Why is Zhao Mengfu's poem Before and After Chibi more valuable than Qigong?

Many famous calligraphers in history have read "Red Cliff Fu", and there is no doubt that Zhao Mengfu's "Before and After Red Cliff Fu" is even better. Su Dongpo himself has a legendary world of "Red Cliff Fu". Later, Zhao Mengfu wrote about the Yuan Dynasty, Wen Zhuo wrote about the Ming Dynasty, and Dong Qichang wrote about the Ming Dynasty, becoming the prince of the Qing Dynasty. Later, Mr. Qi Gong wrote "Fu on the Red Wall". Zhao Mengfu's "Before and After the Red Cliff Fu" is a long official script, and some people say it is one of the top ten famous posts. *** 1 1 has 2 1 pages, each page is 27.2cm long and1.1cm wide. Post ***8 1 line, 935 words.

The calligraphy art of Zhao Mengfu's Red Cliff Fu is older than Qigong. Needless to say, the calligraphy art of Zhao Mengfu's "Red Cliff Fu" has been widely circulated for more than seven or eight hundred years, but less than a hundred years. If they are all auctioned at the Expo as precious cultural relics, it is obvious which is higher or lower. On the basis and creation of calligraphy art, Zhao Mengfu is certainly better than Mr. Qi Gong, not only better than Mr. Qi Gong, but also better than any famous calligrapher of China Calligraphers Association. And the quality of calligraphy art is also related to people's reputation. Zhao Mengfu still has countless fans, and Mr. Qi Gong needs to stand the test of time again.

The Red Cliff Fu written by two people has different scales and different periods. Zhao Mengfu is a very typical picture book with a long scroll 1cm. Mr. Qi Gong's role is much larger in diameter. Calligraphy and painting of different sizes, but the same font style and content, just compared with pictures, just like giving up the foundation. The enlargement and reduction of font style will endanger the differences in techniques, gestures and meanings, especially traditional calligraphy and painting, which shines in subtle details and must be handwritten to understand. Zhao Mengfu's calligraphy design style was retro and fashionable in the pre-Qin period, and it also incorporated his own brushwork, resulting in a beautiful, simple and brisk hand style, with the beauty of the Song Dynasty thousands of years ago. And Mr. Qi Gong's calligraphy art takes the road of the integration of inscriptions and inscriptions. Although it has the charm of Ming and Qing dynasties, it does not lose its own artistic characteristics of calligraphy. This is why some people think that Qi is always harmed by the calligraphy art of the Republic of China, but it is actually two different things. I wonder which calligrapher had the artistic sentiment of Mr. Qi Gong's calligraphy during the Republic of China? Enlightening the vulgarity and elegance of the old calligraphy style is a realm of life and a beauty of the times.

Considering the artistic conception of a calligraphy, the key is to look at the "mental outlook". The ancients compared the art of calligraphy to adults, and having "qi, blood, bones and muscles" is good calligraphy. Zhao Mengfu and Mr. Qi Gong's "Red Cliff Fu" belong to the traditional calligraphy art, which has a high emotional appeal. Zhao Mengfu's Fu on the Red Wall has the beauty of pre-Qin phonology, harmony and elegance. However, Mr. Qi Gong's "Red Cliff Fu" is elegant, simple and elegant, extraordinary and free from vulgarity, and has a remarkable contemporary atmosphere.