The original text of Qianhaiguan Lotus Peak _ Translation and Appreciation

The sea breeze blows in vain, and violets pour in a hundred miles. I don't know the top of the wall. Cui Wei is in the sky. The clouds open and the peaks fall, and the island is wide and the trees are connected. After sitting for a long time, I forgot to go home. Luo's clothes are purple. -Shi Tao's "Former Customs Lotus Peak" in the Qing Dynasty, the former customs lotus peak was blown by the sea breeze, and a hundred miles of violets were used.

I don't know the top of the wall. Cui Wei is in the sky.

The clouds open and the peaks fall, and the island is wide and the trees are connected.

After sitting for a long time, I forgot to go home. Luo's clothes are purple. Shi Tao (1642—— about 1707) was a painter in Qing Dynasty and a master of Chinese painting. The tenth grandson of Zhu Shouqian, king of Jingjiang, is called Yuanji, and one is Yuanji. Formerly known as Zhu, his name is extremely high. The word Shi Tao, also known as Bitter Melon, Monk, Zi and Chen, etc. Quanzhou, Guangxi, settled in Yangzhou in his later years. Descendant of King Jingjiang of Ming Dynasty, son of Zhu Heng Jia of Yuan Zong of Nan Ming Dynasty. After his childhood was changed, he became a monk and traveled for half his life, selling paintings as his career. In his early years, he studied under the Song and Yuan Dynasties, and his painting style was sparse, beautiful and clean. In his later years, his pen was vertical, his ink was dripping, and his style was changeable, especially his picture book prose. Flowers are chic, naive and refreshing; The characters are clumsy, simple and unique. Calligraphy, poetry. Surviving works include Searching for All the Qifeng Manuscripts, Scenery and Sound, and Bamboo Stone. He is the author of Quotations of Paintings by Bitter Melons and Monks. The famous sayings are "One Painting Theory", "Seeking for Wonder Peaks and Copying Manuscripts", "Pen and ink should keep pace with the times" and so on. Shi Tao

In front of the pavilion, there are green bushes, and the phoenix stays in the misty rain. The flute tube was full of people who had not slept, and the forest was soaked by the breeze. -Bai Yuchan's Four Topics on Qifeng Pavilion in Song Dynasty has four topics on Qifeng Pavilion.

In front of the pavilion, there are green bushes, and the phoenix stays in the misty rain.

The flute tube was full of people who had not slept, and the forest was soaked by the breeze. In the foggy sky, my heart learned to do nothing. Pay attention to drinking and watching the mountains when you are free. When you get old, you will stop fighting until you die. Over the years, you will pay off your poetry debt one by one. Raising cranes today can save time and save face. -Song Bai Yuchan accompanied Wang Xianqing to the building.

In the foggy sky, my heart learned to do nothing.

Pay attention to drinking and watching the mountains when you are free.

When you get old, you will stop fighting until you die. Over the years, you will pay off your poetry debt one by one.

Raising cranes today can save time and save face. Dead wood is cold and gray, lonely and helpless, and the cloud is lonely and self-sufficient The king's life is like a dream, and I have nothing to worry about. -Song Bai Yuchan's Synchronous Coincidence of Xu An's Synchronous Coincidence of Xu An.

Dead wood is cold and gray, lonely and helpless, and the cloud is lonely and self-sufficient

The king's life is like a dream, and I have nothing to worry about.