Anyone who has seen this work will have a sense of pride, a sense of pride of China people.
The works use modern artistic means to create the word "China people". Among them, "Zhong" is the most vivid one. The author takes "people in the crotch" as the overall framework, traditional tonic ginseng as the inner bone, and muscle exercise as the rhetoric. The proportion of "middle" is very exaggerated, which symbolizes the indomitable spirit and lofty sentiments of China people. With the map of China as the framework, "Guo" shows the vast territory and rich resources of the Chinese nation in traditional Chinese. Although there are only two paintings of people, they show the charm of China people's close unity and striding forward. The whole work is profound in conception, novel and unique, smooth in brushwork, concise and lively, which makes people taste rough and heroic.
Teacher Wu was deeply touched when he talked about this work. In his early years, his parents were as tortured by the Japanese as the working people in old China. The sufferings of the nation deeply shocked his young mind, and expressing the strong wishes of the people of China with calligraphy has been buried in his heart. After 40 years of development, especially since the reform and opening up, the motherland has undergone earth-shaking changes. Mr. Wu's creative desire became stronger and stronger, and finally he finished the first draft of China People at the end of June 1985. The first draft only pursues the perfection and freedom of words, so Mr. Wang always feels that he lacks aura and atmosphere and has made five major changes. 1989 In the late autumn, this masterpiece of painting and calligraphy was finally difficult to complete.
Facing the "China people" in Wu Ying, China people are excited.
(Excerpted from Guangxi Daily on February 28th 1995)