From Wang Xizhi, Ou Yangxun, Zhang Xu and Huai Su to Su Shi and Huang Tingjian, these great calligraphers in China history are all excellent poets, writers and scholars without exception. Whether it is the literary talent in autobiographical notes or the spiritual temperament in Preface to Lanting, it is not simply a matter of calligraphy skills and techniques, but is closely related to the calligrapher's spiritual realm, cultural character and life feelings. Therefore, the prosperity of calligraphy is related to the prosperity of culture. Calligraphy carries the creation of culture, and culture ensures the continuation of calligraphy. The two complement each other.
As long as we attach importance to calligraphy, or those China people who attach importance to self-education and self-cultivation have not abandoned calligraphy, there is hope for our civilization. Because the creative activities of calligraphy, even ordinary practice activities, actually mean a humanistic education and an elegant life. In the era of globalization and the increasingly unified lifestyle, calligraphy can easily make us return to the national spirit, maintain our spiritual personality, cultural pride and sense of value superiority, and ensure that we have our own "Noah's Ark" in the materialistic and commercialized ocean.
In ancient China, there were no professional calligraphers, only literati, who were often highly cultivated. They dabbled extensively in literature, painting, history, philosophy, astronomy, geography, and even both civil and military, and were able to govern the country. Dachengguo College believes that it can seek help from ancient culture and China's great tradition. The life spirit of harmony between man and nature, the value ideal of serving the world, and the gentleman's demeanor of self-improvement still have great educational beauty and caring for human relations. The specific path and road exist in the brushstrokes of ancient Chinese characters.