
Qi Baishi's shrimp painting reached a superb level. No one knows how many live shrimps he observed and how many times he drew them.
5. The paintings of the old man Baishi are superb and breathtaking.
In this beautiful and rich city of Hangzhou, there is a folk artist-Wu Jingyuan.
Wu Jingyuan, a native of Hangzhou, was born in 196 1, and his pen name is Yun. When I was young, I was fascinated by calligraphy and painting and always visited famous teachers. Ask for advice with an open mind and benefit a lot.
He studied under Jin, Ishida and others, and was good at flowers and birds, landscapes, figures and traditions. The pen and ink are thick, compact and self-contained ... The second sentence My ideal painter always has long hair, wears unique clothes and always exudes artistic atmosphere.
But the meeting with Mr. Tang Zhuanghuai completely broke my ideal. He dresses appropriately, has a gentle tone and always has a smile on his lips. He not only talked to me about painting, but also talked about ancient and modern times ... I studied Chinese language and literature and really admired it. From the conversation, I suddenly realized the aura of his Down's Lotus, and his painting charm left a deep impression on me.
The third sentence Mr. Xu Shuzhi's painting collection is full of poetry, with paintings in poems and poems in paintings. During his arduous migration, he showed the pride of shepherds, such as "singing camels away from the world beyond the Great Wall", "camel bells break the autumn in Qian Shan" and "how difficult it is to climb mountains and mountains". Express the kindness of shepherds in high mountains and dense forests, such as "Feng Ling goes straight to the top of the green hill", "raising deer in the depths of pine forest" and "poplars come to herd cattle in thousands of obstacles"; Show people's joy in labor, such as "There is milk fragrance floating on the Ili River" and "Busy except winter clothes"; Show people's love in the leaves of konoha, such as "the scenery suits people's feelings" and so on.
Mr. Xu Shuzhi's pen and ink are affectionate, touching and touching. The pictures show the touching feelings of Xinjiang people who love life, love labor, miss their homeland and are optimistic and humorous. At the same time, it also reflects Mr. Xu Shuzhi's aesthetic taste and cultural and artistic accomplishment.
Fourth sentence Southern Song Dynasty painter. Monk, a native of Muxi, was born in Sichuan (present-day Sichuan). The date of birth and death is unknown. 13. He mainly engaged in artistic activities in the 1960s and 1980s.
【 Guo Juxia (Assistant Minister of Ministry of War, Kande), Xuanhe was built in Changsha and became a monk. In the Southern Song Dynasty, Li Zong and Du Zong were monks of Changqing Temple in Lin 'an (present-day Hangzhou), and Yuan Erbianyuan (1202- 1280), a Japanese monk, was a quasi-Buddhist monk in Jingshan (1650). Have a good sex life and drink like a dog.
Honest and upright, dare to hurt the traitor Jia Sidao. After being hunted down, he avoided disaster at Qiu's house in Shaoxing. To the Yuan Dynasty, he died in Wannian Temple in Tiantai Mountain.
Chang Fa is both a Buddhist interpreter and a talented painter. Works, landscapes, Buddha statues, figures, dragons and tigers, apes and cranes, birds, trees and stones, Yan Lu, etc. , can be written as prose, great determination, subtle ink method, simple form, endless aftertaste.
He inherited and carried forward the simple brushwork of Shi Ke and Liang Jie, and influenced Shen Zhou, Xu Wei, Bada and the "Eight Eccentrics of Yangzhou". Although he was given a cold shoulder when he was born, he pioneered the ink-wash play of later scholars, Zen monks and monks, which had a great influence on the development of Japanese ink-wash painting and was hailed as "the great benefactor of Japanese painting".
Lie Bin 5: Russian realist painter Lie Bin and French painter Monet are both notable important figures in European art history at the end of19th century. Their art spread in the east and west of Europe, and its influence extended to the whole 20th century.
Rousseau, who transformed from an amateur painter to a modern master of simple drawing, is a typical painter who has successfully taught himself. His works blend reality and dreams, and are full of natural and primitive innocence.
Mr. Xue Zhai studied literature and art since childhood and was good at painting and calligraphy. He is a famous painter and calligrapher. After the Revolution of 1911, he made a living by painting and calligraphy. As early as 1930, he taught in the Fine Arts Department of Fu Jen Catholic University as a professor and head of the department.
And organized the "Song Feng Painting Society" to study the art of Chinese painting and cultivate a large number of talents. Good at painting landscapes, horses, cymbidium and so on.
Mi Fei and Zhao Mengfu, two calligraphers, are integrated with Mi and Zhao, and have a unique and elegant charm. He is also a guqin musician. Shortly after the liberation of New China, he participated in the organization of Beijing Guqin Research Association, contacted his peers, learned about Guqin art, and spread and developed traditional ancient music.
The seventh sentence Ying Yeping still abides by "pen and ink should keep pace with the times". The times need the creative concept of fine products, repeatedly temper the painting language, diligently explore the forms of expression, melt and cast the ancient and modern, and strengthen the personality, which has made indelible contributions to enriching and perfecting the pen and ink techniques of modern ink painting. In his later years, the pen and ink tend to be thick, concise, carefree and vigorous. He is good at depicting rocks, trees, flowing springs and village houses with simple and elegant calligraphy, and at the same time, he is dizzy and rubbed with varied pen and ink.
Increase the thickness and layering of objects, replace dots and lines with blocks, leave blank and blur in some areas, show light and dark levels, use colors or shades, or be elegant, and color and ink permeate each other, which has an implicit charm, both the beauty of the landscape of the South School and the massiness and naturalness of the landscape of the North School. I like painting, writing and poetry. Jia Difei's works are not good at conceptual design and rational thinking, but highlight the artist's intuition and spontaneity to life, which is the characteristic of primitive art.
The most striking feature of all primitive art is its strong vitality. As henry moore said, "This kind of vitality is a kind of thing formed by people's frank and quick response to life.
For these people, painting is not a calculation or academic activity, but a means to express strong beliefs, wishes and fears. "Jia Difei created a straightforward way, with its frankness and strong emotions.
Free imagination and sensitive forms open a pure natural door for us. Here, if we have an understanding of our own existence, we will enhance our courage and desire for life. Women have a natural love and appreciation for clothes and shoes, and Peng Wei is no exception.
When she painted these shoes and clothes, she was amazed at their beauty at first, and then at the cultural implications displayed by traditional China paper, pigments and brushes. Therefore, Peng Wei painted shoes one year and clothes the other.
Some people compare Peng Wei's paintings to her own "private paintings" because the women's shoes and costumes on these rice paper seem to be owned by a noble family or rich women and children in ancient times. Although the embroidery is printed with rich scenes of ringing bells to eat and drink, life is like smoke, and now everything is gloomy, leaving only a piece of prosperity.
Reading Peng Wei's paintings, it seems that we can feel a kind of ambiguity.
5. What thoughts and feelings are expressed in the stone paintings that are still flowing in the Tang Dynasty, and what artistic techniques are used? This is a poem. The author Shang Liu is a poet and painter. He himself likes to draw blue-green trees. This poem and painting may have been created by Shang Liu himself. According to the content of the poem, the author uses this poem and a painting to express his spiritual realm, pinning his grief and indignation that his ideals and ambitions cannot be displayed.
The first two sentences describe the stone itself, which is equivalent to the scenery in general lyric poetry. Millennium moss and a piece of faithfulness are the accumulated habits of Millennium moss and a piece of faithfulness. The general idea of these two sentences is that an old stone covered with moss appears on the picture, and its faithful essence is fully expressed through the coloring on the picture. To praise both stones and paintings is to praise yourself. God is exhausted, just like a heavy stone in Gorkon, and is ready to fall down.
The first two sentences refer to stone by painting, and the last two sentences only refer to "stone". It didn't follow the above statement, but it changed its meaning with the word "Na Zhi". "That sudden encounter was very useful, don't make up points!" Sigh suddenly, such as rock-breaking, unexpected. As far as "stone" is concerned, it is very useful, that is, it was originally a myth in ancient China, which was recorded in Huai Nan Zi and Liezi. It is said that in ancient times, there was a gap in the sky, which caused a great disaster. So, a god named Nu Wa refined the five-color stone to fill the blank in the sky. Therefore, later poets often regard refining stones to make up the sky as an extraordinary move to rectify Gankun and save the decline. Now, the author laments: When this opportunity is "mending the sky", the Thai baht is not used. As Du Fu said, "I can only pull it out to suppress embarrassment" ("A short song for Wang Lang Si Zhi"), who is it? Two words: borrow the sky to compare the world, borrow the stone to compare yourself. The upper and lower couplets fall together, but complement each other, forming a complete picture of Zhen Shiyin's unexpected encounter, which completely conforms to the author's original intention.
In the poem "Painting Stone", it is clear that painting is a thing and stone is the master; To make a metaphor, stone is the object and man is the master; Heaven is the guest and the earth is the master. Clear-cut, extensive and intriguing.
I hope I can help the landlord
Thoughts and feelings: The author uses this poem and a painting to express his spiritual realm and his grief that his ideal and ambition have not been displayed.
Artistic technique: the first two sentences depict stones with pictures, while the last two sentences only produce "stones". Two words: borrow the sky to compare the world, borrow the stone to compare yourself. Painting in the Ming dynasty is a thing, and stone is the master; To make a metaphor, stone is the object and man is the master; Heaven is the guest and the earth is the master. Clear-cut, extensive and intriguing. The upper and lower couplets fall together, but complement each other, forming a complete picture of Zhen Shiyin's unexpected encounter, which completely conforms to the author's original intention. See the above analysis for details.
I hope I can help the landlord ~
This four-line poem * * * has two meanings.
One or two sentences describe the stone in the painting, which is similar to the scenery of lyric short poems. One or two sentences: This thousand-year-old moss is possessed by a stone with solid characteristics, and it is fully displayed in the picture after careful description by the painter! These two sentences not only praised the painting well, but also praised the firmness of the stone, and also praised the fine quality and outstanding talent of the painter himself. These two sentences are ready to go, and the method of first restraining and then promoting is adopted, and mental exhaustion only needs variation.
Three or four sentences will give birth to a "stone". Use the word "Na Zhi" to change the meaning of the text: "That knowledge is very useful when you meet suddenly, so it doesn't make up for the sky." This sigh is like a rock-breaking event. What makes people stunned is that the "stone" is empty and talented, but it still does not help the opportunity of heaven!
Make some necessary explanations first: "very useful", that is, very useful, that is, "mending the sky". This involves the myth and allusion of "Goddess mending Heaven". This mythical allusion means that in ancient times, there were cracks in the sky, and the five-color stone was refined by Nu Wa, who made up the cracks in the sky. It is a great contribution that mending the sky has become an extraordinary move for later literati to rectify Gankun and turn the tide. Now, "Stone" suddenly meets the rare opportunity of "mending the sky", but "dividing Thai baht can't be used". There is no way to serve the country and the hero has nowhere to play. What a sad thing it is!
I hope I can help the landlord ~
6. Idioms describing popular art and idioms describing elegant art V. Idioms related to art and culture
Chinese idioms comprehensively reflect China's painting, music, dance, opera, calligraphy and other art forms.
In painting. This idiom means that Wen Tong, a painter famous for painting bamboo in Song Dynasty, had a complete idea before he put pen to paper, which is used to describe that he had a complete plan before he did something. "A rabbit begins to fall" describes the agility of writing in order to capture the image in painting. "Big ink" means that painting should start from the main place. "Two-pronged approach" originally means that Cao Zhang, a famous Song painter in the Tang Dynasty, can wield two strokes at the same time, and also means that two things can be done at the same time. "handy" describes skill. "Poetry in painting" describes Wang Wei's paintings in Tang Dynasty as poetic. "Cloud Moon" refers to painting when touched and dyed from the side (later also refers to composition). "Make the finishing point" refers to the key pen and ink in painting (later also refers to writing). In addition, there are idioms such as "painting a snake to add feet", "painting a tiger and a dog" and "painting fat and carving ice", which are used to ridicule the clumsiness of painting, or its futility, or even self-defeating.
Idioms and music culture are also inextricably linked. The rhythm of China ancient music is very subtle, with "five tones" and "six rhythms". "Five tones" refers to the symbol feather of the upper corner of the palace, which is similar to 123456 in notation. This idiom means that people don't understand music at all. "Changing one's palace and changing one's feathers" means changing the tune of music, and it also means that the content of things has changed. "China Merchants Carving Feathers" refers to mastering solemn music. "Law" originally refers to twelve kinds of pipes with different lengths, which are used to set the standard tone, with Huang Zhong and Lu Da as the first two laws. The idiom "Yellow Law" describes the grandeur, solemnity and mystery of music or language. "Huang Zhong destroys" means that a talented person is not appointed.
From idioms such as "playing the flute", "playing the flute", "playing the golden stone and stringed instrument", "the piano is not tuned", "bells and drums chime", "Qin Zheng beckons the instrument" and "Shengqingtong", we can know that ancient musical instruments in China include plucked instruments such as "Qin" and "Se". Idioms such as "Yellow Land", "A piece of palace merchants", "including merchants' signatures", "inviting merchants to carve feathers", "changing merchants' feathers" and "five tones and six rhythms" recorded China's unique ancient music theory and the resulting Gongdiao theory. There are also idioms such as "Zhong Qi Wei Gu", "Qin Zheng Chao Se" and "Thinking about Yan Ge" which reflect the regional characteristics of ancient music life in China. "Spring Snow" and "Xialiba People" recorded ancient music tracks, while "The Great Sound and the Sound of Hope", "The Sound Beyond the String" and "The Echoes" reflected the ancient people's pursuit of the musical realm, namely "the sound of righteousness" and "the echoes". Striving for strings and hurting bamboo reflect the effect of ancient silk and bamboo music playing different music; Striving for strings, playing bamboo and beating gongs and drums show different playing methods of different musical instruments; Qin Xin Jian Dan, Qin Broken the Strings, Qin Song and Jiu Fu, and Qin and Qi He show that ancient China people were born from music.
There are also operas, dances, calligraphy, seal cutting and painting. Like music, we can systematically and completely understand their basic characteristics from idioms. In addition, the idioms "beating drums with rubber posts", "fiddling", "the room is like a cantilever", "copper-clad iron plate", "stringed stringed instrument", "mourning bamboo" and "broken stone" respectively use the names and categories of some musical instruments, and also describe the morphological structure and performance characteristics of some musical instruments, so I won't say much here. As for "one board with three eyes" (also called "one board with one eye"), it refers to the beat of traditional Chinese opera music after the Ming and Qing Dynasties. This idiom means that words and deeds are orderly, and sometimes it means that things are rigid. Huangzhong is an ancient percussion instrument in China, which was mostly used in temples. Therefore, the idiom "Huangzhong Wafu" is used to describe literary works with high or low artistry, "Huangzhong Ruin" is used to describe brilliant talents, and "Huangzhong Road" is used to describe solemn, just, harmonious and mysterious music or words.
Calligraphy is the art of writing Chinese characters with a brush, and it is a special art gradually formed under the long-term application and development of calligraphers' aesthetics. Calligraphy is one of the excellent traditional cultures of the Chinese nation, which not only has the practical value of language, but also has the value of artistic appreciation. Many idioms in Chinese reflect the art of calligraphy, or metaphors of strokes and styles, or metaphors of judging merits and demerits. Such as: dragon and phoenix dance, tense, iron painting silver hook, Huang Ting's first stroke, willow bones and muscles, spring insects and autumn snakes, letter graffiti and so on.
In addition, for example, the idiom "step by step" means that when writing an article, the structure is properly arranged and the words and sentences are in line with the norms; "A thousand miles long" refers to a painting or a poem, which is short in length, but extremely rich in content and far-reaching in artistic conception; "Holding clouds to hold the moon" originally refers to a technique of rendering clouds to set off the moon when painting, and later refers to a technique of expressing the theme or theme through shading or profile description when painting or writing. "Suburban thinness" is a generalization of a certain artistic conception and style of poetry. "Parallel four wives and six wives" refers to the double parallelism of four-character or six-character sentences in parallel prose that prevailed in the Six Dynasties. "One word and one bead" is a metaphor for the clarity, tactfulness and roundness of singing and the essence of poetry writing. "Luan Pu Feng Bo" describes the brushwork of calligraphy. "The sword goes sideways" and "cut to the chase" describe the vigorous and powerful calligraphy with profound skill. The idioms "wear out the inkstone" and "keep waving" describe the efforts and perseverance in practicing calligraphy. "Iron flower and silver hook" describes vigorous calligraphy. Idioms such as "Dragon Leaping Tiger", "Dragon Dancing Phoenix", "Dragonfly Snake" and "Beauty Dancing Flowers" are all used to describe the beauty and vividness of calligraphy. As for the idiom "spring insects and autumn snakes", it is a metaphor for poor calligraphy. Idioms like this are really endless.
7. Idioms describe art Chinese idioms fully reflect the artistic forms of the Han nationality, such as painting, music, dance, opera, calligraphy and so on.
In painting. This idiom means that Wen Tong, a painter famous for painting bamboo in Song Dynasty, had a complete idea before he put pen to paper, which is used to describe that he had a complete plan before he did something.
"A rabbit begins to fall" describes the agility of writing in order to capture the image in painting. "Big ink" means that painting should start from the main place.
"Two-pronged approach" originally means that Cao Zhang, a famous Song painter in the Tang Dynasty, can wield two strokes at the same time, and also means that two things can be done at the same time. "handy" describes skill.
"Poetry in painting" describes Wang Wei's paintings in Tang Dynasty as poetic. "Cloud Moon" refers to painting when touched and dyed from the side (later also refers to composition).
"Make the finishing point" refers to the key pen and ink in painting (later also refers to writing). In addition, there are idioms such as "painting a snake to add feet", "painting a tiger and a dog" and "painting fat and carving ice", which are used to ridicule the clumsiness of painting, or its futility, or even self-defeating.
Idioms and music culture are also inextricably linked. The rhythm of China ancient music is very subtle, with "five tones" and "six rhythms".
"Five tones" refers to the symbol feather of the upper corner of the palace, which is similar to 123456 in notation. This idiom means that people don't understand music at all.
"Changing one's palace and changing one's feathers" means changing the tune of music, and it also means that the content of things has changed. "China Merchants Carving Feathers" refers to mastering solemn music.
"Law" originally refers to twelve kinds of pipes with different lengths, which are used to set the standard tone, with Huang Zhong and Lu Da as the first two laws. The idiom "Yellow Law" describes the grandeur, solemnity and mystery of music or language.
"Huang Zhong destroys" means that a talented person is not appointed. From idioms such as "playing the flute", "playing the flute", "playing the golden stone and stringed instrument", "the piano is not tuned", "bells and drums chime", "Qin Zheng beckons the instrument" and "Shengqingtong", we can know that ancient musical instruments in China include plucked instruments such as "Qin" and "Se".
Idioms such as "Yellow Land", "A piece of palace merchants", "including merchants' signatures", "inviting merchants to carve feathers", "changing merchants' feathers" and "five tones and six rhythms" recorded China's unique ancient music theory and the resulting Gongdiao theory. There are also idioms such as "Zhong Qi Wei Gu", "Qin Zheng Chao Se" and "Thinking about Yan Ge" which reflect the regional characteristics of ancient music life in China. "Spring Snow" and "Xialiba People" recorded ancient music tracks, while "The Great Sound and the Sound of Hope", "The Sound Beyond the String" and "The Echoes" reflected the ancient people's pursuit of the musical realm, namely "the sound of righteousness" and "the echoes". Striving for strings and hurting bamboo reflect the effect of ancient silk and bamboo music playing different music; Striving for strings, playing bamboo and beating gongs and drums show different playing methods of different musical instruments; Qin Xin Jian Dan, Qin Broken the Strings, Qin Song and Jiu Fu, and Qin and Qi He show that ancient China people were born from music.
There are also operas, dances, calligraphy, seal cutting and painting. Like music, we can systematically and completely understand their basic characteristics from idioms. In addition, the idioms "beating drums with rubber posts", "fiddling", "the room is like a cantilever", "copper-clad iron plate", "stringed stringed instrument", "mourning bamboo" and "broken stone" respectively use the names and categories of some musical instruments, and also describe the morphological structure and performance characteristics of some musical instruments, so I won't say much here.
As for "one board with three eyes" (also called "one board with one eye"), it refers to the beat of traditional Chinese opera music after the Ming and Qing Dynasties. This idiom means that words and deeds are orderly, and sometimes it means that things are rigid. Huangzhong is an ancient percussion instrument in China, which was mostly used in temples. Therefore, the idiom "Huangzhong Wafu" is used to describe literary works with high or low artistry, "Huangzhong Ruin" is used to describe brilliant talents, and "Huangzhong Road" is used to describe solemn, just, harmonious and mysterious music or words.
Calligraphy is the art of writing Chinese characters with a brush, and it is a special art gradually formed under the long-term application and development of calligraphers' aesthetics. Calligraphy is one of the excellent traditional cultures of the Chinese nation, which not only has the practical value of language, but also has the value of artistic appreciation.
Many idioms in Chinese reflect the art of calligraphy, or metaphors of strokes and styles, or metaphors of judging merits and demerits. Such as: dragon and phoenix dance, tense, iron painting silver hook, Huang Ting's first stroke, willow bones and muscles, spring insects and autumn snakes, letter graffiti and so on.
In addition, for example, the idiom "step by step" means that when writing an article, the structure is properly arranged and the words and sentences are in line with the norms; "A thousand miles long" refers to a painting or a poem, which is short in length, but extremely rich in content and far-reaching in artistic conception; "Holding clouds to hold the moon" originally refers to a technique of rendering clouds to set off the moon when painting, and later refers to a technique of expressing the theme or theme through shading or profile description when painting or writing. "Suburban thinness" is a generalization of a certain artistic conception and style of poetry. "Parallel four wives and six wives" refers to the double parallelism of four-character or six-character sentences in parallel prose that prevailed in the Six Dynasties. "One word and one bead" is a metaphor for the clarity, tactfulness and roundness of singing and the essence of poetry writing. "Luan Pu Feng Bo" describes the brushwork of calligraphy. "The sword goes sideways" and "cut to the chase" describe the vigorous and powerful calligraphy with profound skill.
The idioms "wear out the inkstone" and "keep waving" describe the efforts and perseverance in practicing calligraphy. "Iron flower and silver hook" describes vigorous calligraphy.
Idioms such as "Dragon Leaping Tiger", "Dragon Dancing Phoenix", "Dragonfly Snake" and "Beauty Dancing Flowers" are all used to describe the beauty and vividness of calligraphy. As for the idiom "spring insects and autumn snakes", it is a metaphor for poor calligraphy.
Idioms like this are really endless. Literature and art: magic, Wei made up three miracles, which are absolutely wonderful. Astronomy and geography: vast territory and vast resources, sparsely populated, high-altitude political and military affairs: strategic planning, high spirits, and unfaithfulness. Etiquette and custom: reciprocity, reciprocity, three cardinal principles and five permanents, food, clothing, housing and transportation: stretched, ragged, hungry and cold, naked,