1, Ren Yuan Shang Zhuo (beside the original word Wang Zi), made good use of broken ink, and Ni Yunlin tasted it. Wet thick ink with light ink, it is dull; Use thick ink to break light ink, which is fresh and spiritual. Or break the ink, break the outline of the boundary, and make thin moss and fine grass at the boundary, which was used by people in the Southern Song Dynasty. The ultimate method is well prepared.
2. Use water for ink and water for pen. A pen with more water is called a wet pen, and a pen with less water is called a thirsty pen. Wet pen and thirsty pen are all used in painting, and they are all changing; Wet the pen first, then thirst for it. But a wet pen can't be a pig, and a thirsty pen can't be a dead wood. A dirty Taoist priest, who moistens his pen in spring rain and tears in autumn wind, is not a temporary achievement. He should practice more on Ji Xu, lifting, pressing, counting piles and turning around.
3. Taoist priests in the Ming Dynasty wrote dirty and thirsty pens, followed by Cheng Songmen and Chu Zuozhi, all of which were inevitably withered, and those who sought to moisten things such as spring rain and autumn wind could never get them.
4. Ji Mofa, Song Dongyuan, Ju Ran, Mill, Yuan Mei, Misha (Zhenwu), Special Agent.
5. Dot dyeing-Dot dyeing is suitable for all parts (generally with larger dots), and there is no general yin and yang and ups and downs on the outline. Thick ink dots should be used on the yin side and light ink dots should be used on the yang side; And point out the general leaves, moss, distant trees and so on. , or do a good job of this kind of image of the underlying pen and ink preparation.
6. Wake up-when everything has dried up, use heavy ink in the main places of several parts of the image, and then outline and dye it to highlight or expand the main spirit of the complete works and some images. Sometimes, the role of sobriety is to clarify the boundaries of various parts.
7, splashing ink must also see the pen, painting distant mountains and flat sand. It is vulgar to wear glue, and it is vulgar to seek uniformity.
8. This method was directed by the Song and Yuan Dynasties, but it was lost in the Ming Dynasty, and those who know it are extremely rare, so everything is difficult to gamble. In the Qing Dynasty, Shi Tao repeatedly used this method, such as spreading the floor with light ink, and then painting it with thick strokes and fine grass, in order to get the natural infiltration of ink and wash, so as to see its prosperity and vividness. It is also an example of breaking the light with thick ink. But it is easy to break thick, but difficult to break thick with light. In modern northern China, Mr. Qi Baishi was a flower, bird, grass and insect, and he was unique in breaking ink. However, it is more common to break the light with the thick, and it is rare to break the thick with the light.
9. Ink is black, so it is called black ink. If used properly, it can be called "bright ink". Every time in the dark place in the painting, dye another layer of ink, or dot it with extremely thick Su Mo. When it is dry, it is extremely dark here. Compared with the white place, it is "bright ink". The clever use of bright ink and the spirit of painting may depend on it and its luminescence.
10, the ink accumulation method takes Mi Yuanzhang as the most preparation, which is dense and bright in ink color. Siling tasted the title: "When it rains, the mountains and rivers show clouds." Dong Siwen's Architectural Map of Yun Qi says that Bird has more clouds to accumulate ink to supplement his clouds. For tigers, all clouds are drawn by accumulating ink. Wang Dongzhuang said that "ink painting, ink does not hinder ink; As a boneless method, color does not interfere with color; Natural colors are colored and ink is in ink. " This method of accumulating ink for words.
1 1, and the next day is round. Brush the outline, such as the words are horizontal and straight. From left to right, music and constancy are the same; From right to left, hook straight. Use the front when starting the pen, and then turn the pen back. The sealing method has a beginning and an end, and it will eventually be connected. The official body changed, Cao Zhang turned right, and the two kings closed right, taking the whole circle, that is, the same outline. Calligraphy will never change, never sag or shrink. The so-called "folding hairpin" is also a circle method.
12, Jin, Wei, Jin and Six Dynasties, with thick ink and consistent calligraphy and painting. Dongpo cloud: ink is more expensive than black, but it does not take its light. Light is not black, but real and abandoned. If it is black, but not only black, it is dim. Make it clear and not floating, as delicate as a child's eye.
13, Wang Qia in the Tang Dynasty was bohemian and drunk. After drinking, he splashed ink on paper, sang or whistled, and rubbed his feet with his hands. In terms of its shape, it is a stone, a cloud, a piece of water, and his hands are free. Just like nature, painting clouds into wind and rain is like a clever coincidence, and there are no traces of ink and dirt from above. People call it "Wang Mo".
14, one level. In ancient times, it was said that holding a pen must be expensive to hang your wrist and pinch the tube with three fingers, which means that it is flush with the wrist, wrist, elbow and arm, and the whole body's strength is transported to the pen. So is the so-called "painting sand on the spine" in calligraphy.
15, fold hair clips, brush lines, and stay strong in seeking grace; Round and beautiful, also can't become a mere formality. In terms of strength, graceful, more lost and gentle are not enough to be round.
16, four-day volume. It's neither heavy nor turbid, nor sluggish. Mihuer's pen can carry the tripod, Wang Lutai's Jingangtuo (it should be beside the wooden character, but I can't find it). Points will fall like rocks, and anger will be like crossbows. Gold is the most important, but it is soft; Iron is the most important thing, but take its show.
17, the inkstone must be clean, but there is Su Mo in the pen. Sometimes it is better to have a look. Ni Yunlin is good at his method, but he is good at understanding it. Monks in Jianjiang learn Yunlin and use sumo. The beauty of Su Mo is like using turquoise. Yuan people are simple and clumsy, but they are also good at using them.
18, the mountain has veins, the stone has edges and corners, and the hook pen (originally beside the stone) will change; The water stopped, the wood withered, and the pen for tracing shadows changed again. What has not been changed is not limited to the law.
19, learning from the paintings of the Tang Dynasty, this Wang Zai's "one water for five days, one stone for ten days" is a bit of a product. It looks like a rendering, but it's all a pen tip. This is the painter's real unique skill, which has not spread to today. How weak the painting will be in the future, and it will lose its method. Learn Song painting once or twice and Yuan painting dozens of times. For example, Wu Daozi's "300 Jialing River Waters a Day" is the first time to sketch. Painters pay attention to chalk books, not sketches, and western paintings are called sketches.
20, finishing supplement-comprehensive grasp, seriously supplement or finishing the images of each part.
2 1, seven kinds of ink methods are used in painting, which are called method preparation; Secondly, five kinds are needed; Use at least three kinds; If you are less than three years old, you can't draw.
22. The painter said that the six words are thick, dry, black, light, wet and white. You have to use the secret key of ink. When you paint near the forest, you must first mix three or five colors of ink and use them separately. This is a simple method for beginners until you are familiar with it. Gai secularized the elegance of ink and wash as the charm and dry pen as the strength, so he went astray and had no manpower to argue right from wrong for hundreds of years.
23. When the ancients used ink, they must choose fine products, not to borrow beauty from today, but to spread beauty to the future. The book of Jin and Tang Dynasties, the painting of Song and Yuan Dynasties, has been handed down for hundreds of years, and the ink color is like paint, and the gas depends on it. If you are under the ink, if you see water with strong water, dirt will seep out. In less than a few years, the ink was removed. Store ancient fine ink for a rainy day; Or add a first-class clear glue new ink to study, which is also one of the ways to use thick ink.
24. outline-intentionality is the first. Focus on the overall situation, put pen to paper from the big picture, and tick off the general outline of each part. Hook line essay, trap line essay. Holding the pen in your right hand, drawing from inside to outside is a straight pen, and drawing from outside to inside is a reverse pen. )
25, Wang Wei ink, all thick ink; Use only clear water, break the ink with water, and break the ink with water.
26. Use a pen for ink painting, especially not "dragging", "wiping" or "wiping", but "dripping". The poor scholar is hard and dirty, which makes him ugly.
27, the method of using a pen. There are clouds like "dead vines" and "falling rocks". The vines have no branches and leaves, and the stones are towering, as you can imagine. The condition is that web buckling is different from turning stroke; The tiger squatted down in a dignified posture and suddenly jumped to the foot of layered rock. What was its weight? But it is easy to be turbid, and turbidity is confusing; Heavy and thick, thick is stubborn. Make good use of the author, why take it? You know, nothing in the world is as beautiful as gold and iron. When you use an author, you should know that it is as heavy as gold and soft as gold, and as heavy as iron and beautiful as it is.
28, arithmetic points into lines, painting is also from points into lines, is to stay. Expensive brushwork seems to hinder the flow away. If you don't know how to use a pen, you should avoid being too slippery. Floating is negligence, sliding is weakness and ineffectiveness. The pen is expensive and vigorous, and calligraphy and painting are natural.
29. Use the light ink method, or the word begins with Li Yingqiu. Dong Beiyuan is plain and naive, above Bi Hong. The peaks are lingering, the clouds are gloomy, the blue is gloomy, there are salty merchants, Xiqiao Yupu, and the boat beads are hidden. Use light ink as much as possible.
30. Smooth and muddy-on the basis of the first and second steps, change again and process layer by layer. In the second step, the big yin and yang surfaces are clearly superimposed vertically and horizontally, and the veins and textures of the small yin and yang surfaces and objects are separated. (There are also straight strokes and reverse strokes, which must be used in both directions); Muddy, with ink and wash, all parts are integrated with each other and repeated, so that all parts of the image are round and thick, fully showing the sense of texture, quantity, light and shade, and the sense of distance between them.
3 1, ink accumulation method, using ink with a pen, especially in front of the meaning of "falling", the ink color is rich and beautiful, the edges and corners are light, making it natural and round, and the handwriting and ink stains are vivid on the paper. As a result, objects can be rich and delicious, as if they had never seen them before.
32. When painting Su Mo, there must be a silent and noble view in his chest, and then he will show it in a quiet and naive way. Seeing his paintings, he consciously released his feelings.
33. If you use a pen to "fold the hairpin", so does the circle. If you give birth to Guijiao in vain, it will be hideous.
34. Dai Luchuang said that Cheng painted a dry autumn wind and moistened it with spring rain. (www..Com) If you do this, you can make good use of Jiao Mo.
35. The ink splashing method began in Wang Qia in the Tang Dynasty and was very popular in Wu in the Yuan Dynasty. I learned Wu's rough brush in my later years. Therefore, "rough text"; For the monks Xi Shi and Shi Tao, I tried to chase Gui Zhong's method with ink, so as to find it right.
36. The ancients used Su Mo, like Ni Yunlin, with a high chest and a simple wrist; It uses Su Mo's thick place, which is the same turquoise. In ink and wash, there are vulgar things, but no filth, which is beneficial to Tsinghua. Only Jianjiang, a monk, can get the best.
37. Stay for three days. The pen is reviewed, the tape is reflected up and down, quiet and leisurely. The shooter bends the horse and bows, and leads without sending; Good at writing, the pen wants to be right, the potential goes against the left first, the pen wants to be left, and the potential goes against the right first. In arithmetic, points are integrated into lines, that is, calligraphy is like a leak.
38. Five changes. Li Zhuan Shu Yun said, "The point is unchanged, which means that the chess is arranged, and the painting is unchanged, which means that it is calculated." For water and fire, there must be a tendency to look back left and right and echo up and down, which will become natural. Gu Shan is surrounded by ancient water, trees and stones interact, characters tend to be ever-changing, looking at each other and having feelings.
39, can ink dripping wet, and then can Jiao Mo thirsty pen.
40. The ink breaking method is to break the light ink with thick ink on paper, or break the thick ink with thin ink; The straight pen is penetrated by the horizontal pen, and the horizontal pen is penetrated by the straight pen; They are all made before drying, and by using the natural infiltration of water, not only the sense of yin and yang, weight and thickness of the object are fully obtained; And the ink color is fresh and smart, such as seeing the rain and dew moisten, never doing it but on paper.
4 1, the beginning and the end are clear, the pen is vivid, and there is no weakness, which can be said to be plain. It's not solid ... The water has twists and turns, but it won't hurt it. The twists and turns of the pen are even more obvious. The twists and turns are clear from beginning to end. This is called plain.