Book Editor: Chief Editor Zhang Hong, Ma Chengsheng and Wang Yiyong
Book Publisher: Central Literature Publishing House
Publishing Time: 2009-10
Printing time: 2009-10
Format: 32 Number of pages: 933 pages Printed sheet: 30
Binding: Paperback Printing quantity: 1,000 volumes ISBN: 978-7-5073-2899 -8 Research on the dating and edition of "Kyomoto Tadayoshi" Li Yonghu (1)
The theory that "Water Margin" was written in the early years of Jiajing is not true
—— I asked Mr. Shi Changyu Cui Maoxin (33)
Looking at the author and the year of writing of "Water Margin" from the use of Yuanqu words Zhou Rasheng (63)
Shi Naian in Qiantang and Shi Yanduan in Xinghua are difficult to understand "Unity" Ma Chengsheng (75)
"Cangjie's creation of characters" and Luo Guanzhong's "hidden stone plaque"
——New discoveries of Luo Guanzhong's cultural relics and historical materials Meng Fanren (105)
p>Tian Tongxu (117), the great biography of Luo Guanzhong’s native place in Taiyuan
Digitization and application of the version of "Water Margin" by Zhou Wenye (127)
A brief discussion of Shi Naian's creation " "Water Margin" and Xinghua Culture Gao Chunli (169)
The origin and interpretation of the "Sister-in-law Killing" story in "Water Margin" Li Qingtang (178)
A fellow traveler of the peasant revolution, a supporter of the recruitment route Author
——The social significance of Yang Zhi and his image Shan Changjiang (188)
The rationality and illusion of Song Jiang’s ideal Wang Liandi (195)
Shallow Analysis of the filial piety of Song Jiang and Li Kui Zheng Xueyin (205)
Comparison of the narrative role of Wang Jin in "Water Margin" and the narrative role of demons in "Le Morte d'Arthur" Shi Song (209)
Like a sky-shaking lion descending from the clouds
——Wu Song's image discussion on Zhu Jianwen (217)
Jin Shengtan's criticism of the language art of "Water Margin" Shi Lin (234)
A brief discussion of "Water Margin" as a Chinese learning material
——Taking Japan as an example Lin Binhui (247)
The gold version of "Water Margin" uses the subversion and subversion of the original theme Its significance Wang Qiancheng (259)
On the significance of the description of western heroes at the beginning of "Water Margin" Xu Huimin (269)
Is "Water Margin" about heroes or bandits? Wu Yue (276)
The suspense setting of "Water Margin" Liu Zhe (316)
A brief discussion on the description of "The Tribulation Field" in "Water Margin" Wang Jianping (322)
Father's Absence and the Narrative Strategy of "Water Margin" Chu Aihua (328)
The "Desire for Money" Narrative and Structural Form of "Water Margin" Li Guikui (341)
The art of scene description in "Water Margin" Song Peixian (358)
The description and role of Taoism in "Water Margin" Chen Qingji (369)
"Special offenders are not guilty"
——Modern rhetorical interpretation of the narrative techniques of "Water Margin" Zhang Yuying (383)
Shi Jie, Taiwei and others
——Commentary " The Narrative Structure and Purpose of "Water Margin" Meng Xiangrong (392)
The cultural choices of underlying narrative in "Water Margin" Hu Jiqiong (409)
Another kind of helplessness of Liangshan heroes
——The negative impact of Confucian brotherhood ethics on the creation of Liangshan heroes Yan Tingliang (421)
The "Three Kingdoms Complex" in "Water Margin" Deng Yinghui (430)
Water Margin Loyalty and Righteousness Views and Discussions on Tian Xingguo (442)
Talk about Swords and Guns and Water Margin Zhang Zijian (463)
Tea House·Cha Xu Guangda in "Water Margin" (471)
The naming method and characteristics of ancient popular novels Ren Yongan (485)
Comparison between Liu Bei and Song Jiang on Guan Siping (495)
Fang La and Song Jiang Similarities and Differences On Hong Chunsheng (5
25)
Ji Kang and Lu Junyi’s Dream Imagery
——Jin Shengtan’s Interpretation of “The Nightmare Dream of Liang Shanbo’s Heroes” by Wang Zhenxing (533)
On “The Plum in the Golden Vase” 》Subversion of the tradition of praising "emotion" Zhang Jinde Zhang Yang (545)
Revitalizing Water Margin resources to develop tourism economy Cang Xian (560)
Typical representative of Ma Boliu
——A brief discussion on Wang Po Guan Xiangke (566) in "Water Margin"
Looking at Hangzhou Buddhist Temple Li Yanru (577) from "Water Margin"
"Water Margin" "Biography" and the relationship between Wu and Yue in Hangzhou (587)
Shi Naian's Wang Yiyong of Hangzhou (612)
The real tiger-fighting process of the fictional Jingyanggang hero
——On the artistry of Wu Song's tiger-fighting in "Water Margin" Zhang Zhenping (624)
Hangzhou gave birth to "Water Margin" Ying Shouyan (638)
"Water Margin" since the 20th century 》A brief study on character nicknames Liu Tianzhen (679)
The disharmony in "Water Margin" serves as a warning to the construction of a harmonious society Huang Ping (696)
Don't use today's "view of heroes" "To deny the heroes of the Water Margin
——A review of Huang Bo's "The Hero Shocked the Killer" Lu Hongnian (705)
Who killed the Hero of the Water Margin
—— Comment on "Water Margin" (100 chapters) Confucianism Huang Yibing (712)
Is it a "monster" or a "people's hero"
——Discuss with Duan Deming, author of "Water Margin" Chen Chongqing (726)
Zhang Dai's view of "Water Margin"
——Also discussing the cultural mentality of some feudal scholars in the late Ming and early Qing Dynasties She Deyu (732)
A brief discussion on the value of comments in Yu Xiangdou's "Water Margin" Lin Yusha (744)
The influence of the supernatural novel "Pingyao Zhuan" on "Water Margin" Yang Zihua (751)
About Discussion on the misunderstanding and misunderstanding of "Water Margin" Zhang Tongsheng (767)
The righteousness of Liangshan heroes promoted by "Water Margin" Dong Lianxiang (784)
The image of peasant uprising in "Water Margin" Re-evaluation of Song Changli (797) and "Water Margin" and "Dang Kou Zhi"
On the image of subordinate officials in "Water Margin" and "The Scholars" Wu Yingying (813)
The inheritance relationship between "Jin Ping Mei" and the dialect of "Water Margin" Yang Zihua (825)
Nuwa's intention and the masculinity of "Water Margin" Zheng Haoyan (842)
The development of the Liangshan team Three Stages Lu Ming (847)
The Beginning and Ending of the Water Margin Heroes Feng Ruchang (856)
Analysis of the Impact of "Water Margin" on Jin Yong's Novels He Qiubin (877)
A study on Cui Maoxin (891), the author of the Southern Opera "Moon Worship Pavilion"
Telling the true story of returning to the stone tablet
——The story of Water Margin turning tiles into mahjong tiles in ancient Chinese ( 907)
The Origin and Evolution of Water Margin Cards by Cao Xianfeng (913)
Xinghua: An Important Base for Ming and Qing Novels Mo Qikang (926)
Postscript (933)