Writing of copybooks: It depends on the strokes of the characters, the spirit of the calligrapher's calligraphy, the structure of the characters, the beauty of the calligrapher's calligraphy, the shape of the characters and the inner thoughts of the calligrapher. ?
1. Look at the strokes of characters and understand the calligraphy of calligraphers. ?
Look along the stroke order of the characters, and look at the pen, stroke and close it, so that the eyes are like a pen, the pen follows the meaning, and the strokes are thick and thin. The ups and downs with the pen are like Taishan Mountain, and the ups and downs are flying, and the pen is full of reality and reality. It is like a calligrapher who writes in one go.
Be detached from the real environment, have no distractions, concentrate on the spirit, pour all your energy into the word you read, and see how the calligrapher starts, writes, and closes the pen, with both meaning and qi in mind, so as to enter the realm of learning and superb reading.
2. It depends on the structure of Chinese characters and analyzes the beauty of calligraphers' calligraphy. ?
When you read the characters, you can basically master the writing structure of the characters. Writing with a pen is like practicing Qigong, and the font structure is the frame that binds that qi. If that qi rushes out of the frame, it will be exhausted, and Qigong will not be practiced, and so will reading and writing.
the frame is there, the spirit is there, and the structure of the word is there, so that the word has spirit and the beauty of glyph expression. The frame of font structure, that is, script, regular script, running script, official script, cursive script, seal script and so on, has its limitations and requirements. ?
the beauty of a font lies in its structure. However, everyone's qi and strength are different, and the words written are different. Therefore, the font structure has various shapes, with thick or thin strokes, fat or thin fonts, beautiful and coquettish.
3. It depends on the shape of the characters and the inner thoughts of the readers.
Calligraphy is a plastic art, which is the conclusion summarized by predecessors. Therefore, the shape of characters is very important in the process of calligraphy creation, and it is also the decisive factor for the success or failure of calligraphy creation. The font is fat, it looks round and full, and the font is thin, which looks like a spirit. The font is long, like a bamboo standing upright, and the font is flat, sitting and lying like a rock. ?
The angular font shows that the calligrapher has great personality, on the contrary, his personality is sophisticated and smooth. The ups and downs of the fonts and strokes show the natural and free spirit of the calligrapher, and the cautious pace of writing is too slow or intermittent, which shows the modesty, inferiority, frustration and down-and-out temperament of the calligrapher.