Appreciate filial piety calligraphy with a brush;
Filial piety brush calligraphy picture 1
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Famous writers talk about calligraphy;
Famous calligraphers in the history of China have unique ideas and even outstanding contributions to the use of pens. Cai Yong in the Han Dynasty was the most outstanding talent and writer in the Eastern Han Dynasty. He said in his calligraphy paper "Nine Potential":? Fu Shu originates from nature, stands naturally, and is born of yin and yang; Yin and yang are born, and the situation is out. Hide the head and protect the tail, the strength is in it, the pen is hard and the skin is beautiful. Therefore, it is said: the situation is deep, the situation is unstoppable, and softness is strange.
Where the words are written, covered above and inherited below, which reflects the situation and has no potential.
It is more appropriate to turn the pen and review it left and right. Don't leave the program alone.
Zangfeng, pointing out the traces of entry and exit, wants to go left and right first, and then go back to the left.
Hide the head, the round pen belongs to paper, so that the pen heart often strokes.
Protect the tail, draw a gesture, and try to close it.
Sick, pecking at vegetables, still pressing the pen tightly.
Grab a pen, it's fun, it's awesome.
The potential of astringency lies in the lack of tactics.
Horizontal ruler, vertical ruler.
Although the teacher didn't teach this nine potential, it can also be combined with the ancients, and it needs a lot of calligraphy, that is, to create a beautiful ear. ?
Mrs. Wei is the daughter of the Wei family in the Eastern Jin Dynasty, and most of them are famous calligraphers. Her calligraphy is the most famous female calligrapher after Cai Mei, a personal biography of Zhong You and a secret skill of the Wei family. In addition to her achievements in calligraphy creation and calligraphy theory studies, she is also famous as the first teacher of calligraphy of Wang Xizhi, a book sage. Mrs. Wei said with a pen. The beauty of the husband's three ends, Mo Xianfu uses a pen; Among the six arts, the silver hook is the most important. ? To learn calligraphy, learn to write first. If calligraphy is authentic, write two inches and one minute. If you write cursive script, you should write three inches a minute. When you pick up the pen, you must do your best to send it. ? There are seven kinds of writing, urgent writing, slow writing and slow writing. If the pen is close but not tight, the heart and hand are uneven, and the former will be defeated; If the pen is far and urgent, the one who intends to write first wins. There are also six kinds of pens: the structure is round like seal cutting, floating like grass, dangerous like eight points, graceful and graceful, flying white, standing like a crane's head, depressed like an ancient official. ?
During the Eastern Jin Dynasty, the thoughts and behaviors of China literati changed radically, advocating individuality, liking originality and being different from others. Wang Xizhi is the most outstanding calligrapher in China. ? Abdominal bed? It's his unconventional performance, and? Choose a husband in the east bed? It is the social recognition of his bohemian behavior. Wang Xizhi lived in the mature period of calligraphy art in China, and the maturity mentioned here includes the maturity of various fonts and brushwork. Wang Xizhi wrote in "The Empress of Wei":? Wing did not dare to see the hole for three years, that is, he devoted himself to changing his tracks. Every time you make a wave, you often fold the pen three times; Every time you take a bite, it is often done in a hidden way; Every horizontal painting is like a row of clouds; Every move is like a crossbow; Every time you do something, such as falling rocks at the peak; Word of mouth bends like a steel hook; Every time you pull, you are like a dead vine; Every indulgence is like a sudden interest in walking. ? There are other ways to learn cursive script. Slow in front and fast in the back. The font situation is like a dragon snake, and it is constantly linked. It still has to fluctuate up and down on the side, and it is not allowed to be flush with a pen. ? This is Wang Xizhi's understanding, inheritance and summary of brushwork on the basis of practice. In fact, calligraphers of all ages paid attention to the study of brushwork.