Song style came into being in Song Dynasty, but it was not mature. Song Dynasty advocated imitating the styles of calligraphy, Liu Ti and European style. Until the Ming Dynasty, due to economic factors, Song Ti, which occupied a small space, gradually became popular. Due to the lack of artistic changes, this font was criticized as "craftsman-style writing" by Ming literati. Song Dong spread to Japan and was called Ming Ti by Japan. Nowadays, it has become the mainstream printing font in the cultural circle of Chinese characters.
After modern movable type printing was introduced to China, people in China have been used to reading books printed in Song Dynasty for more than 1000 years, so modern movable type also adopted Song Dynasty printing. Later, according to the rough style of western characters, rough imitation movable type was also created in Chinese character printing. At present, Song Ti, bold, imitation Song Ti and regular script have become the four main fonts in Chinese character printing.
Song Dynasty originated in the Tang and Song Dynasties and flourished in the Ming and Qing Dynasties. It has a history of 1000 years. In tangible culture, Song Ti has been used for thousands of years and has not changed much. The morphological and spiritual characteristics of Song Dynasty have also invisibly influenced China people from generation to generation.
Song Ti is a China printing font invented by China in Song Dynasty. The strokes vary in thickness, generally horizontal and vertical, with decorative parts at the end (namely "feet" or "serif"), and strokes such as dots, strokes, strokes and hooks have sharp points, which belong to white body and are often used for text typesetting of books, magazines and newspapers. Because it was introduced to Japan from the Ming Dynasty, it is also called Ming style and Ming style.
Song style was born in Song Dynasty, but it was not mature. Song Dynasty advocated imitating calligraphy style, Liu Ti style and European style. Until the Ming Dynasty, due to economic factors, Song Ti, which occupied a small space, gradually became popular. Due to the lack of artistic changes, this font was criticized as "craftsman-style writing" by Ming literati. Song Dong spread to Japan and was called Ming Ti by Japan. Nowadays, it has become the mainstream printing font in the cultural circle of Chinese characters.
After modern movable type printing was introduced to China, people in China have been used to reading books printed in Song Dynasty for more than 1000 years, so modern movable type also adopted Song Dynasty printing. Later, according to the rough style of western characters, rough imitation movable type was also created in Chinese character printing. At present, Song Ti, bold, imitation Song Ti and regular script have become the four main fonts in Chinese character printing. & gt recommended: > >; Warring States script: What font was the script in the Warring States period?
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People in China have been practicing writing in small squares and large squares since childhood. The teacher asked that the words should be written correctly and evenly in the grid according to the stroke order of the font, and they should not be biased or overstepped. They should manage the position of strokes in the grid, be humble to each other, arrange and draw each stroke well, and make good use of every small space.
There are one stroke of Chinese characters and more than a dozen strokes, such as "good" and "fixed". How to arrange the relationship between strokes of characters, and the coordination of black and white between less strokes and more strokes must be treated flexibly. It is these factors that cultivate the national character of traditional China people who are good at keeping promises and managing positions.
Songti directly inherited the spirit of China's regular script, and transformed China's regular script into printed Songti characters without trace, which deeply influenced our aesthetic taste. Founder, steady, symmetrical and balanced font structure, dignified and elegant, stretching the atmosphere, properly used, pursuing exquisite spiritual connotation, affects people's behavior all the time.
Undoubtedly, the aesthetic spirit of Songti has been deeply rooted in the spiritual temperament of the Chinese nation, and in its development, it has continuously injected the aesthetic ideals of the Song, Yuan, Ming and Qing Dynasties and the humanistic spirit connotation of the Chinese nation, becoming a splendid costume of Chinese culture.