More rigorous
Ou Yangxun's calligraphy is rigorous, and the structure of his works is rigorous and orderly. Each character's strokes have a clear position and direction, and the layout of the whole work is also very reasonable. His works not only have a strong sense of beauty, but also show the meaning and connotation of words.
Dot painting replacement, change in the middle
The characteristic of Ou Yangxun's calligraphy is that the painting is replaced by stippling and the middle is changed. His brushwork is changeable, including the brushwork of standing horizontally instead of dots, the brushwork of short strokes instead of dots, and the brushwork of changing points in the middle. His brushwork is changeable, including straight line stippling, curve stippling and line stippling, which shows his pen and ink attainments and creative talents.
Oblique transformation, flat and dangerous
Ou Yangxun's calligraphy is characterized by oblique and positive rotation, even and neutral, and danger. His brushwork has both the composure and strength of a straight pen and the agility and charm of an oblique pen. Through oblique transformation, his glyph is more tense, but also adds a little sense of danger, giving people a unique aesthetic enjoyment. At the same time, his brushwork with risks in the middle also makes his works full of wisdom and interest. This feature makes Ou Yangxun's calligraphy works full of artistry and appreciation.
The strokes are smooth and natural
Ou Yangxun's calligraphy is characterized by smooth and natural strokes. His brush strokes not only have strong dynamic beauty, but also can show the shape and characteristics of objects. His regular script works are fluent and natural, with rigorous and orderly structure, full and powerful strokes and vivid charm. These characteristics make Ou Yangxun's regular script works occupy an important position in the history of China calligraphy and become the treasure of China calligraphy art.
Big and regular, small and lively.
The characteristics of Ou Yangxun's calligraphy are large and orderly, small and vivid. In the inscription of Liquan in Jiucheng Palace, Ou Yangxun's calligraphy presents a regular shape and a tall and straight inner shape. At the same time, the whole inscription has many changes in the rigorous composition by means of replacement, removal, increase and decrease, and the nuances show the spirit of calligraphy. Ou Yangxun's calligraphy is more unique and agile because of its conventional calligraphy style of seeking vitality in small places.