1, light and heavy with a pen.
The words on the tablet are arranged in light and heavy order, with clear light and heavy strokes and distinct levels. High-level and low-level writing pens have different weights, giving people a beautiful visual experience.
2. Dignified and dignified
The words of the ceremony tablet are dignified, simple and natural, which shows the profound cultural background and strong ceremony style of the ancients. Ritual tablet is a kind of stone carving works, which mainly records information and expresses meaning through carving knives, so it is very strong. There is obvious contrast between the pattern and the characters, which makes the characters more eye-catching, prominent and vivid.
3. Beautiful and smooth
The lines of the brush used for the memorial tablet are soft and smooth, which embodies one of the essences of the calligraphy art in the Tang Dynasty and gives people a comfortable, beautiful and smooth feeling. The style used in the ceremony tablet is both rigid and flexible, and the brushwork is exquisite and ingenious. The strokes of both rigidity and softness are unified to a high level, forming the style of architectural fonts.
Brief introduction of ceremony tablet:
1, alias of sacrificial tablet
The Book of Rites Monument, also known as the Confucius Temple Monument in Hanming House, was an inscription published in the second year of Yongshou in the Eastern Han Dynasty (156). Without the author's name, it belongs to Lishu calligraphy works, and is now in Qufu Han and Wei Exhibition Hall. This monument is a round-headed monument with a height of173cm, a width of 78.5cm and a thickness of 20cm.
2. Inscription description
Lu Xiang and Han Yi spared no effort to contribute to Confucius' uncle Yan's family and Confucius' wife's family in making Confucian temple rituals, decorating Confucius' house and Confucius' temple, and making two cars. The full-text strokes of the tablet are thin and vigorous, with light and heavy changes, tight and stretched structure, thick and oblique corners, long tail and sharp waves and simple and honest style.
3. The representative of the sacrificial tablet
Calligraphy, as a typical representative of official script in the Eastern Han Dynasty, has a high value and has always been regarded as a model of official script by inscriptions and calligraphers. The Book of Rites Monument published in the second year of Yongshou in the Eastern Han Dynasty (156) is also called the Confucius Temple Monument in Hanming House. Without the author's name, it is a calligraphy work of official script, which is now in the exhibition hall of Han Wei Monument in Qufu.