These two sentences don't sound true, but there is definitely some truth.
Many people say that calligraphy should be "through the back of the paper", which is true, but many people don't understand the meaning of "through the back of the paper", regardless of whether they have studied calligraphy or not.
Through the back of a piece of paper, many people have become parrots today. Many people don't understand it. Most of them think that to penetrate the back of the paper, turn the paper over to see if the ink you penetrate is uniform. Only when it is uniform can it be considered good to penetrate the back of the paper.
In fact, this explanation is correct, but there is something wrong with this understanding.
For a simple example, many great calligraphers wrote today. If you look at their paper backs, they may be uneven. Can't they "penetrate the back of the paper"?
Let me put it this way. Smooth paper similar to kraft paper was first used in China, and it was very thick. If you are interested in going to the museum to see the original works of Jin and Tang Dynasties, it is probably understandable.
For beginners, writing on smooth paper is just like writing on A4 paper. How do you feel?
It must be "vanity"
So at that time, in order to avoid this drawback, there was a saying that ink penetrated the back of the paper. They say that the strokes are solid and the strokes are solid, not that you want to penetrate the ink into the back of the paper.
High-speed writing, a thick piece of paper, it is estimated that you will be exhausted if you want to penetrate the ink behind the paper, so don't stare at the back of the paper when you try to penetrate.
The point here is that the pen can be used quickly, but not in vain. It can't be light and heavy, but it should be uniform. As long as the force is even and rhythmic, the back of the paper must be evenly or rhythmically inked.
"Uniform" does not mean that the ink should penetrate to the back, but even if there is only a little ink penetration, it should be kept uniform.
As I said before, the most taboo of glossy paper is "fast".
Because novices can't control glossy paper well, novices usually use the rough side. Because of the high friction on paper, it is easy to learn to control the strength of the pen.
The key point to penetrate the back of the paper is not the ink, but your brushwork. Every turn is in place, and the strength of the pen is stable, even and rhythmic. These can be seen on paper, and you can see the ink without turning the back. This is funny.
Furthermore, if the ink permeates the back of the paper, you don't have to look at it now when you practice writing on rice paper. As long as the paper is not too inferior, a fool can penetrate the back of the paper with a random stroke.
The ancients said, I want to learn poetry, when outside the poem.
Through the back of the paper, what you see is not the back of the paper, let alone the paper, but the accuracy and clarity of the pen. This requires word-for-word, meticulous and clear at a glance, so that the subconscious muscle memory will be more secure and the writing will be more stable. So if you want to fix the paper without sticking it, wash and sleep. All the strength and rhythm of a person's writing are temporary.
So, is this word useful?
Useful, but basically equivalent to nonsense.
As long as you remember to stick to your post, be careful and even form a subconscious mind, that's enough.
Besides, getting to the point is similar to this.
Do you really want to cut the wood into three sections to see if there is any ink?
If you have this idea, I won't explain it. Buy a board and write it yourself.
By the way, modern polishing technology is good, but there is no such good polishing technology in ancient times.
There are burrs on the board. Anyone who has used a brush knows that this kind of board, like glossy paper, is not easy to ink as long as it is fast. Only by writing slowly and steadily can the ink be put on the blackboard.
It means that no matter how fast you write, it's useless. You must write steadily and calmly.
Those who say that penetrating wood means infiltrating ink into wood, needless to say, they certainly don't write with boards.
Penetrating the back of the paper and getting started at three points is not a test standard, but a result.
The result of correct training.
This result is not what we should blindly pursue. What we need to know is the training process.
Are you lying when you say these things?
I feel that there is nothing wrong with the text itself. It is a person who deceives others, and a person who quickly "makes mistakes" out of context only by understanding the superficial meaning of those words.
If you take a piece of rice paper and scribble on it, you can penetrate the back of the paper. If you take a polished board, it will feel smoother than a woman's thigh and there will be no ink marks. Take a few strokes casually, you won't get three points of ink, but you can also get one and a half points.
But what's the point? What does calligraphy have to do with something that doesn't need to be learned, even a fool can use a pen?
In fact, misinformation is one thing. In fact, there are many theories that are very reasonable, but modernity should be abandoned. Many things have changed because of the development of the times. You can't think with the thinking and environment of the ancients. It is inevitable to produce misinformation.
People who practice calligraphy well can realize that these words are useless; Ordinary fans are still chasing these words in confusion, either right or wrong; But those who haven't practiced these two words will definitely generalize and take them out of context.
This is the status quo.
This era is really good, and it is also the most sad era of calligraphy. Many people think that they can appreciate calligraphy, but in fact they can only understand the superficial meaning of the introductory theory, but they never admit that they are wrong, because they firmly believe that the theory of three points has only this meaning, regardless of the surface and connotation, and they have been born and raised in China for decades and studied Chinese characters for decades, and they are unwilling to admit that they have learned nothing for decades.
Just as they can count calligraphy by writing with a brush, with or without brushwork structure, as long as it looks like a word, it is better than those cursive and ugly books that people can't understand.
Really, people are so gullible nowadays. Just like Degang Guo said, just two students in big coats. Whether you have done it or not, you can say cross talk on the stage and introduce yourself as a cross talk actor to others.
It's okay. Let's all practice calligraphy. Even if you don't insist, after ten or twenty years, you will still get a group of loyal audiences who recognize you and flatter you. No matter how others scold you for being wrong, as long as you always believe that you are right, there will always be a group of people worse than you who believe that you are right.
Just two words, easy to cheat. You don't have to worry about whether you understand. As long as you tell others that you understand, a group of people who are not as good as you will believe you. To put it simply, even if someone calls me a teacher of this level, you can certainly do it. So, come and practice your handwriting if you have nothing to do. Practice first if you are happy, and maybe you will have a chance to make money later.
gain two ends at once
The source of the material is the network, and the copyright belongs to the original author!