Before the Eastern Jin Dynasty, Wei was the originator of China's calligraphy, who led China's calligraphy for a hundred years and influenced China's calligraphy for a thousand years. Among them, Mrs Wei trained a generation of calligrapher Wang Xizhi for China, which stopped future generations from this mountain, and generations of calligraphers were nourished by Wei's calligraphy. Starting with Wei Heng's four-body calligraphy and Wei Shuo's brushwork, calligraphy theory and China, China's writing has been defined, and how to write China's calligraphy. Wei Calligraphy not only made the running script reach the historical peak, but also created the modern cursive script, thus making the development of cursive script reach the historical peak.
For more than 1000 years, "Wei Calligraphy" has been silent for historical and political reasons. However, generations of calligraphers, as spokesmen of Wei Calligraphy, are constantly developing the traditional culture of China.
Today, as the 72nd generation successor of "Wei Calligraphy", Wei was born and reached the peak of China calligraphy circle with a brand-new look. He studied calligraphy since he was a child, and naturally he has a unique understanding of China's calligraphy. The thousand-year accumulation of "Wei Calligraphy" has been fully exerted and embodied in him. He inherited all kinds of calligraphy popular since the Eastern Han Dynasty, inherited the ancient style, learned the ancient method, and paid attention to the study of philology and calligraphy. Anyone who has come into contact with Mr. Qi Yuan now knows that he is the Spring Flower of Wen Ruo, and his understanding of China's calligraphy is superb. He integrated Confucianism and Taoism into calligraphy culture, and took the doctrine of the mean and Taoism as the spiritual soul of calligraphy. At the same time, he integrated Taiji, Jianfa and Qigong into calligraphy, creating a unique charm of calligraphy. Mr Qian Yuan is a professional calligrapher. He said: He will walk the road that others have walked for ten years in one year, and he will keep writing every day, which can be described as one tenth. He believes that calligraphy is a high-consumption industry and needs high input to achieve high output. So he spends a lot of money on books, pens and paper every year, which leads to quantitative and qualitative changes in his calligraphy.
Anyone who collects Yuan Qi's calligraphy knows that his calligraphy, guided by running script, has formed a profound style system, which is serious and elegant, harmonious in contrast, sensible and free in organization. Yuan Qi's calligraphy can be described as "both form and spirit", which embodies the main spirit of "meeting God", "understanding with heart", "thinking with sincerity" and "observing with god" in his calligraphy creation. Anyone who has seen Mr. Qi Yuan's calligraphy thinks that Yuan Qi's calligraphy is a beautiful spiritual dance.
Therefore, Mr. Qi Yuan's calligraphy is favored by collectors at home and abroad, and his works are widely collected, from Zhongnanhai, the Great Hall of the People, the Diaoyutai State Guesthouse, the honor guards of the three armed forces and the national flag guard, and his works are collected by celebrities and politicians in more than 0/00 countries at home and abroad. Mr. Qi Yuan insists on family studies, "Confucianism and Taoism are integrated, and etiquette and metaphysics are concurrently cultivated", and his works are "graceful and fragrant trees, silent as the breeze", and another example is "beauty on stage, fairy moths painting, red lotus pouring water, blue marsh floating clouds", which pushes the writing of running script to a new peak and is called "China contemporary book sage", and his running script is also called following Wang Xizhi and Yan Zhenqing. He is a well-known calligrapher today, which shows his romantic and talent.
Nowadays, as a calligrapher with the highest value, the fastest development and the most extensive influence in the world of calligraphy, Yuan Qi's calligraphy has a feeling of "too high to be cold" and has been pushed to the forefront of the calligraphy river by history. But he regards calligraphy as life, the highest pursuit and goal of life, and is not moved by any praise or criticism. In his view, praise is people's worship of China's calligraphy and recognition of traditional culture, while criticism is that scholars among peers despise each other.
Today, when Yuan Qi's 500 running script works are published in a set of five, she will be the best interpretation of Yuan Qi's calligraphy. This set of running script works covers the most beautiful characters, words and poems in ancient and modern times. It is a complete collection of running scripts, which a calligrapher has never imagined and never had for thousands of years. It can be described as "unprecedented and unprecedented", and it is a necessary collection for learning running script.