Wang, a famous writer, wrote in "Dark Clouds in Prosperous Times-Talking about Calligraphy": Dong Fengshu can write and draw. Calligraphy has five functions, especially official script. Dong's official script is vigorous, heavy, classical, rich in stone and rich in law. At first glance, the whole work looks the same, but at second glance, it looks very different. The artistic feeling it gives people is not bookish along the way, not a feather fan black silk scarf, not charming, but magnificent, bold and unconstrained. Judging from the smell, it seems that a team with soldiers came to kill the general with weapons. Dong Fengshu's writing style goes all out, and in the ranks, there is the momentum of the Iron Horse Glacier. Some people say that reading Dong's official script is like boxing and dancing. Dong Shi's boxing is not like his. His family fights for muscles and bones. Dong Shi's fist, a lucky Zhang Chi, is four or two kilograms, and the tangible return is gone.
Zhang Hai, Ouyang Zhongshi and Dong Fengshu were elected as the first batch of China calligraphers in the series of Studies on Contemporary Calligraphy and Painting published by China Federation of Literary and Art Circles Press. The preface of the book reads: They are the leading figures of contemporary calligraphy in China, the leading figures in the calligraphy field and the masters of art; They are not only the inheritors of traditional context, but also the innovators of modern calligraphy style, and they are also calligraphers who have made outstanding contributions to the national cultural and artistic sessions.