Li Shu, including Qin Li (Guli) and Han Li (Jinli).
It is generally believed that it was developed from seal script, and the glyph is mostly wide and flat, with long horizontal painting and short vertical painting.
At the beginning of the Western Han Dynasty, Qin Li's style was still used, but it began to change greatly in the Xin Mang period, resulting in the writing method of stippling. By the Eastern Han Dynasty, Lishu had produced many styles and left a large number of stone carvings. Zhang Qianbei and Cao Quanbei are the representative works of this period.
After Wei and Jin Dynasties, calligraphy, cursive script, running script and regular script formed and developed rapidly. Although the official script has not been abandoned, it has not changed much and has been silent for a long time. In the Qing Dynasty, in the wave of the revival of stele study, official script was re-valued, and famous calligraphers such as Zheng Xie and Jin Nong appeared, who made innovations on the basis of inheriting Han Li.