Question 1: What is the meaning of Wang Xizhi’s Orchid Pavilion preface? To put it simply, the Orchid Pavilion preface records that the author and many celebrities gathered at the Orchid Pavilion in Shanyin, Kuaiji, to engage in the rituals of cultivating evil spirits and drinking wine. The scene and realization of the poem.
These celebrities include Situ Xie'an, Fu Fu master Sun Chuo, the proud and proud Xie Wan, eminent monk Zhi Daolin, and Wang Xizhi's sons Xianzhi, Ningzhi, Huanzhi, Xuanzhi, and Huizhi Forty-one waiting.
Question 2: What does Wang Xizhi's "Lanting Preface" really mean? Wang Xizhi and "Lanting Preface" Wang Xizhi (303-361) was born in the Eastern Jin Dynasty. His ancestral home was Ya (now Linyi, Shandong). After moving south in the late Western Jin Dynasty, he settled in Shanyin, Kuaiji (now Shaoxing, Zhejiang), so he became a Shaoxing native. Wang Xizhi's former residence is located in Jiezhu Temple at the foot of Jishan Mountain in Shaoxing City. In Shao, he served as the internal history of Kuaiji and rose to the rank of general of the Youjun army, so he was known as the king of the Youjun army in the world. During his tenure, he was honest and upright, caring about the sufferings of the people, and was a pragmatic and upright official who served the people. At the same time, he often enjoyed writing books and raising geese. After resigning in his later years, he retired and wandered among the mountains and rivers. He died at the age of 59 and was buried in Fushan, Jinting Town, Shengzhou City. At the age of 7, Wang Xizhi became a disciple of the female calligrapher Mrs. Wei and his uncle Wu Guang. He studied hard and practiced hard. Later, he studied calligraphers such as Li Si, Zhong Yao, Cai Yong, and Zhang Chang. He learned from the strengths of others and found his own path. Wang Xizhi's calligraphy works are very rich. It is said that Emperor Wu of the Liang Dynasty collected 15,000 pages of his calligraphy. Emperor Taizong of the Tang Dynasty visited Wang Xizhi and obtained 3,600 pages of his calligraphy. Emperor Huizong of the Song Dynasty still preserved 243 pages. The ink marks that have been handed down from generation to generation are as few as morning stars, and none of the original ink remains. In addition to "Lanting Preface", the famous ones include "Guannu Tie", "Seventeen Tie", "Two Xie Tie", "Fengju Tie", "Auntie's Tie", "Kuaixue Shiqing Tie", "Le Xue Tie" Yi Lun", "Huang Ting Jing", etc. His famous cursive calligraphy work "Kuai Xue Shi Qing Tie" with Tang hooks and hooks is now collected by the National Palace Museum in Taiwan. Kuai Xue Shi Qing Tie, Wang's Boyuan Tie and Wang Xianzhi's Mid-Autumn Tie are rare treasures, collectively known as "Sanxi (rare)". During the Qianlong period, they were hidden in the "Sanxi Hall" in the West Nuan Pavilion of Yangxin Hall. . The main characteristics of Wang Xizhi's calligraphy are peaceful and natural, euphemistic and implicit, elegant and graceful. Later generations commented: "Floating like floating clouds, as graceful as a frightening dragon." Wang Xizhi's calligraphy is exquisite and beautiful, which is very beautiful to watch. In short, he introduced Chinese character writing from practicality to a state that pays attention to technique and taste, which marked that calligraphers not only discovered the beauty of calligraphy, but also could express the beauty of calligraphy. The most influential work in Wang Xizhi's calligraphy is "Lanting Preface", which is also an eternal legend in the history of calligraphy: There is a custom in the Eastern Jin Dynasty that on March 3rd of the lunar calendar every year, people must go to the river to play to eliminate bad luck. This is called [ build]. Eight years before his death, that is, on the third day of March in the ninth year of Yonghe in the Eastern Jin Dynasty (AD 353), Wang Xizhi, then the internal history of Kuaiji and the general of the Right Army, invited forty-one literati including Xie An and Sun Chuo to gather at a gathering. I built the Orchid Pavilion in Shanyin, where I drank wine and composed poems. The Qushui River Banquet is also called the Qushui Banquet. The invited guests sit by the stream. The boy puts the wine glass into the stream and moves it with the wind. Whoever places the wine glass stops will be the person. He had to compose a poem. If he couldn't compose it, he would have to drink three glasses of wine as a penalty. While everyone was intoxicated with the aftertaste of the wine and poetry, someone suggested that they compile the thirty-seven poems written that day into a collection. This is the "Orchid Pavilion Collection". At this time, many scholars recommended Wang Xizhi to write a "Preface to the Lanting Collection". Wang Xizhi was in a state of drunkenness, and he stroked his pen freely on the silkworm paper, completing the work in one go. This is the world-famous "Lanting Preface". The preface consists of twenty-eight lines and three hundred and twenty-four words. The preface describes the beauty of the mountains and rivers around Lanting and the joy of the party, expressing the author's feeling that good times do not last long and life and death are impermanent. The next day, after Wang Xizhi sobered up, he still had some unfinished thoughts. He bent over his desk and wrote the preface again on paper, but he felt that it was not as good as the original text. He didn't believe it, so he re-wrote it several times, but still couldn't get the essence of the original text. Only then did he realize that this preface was already the pinnacle of his life, and that his calligraphy art had been fully developed in this preface. Wang Xizhi's greatest achievement was to change the simple calligraphy style of the Han and Wei dynasties into a calligraphy style with exquisite brushwork and beautiful style, and pioneered the beautiful and smooth cursive calligraphy.
In particular, the running script "Preface to Orchid Pavilion" is like flowing clouds and flowing water, free and elegant, with delicate bones, beautiful pointillism, alternating density and density, and clever white and white cloth. It contains extremely rich artistic beauty within the size. No matter horizontally, vertically, dotted, left, hooked, folded or pressed, it can be said that it is the most wonderful way to use the pen to make sharp strokes. There are three hundred and twenty-four characters in "Lanting Preface", and each character has a different posture and turns freely. Wang Xizhi's superb style is not only reflected in the heterogeneity of different characters, but also more prominently in the heterogeneity of heavy characters. For example, the 20 characters "Zhi" that appear in the names have different shapes and aesthetics, and none of them are similar. Mi Fu in the Song Dynasty said in the poem "Lanting": "Twenty-eight lines, three hundred characters, the character 'Zhi' has no similarity at most. One draft." There are also important words such as "thing", "wei", "yi", "suo", "xin", "yang", "qi", "chang", "bu", "jin", "lan" and "huai". ", "Xing", "Hou", etc. are all unique and have their own wonderful compositions. Before Emperor Taizong of the Tang Dynasty, Wang Xizhi's calligraphy was known as Liang Xiao...gt;gt;
Question 3: What exactly is the Preface to the Lanting Collection? "Preface to the Lanting Collection" is also known as "The Preface to the Lanting Collection" ", "Lanting Preface", "Linhe Preface", "Ye Preface" and "Ye Tie". On March 3, the ninth year of Yonghe (AD 353) of Emperor Mu of the Eastern Jin Dynasty, Wang Xizhi, Xie An, Sun Chuo and other forty-one senior military and political officials went to "repair evil spirits" in Lanting, Shanyin (now Shaoxing, Zhejiang). Poems, Wang Xizhi's manuscript preface to their poems. "Preface to Orchid Pavilion" describes the beauty of the landscape around Orchid Pavilion and the joy of the party, expressing the author's feelings about the impermanence of life and death.
Question 4: What story does Lanting Xu’s MV tell? Plot summary:
Young Xizhihua is full of talent and good calligraphy, and he is very proud of himself. One day, when he was copying the original calligraphy of famous calligraphy in Taiwei's mansion, he who loved calligraphy fell in love with Wenjuan, the daughter of Taiwei. But the Taiwei's wife believed that Xizhi was just a commoner and not worthy of her daughter.
Later, the two met by the river. Xizhi was deeply impressed by Wenjuan's talent and beauty and wanted to come to propose marriage. Wenjuan pointed out that Xizhi was too proud and complacent, and hoped that he would learn with humility and achieve a career. Inspired by this, Xizhi spent three years traveling around the country, absorbing nutrients from the calligraphy monuments and copybooks of the past dynasties, and understood the true meaning of calligraphy. He eventually became a master of the palace (laughing) and was reused by the imperial court.
After becoming an official, Xi Zhiyi returned to his hometown and came to the Taiwei Mansion to officially propose marriage. However, he was shocked to learn that Wenjuan was about to be betrothed to someone else...
After all, the album has not been officially released yet regarding the lyrics. There must be some mistakes and it’s not too late to correct them after they come out
This MV material is taken from a domestic costume movie in 1982 (I won’t mention the name, anyone who has seen it will know it), regardless of the actors, scripts, costumes and The scenes and props are all classics
This is a real talent and beauty. I think the artistic conception and situation of the song "Lanting Preface" are a perfect match. I even suspect that Mr. Wenshan must have seen this movie. Part of the inspiration comes from this (I know that he, like me, will look for a lot of relevant information to study when planning a work)
In other words, only the movies of that year have the so-called Chinese style
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Today’s domestic costume films and TV shows are basically not as good as trash
I miss the domestic films and TV shows in the 1980s and before
Question 5: What does Lanting Preface mean? "Lanting Preface" is the preface written by Wang Xizhi to "Lanting Poetry Collection". On March 3rd of the ninth year of Yonghe (AD 353), Wang Xizhi, Xie An, Sun Chuo and other 41 people were "cultivated" in Lanting, Shanyin (now Shaoxing, Zhejiang). Everyone wrote poems at the meeting, and Wang Xizhi was Manuscripts of prefaces written by their poems. They were a group of literati, reciting poems and composing poems together.
The preface is a text that introduces and reviews a book or article. The preface, also called "narration" or "introduction", is an article that explains the purpose of writing or publishing the book, the arrangement of the book, or the author's situation. It also includes comments on the author and research on related issues. In ancient times, they were mostly listed at the end of the book, called "Postscript", also called "Postscript". The style of the two is roughly the same, so they are collectively called preface and postscript.