When Huai Su lived in Lingling, he was so poor that he didn't even have paper to write in Chinese calligraphy. So he planted more than 10,000 plantains and splashed ink with plantain leaves, calling his buddhist nun the "Green Temple". First find a wooden pallet and a board, color it, and use it as an inkstone and tablet.
Grinding ink every day, writing every day, grinding when the ink is dry, and writing after grinding; Wipe it after writing, and wipe it before writing. Day after day, year after year, the boards are worn out and worn through.
Extended data:
It is not easy to write beautifully. Writing in Huai Su describes Huai Su's writing situation like this: "He always sees the shape of the words first, remembers the order of the words, and then writes them one by one." Huai Su's "Writing" just shows that writing should start with observing the structure of words, remembering the order of words and writing them one by one.
Students should start with observing the word structure, find out the characteristics of the word structure, build up confidence, practice hard and develop good writing habits. "A drop of water can penetrate a stone. Everything comes naturally. Only with long-term practice and accumulation can you write beautiful words.
Edited in July 2020-1 1.
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The Significance of Huai Su's Prose Creation
Translation of Huai Su's Essays
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Huai Su writes translations.
The vernacular translation is as follows: When Huai Su lived in Lingling, he was so poor that he didn't even have any paper to write in calligraphy, so he planted more than 10,000 plantains and splashed ink on their leaves, calling his buddhist nun "Qing 'an". First find a wooden pallet and a board, color it, and use it as an inkstone and tablet. Grinding ink every day, writing every day, grinding when the ink is dry, and writing after grinding; Wipe it after writing, and wipe it before writing. Day after day, year after year, the boards are worn out and worn through. "Writing in Huai Su" is a Chinese text in the first volume of the fourth grade of People's Education Press, and it is also the eighth unit text in the first volume of "Small Ancient Essays". The author is a modern Ding Yuanlin, and later generations wrote it according to Huai Su's experience. The full text is as follows: When Huai Su lived in Lingling, he was poor and had no paper to write, but he planted more than 10,000 plantains, used their leaves and named his temple "Qingtian". Lack of books is to draw a plate of books and a board, and the books are repeatedly worn out. Creative background of "Expanding Materials": Huai Su (725~785), whose word is hidden and true, was born in Lingling, Yongzhou (now Lingling, Hunan). He became a monk since childhood, and engaged in art and writing after Zen, especially in cursive script. People like to drink, so they are called "drunken monks". The temple is full of clothes, and they are at a loss. He is called a "crazy monk" because of his cursive samadhi. Huai Su began to learn calligraphy from Ou Yangxun, and later learned cursive script from Wu Tong (Huai Su's cousin). Wu Tong, a student in Zhang Xu, wrote in calligraphy. In 762 (the early year of Baoying), he set out from Lingling, passed through Hengyang, arrived in Guangzhou, stayed in Tanzhou, then passed through Yuezhou and entered Chang 'an. In 772, Huai Su returned to his hometown, passing through Luoyang, which happened to be in Yan Zhenqing. He visited the house and discussed books with monks and Confucian scholars, which became a great event in the book world. Huai Su is famous for its weeds, and like Zhang Xu, it is called "crazy vegetarian". Handed down from ancient times are calligraphy posts, autobiography posts and bitter bamboo shoots posts. Baidu Encyclopedia-Huai Su (calligrapher of Tang Dynasty)
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Huai Su's notes on writing small ancient prose can be written.
Translation of Huai Su's Essays
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Ancient Chinese Translation of Huai Su's Calligraphy.
When Huai Su lived in Lingling, he was so poor that he didn't even have paper to write on. So he planted more than 10,000 plantains, splashed ink with plantain leaves, and called his buddhist nun "Green Temple". First find a wooden pallet and a board, color it, and use it as an inkstone and tablet. Grinding ink every day, writing every day, grinding when the ink is dry, and writing after grinding; Wipe it after writing, and wipe it before writing. Day after day, year after year, the boards are worn out and worn through. When Huai Su lived in Lingling, he was poor and had no paper to write on. He planted more than 10,000 plantains and spread them with banana leaves. He called them "green skies". Lack of books is to draw a plate of books and a board, and the books are repeatedly worn out. Extended data:
Huai Su (725-785) was a famous monk in the Tang Dynasty. He became a monk since he was a child, but he always insisted on his love for calligraphy. He studied under the famous calligraphy master Yan Zhenqing. But the main achievement of his calligraphy is not regular script, but cursive script, especially weeds. His masterpiece Preface can be described as a model in the history of cursive script. This achievement is the result of his long-term unremitting practice. It is not easy to have such "achievements". Because the monk's job is to serve the Buddha, meditate and recite scriptures, and practice calligraphy, and every minute takes up all the rest time. This, Huai Su completely did it. His perseverance is amazing. Writing is also done in Four Treasures of the Study. Life in the temple is poor. You have to spend a lot of money on pens and ink. How can you afford ink stone and paper? But it didn't bother Huai Su. He managed to make his own substitute. First of all, I found a wooden pallet and a wooden board, and colored them to make inkstones and tablets. Grinding ink in the sky, writing in the sky, grinding when the ink is dry, and writing after grinding; Wipe it after writing, and wipe it before writing. Day after day, year after year, the board was worn out like this.