The essence of ink and wash characters
Mr. Kurnaedi's calligraphy is rooted in tradition, winning by skill, and its main aesthetic feature is elegance. His cursive script has the fluent brushwork of two kings and Sun Zi, pays attention to the combination of inheritance and reflection, emphasizes the comparison of size, thickness and reality, pursues elegance and agility in comparison, and has a strong sense of rhythm, showing a kind of life implication. The sketch part pays attention to the exquisiteness of space composition, ingenious design, interpenetration and random transformation, and also unfolds in a lively form. ...
Mr. Kurnaedi's calligraphy is rooted in tradition, winning by skill, and its main aesthetic feature is elegance. His cursive script has the fluent brushwork of two kings and Sun Zi, pays attention to the combination of inheritance and reflection, emphasizes the comparison of size, thickness and reality, pursues elegance and agility in comparison, and has a strong sense of rhythm, showing a kind of life implication. The fan of the sketch pays attention to the exquisiteness of spatial composition, ingenious design and interspersed, and the lively form is casual and exquisite. Mr. Huazhou's Chinese characters are based on Zhang Menglong's tablet, which absorbs some aesthetic features of Mr. Sun Boxiang's calligraphy from the North School. He pursues romance under the ancient style, with clean lines and vivid shapes. He also rubbed a little official script intentionally or unintentionally, giving birth to an elegant charm, and his posture was full of natural interest.
Honor record
200 1 won the bronze prize of Shandong Youth Calligraphy Exhibition (sponsored by the Provincial Calligraphy Association). In 2004, he participated in the first national calligraphy art exhibition (sponsored by China Calligraphy Association).
In 2005, he was nominated for the 4th National Book Fair (sponsored by China Book Association).
In 2005, he won the bronze prize of "China Calligraphy" in the "Yue 'an Cup" international calligraphy exhibition.
In 2005, he participated in the first national civil servant calligraphy exhibition (sponsored by China Calligraphy Association).
In 2005, he participated in the "Calligraphy Guide" international calligraphy seal cutting exhibition.
In 2005, he participated in the "Mrs Xian" Cup Calligraphy Art Exhibition (sponsored by China Book Association).
In 2005, he participated in the national calligraphy exhibition "Into Qinghai" (sponsored by China Calligraphy Association).
In 2005, he entered the 5th New Works Exhibition of China Book Circle (sponsored by China Book Association).
In 2005, he entered China Calligraphy Exhibition of Xiling Press.
In 2006, he entered the National Calligraphy Exhibition to commemorate the 70th anniversary of the victory of the Long March (sponsored by China Calligraphy Association).
In 2007, China Book Association exhibited the works of Qian, Qian Fu and Qian Long.
In 2008, his works were collected by the China Book Association and the Olympic Organizing Committee and hung in the "Water Cube" (China Federation of Literary and Art Circles
China Book Association)
In 2008, he entered the exhibition of thousands of works by famous artists of China Book Association (China Book Association).
In 2008, he participated in the "National Invitation Exhibition of Famous Regular Script Writers" organized by the Regular Script Committee of China Bookstore (China Bookstore).
20 1 1, National Calligraphy Exhibition (China Calligraphy Association, National Federation of Trade Unions) to commemorate the 90th anniversary of the founding of the Party.
20 1 1, Dexin Cup National Calligraphy Exhibition (China Calligraphy Association)
20 1 1 The 10th National Calligraphy and Seal Cutting Exhibition won the national prize (the highest prize).
Social assessment
Rooting in tradition, absorbing ancient times and constructing new ones.
Chen Hongwu
Mr Kurnaedi is a versatile calligrapher. At the beginning, Xin Mao exposed his new work in China Calligraphers' Forum, which aroused widespread concern in the book circle and received rave reviews.
Mr. Kurnaedi's calligraphy is rooted in tradition, winning by skill, and its main aesthetic feature is elegance. His cursive script has the fluent brushwork of two kings and Sun Zi, pays attention to the combination of inheritance and reflection, emphasizes the comparison of size, thickness and reality, pursues elegance and agility in comparison, and has a strong sense of rhythm, showing a kind of life implication. The fan of the sketch pays attention to the exquisiteness of spatial composition, ingenious design and interspersed, and the lively form is casual and exquisite. Mr. Huazhou's Chinese characters are based on Zhang Menglong's tablet, which absorbs some aesthetic features of Mr. Sun Boxiang's calligraphy from the North School. He pursues romance under the ancient style, with clean lines and vivid shapes. He also rubbed a little official script intentionally or unintentionally, giving birth to an elegant charm, and his posture was full of natural interest.
We can see that there are two different systems in Mr. Huazhou's works. One is small cursive script, which is good at rounded lines and elegant and smart; The other is Wei Bei's Chinese characters, which are vigorous and powerful, and won by Jun Fang's precipitous painting. The two complement each other and promote each other, which makes Mr. Huazhou's calligraphy language richer and the future road broader. [2]
(Chen Hongwu: Deputy Secretary and Secretary General of the Party Group of China Calligraphers Association)
You are a boat in the ink sea.
Jane Li
While enjoying Su Dongpo's cold food bar in the Palace Museum, a short message came quietly: "Kurnaedi won the prize". This is a long-awaited news. At the end of July, when I was commenting on the works of the 10th National Exhibition in Huai 'an, I predicted that it was only a matter of time before Kurnaedi won the prize, but maybe what I lacked was luck. Hehe, and I am the one who always brings good luck to my friends around me.
During my work in Jinhu, Huazhou met me and met me. He is born with a young face, so although he is two years older than me, I have never regarded him as my brother. This is a true and sincere feeling.
Luck is always accompanied by hard work. In 2005, he was transferred to Tai 'an Federation of Literary and Art Circles. I am glad that he found a stage where he can realize his life value. From then on, my vision was broadened and my calligraphy was improved. From the second book fair to the tenth national exhibition, one step at a time, along the way, like a spring breeze. And every time we meet, we always smile, but it is better than a thousand words.
Maybe you will ask, "What kind of person is Kurnaedi, and is it worth it?" Sincerity, kindness, humility, enthusiasm, diligence, introversion and tenacity ... All friends in Huazhou say so.
When it comes to Kurnaedi's calligraphy, if the previous years were "rapid progress", then these two years are "rapid progress". I know he found the door and pushed it open carefully. Now, it's time for him to enjoy the outdoor sunshine.
Last year, he held an "online exhibition" at Yu Xin's brother's China Calligraphers Forum, which caused a sensation in the forum. For a time, netizens commented like a tide and their words were gorgeous. I, a "net-blind", carefully read the comments of every netizen and used the mantra of the current leader, "Everyone said it well, I agree." Ha ha. Regarding the definition of the overall aesthetic style of Huazhou calligraphy, I very much agree with Mr. Chen Hongwu, Deputy Secretary-General and Secretary-General of China Calligraphy Association: "Huazhou is a versatile and powerful calligrapher, whose calligraphy is rooted in tradition and won by his skill. Its main aesthetic features are simplicity and elegance. There are two different systems in his works. One is small cursive script, which is good at round lines, fresh and elegant; The other is the Chinese character "Weibei", which was won by Jun Fang's steep painting. The two complement each other and grow together. "
Huazhou was born in Jinhu, a water town. There is too much water in his life and art. This leaf of his is the condensation of the ten thousand mu lotus swing that gave birth to him and raised him. What rises is the canopy, which is graceful. Landing is an oasis full of vitality. His character has the kindness of "being as good as water", the capacity of "letting all rivers flow into the sea", the clarity of "crystal clear", the tenacity of "dripping water wears away the stone" and the softness of "tenderness like water" ... This shows that his calligraphy art, inscriptions and inscriptions meet each other, and both rigidity and softness are combined. His calligraphy has both the softness and agility of water and the swiftness and vitality of water. He can not only walk on the pillars of monuments and columns, but also play on their edges. There are steady walks and clever jumps. Like a master of Tai Chi, he is flamboyant, clever everywhere, and his strokes and style are not fancy, which is in place. Play comfortably, watch comfortably.
This paper analyzes two different writing systems in Huazhou from the technical level. His regular script is based on Weibei and adopts the methods of Zhang Menglong and Cong Longyan. Long characters are mostly from Zhang Menglong, and flat characters are similar to Cong Longyan. The sharpening of stone, at the beginning of using the pen, takes advantage of the situation, and at the end of using the pen, it is mixed with the meaning of sharpening the edge and accumulating strength. Push the horizontal trend with a pen, lift the vertical trend with a pen, push it for stability, and lift it for movement. Different from calligraphers who write tablets now, Huazhou does not seek change, cleverness and spirituality through running scripts, but seeks antiquity, clumsiness and thickness through official documents, so it does not open up a new realm, but is superior. However, the creation of cursive script in small letters was opened because of his efforts in the past two years, especially finding the rhythm of the two kings and Sun. Of course, all this benefits from the foundation of Minangong in his works for many years. Conclusion Based on Xi Xian and Shu Pu, the past and present are integrated. His strokes are mostly cut with heavy monuments, and each stroke is swaying in the air, which is the method of Wei and Jin Dynasties. The rhythm is self-controlled, so the relationship, reflection and change of size, length, weight, astringency, dryness and reality overlap. According to my close inspection, its rhythm is slower than faster, which is exactly my understanding of the pen of the right army. Seek stability, thickness, refinement, slow without stagnation, slow without trembling. Fast is dynamic and changeable, but it is easy to be sharp, slippery and thin. Sharp, slippery and thin are common problems in calligraphy creation at present. And these are the "Tai Chi" when Huazhou uses the word "slow".
A good calligraphy work is the combination of the creator's skill and temperament. From this, I come to the conclusion that there are two successful calligraphers, one with skill and the other with temperament. Huazhou and I belong to the former. It is difficult to expect the occasional "failure" between the lines of each work, but there is no need to ask for it deliberately. This reminds me of Zhou Hua's lovely face after drinking a little ... When Zhou Hua held an online exhibition, I wrote a poem "Dedicated to Zhou Hua Brothers" in my post. If someone sets it to music, I really hope I can sing it for him with a rich baritone. The lyrics are like this:
You are a boat/dreaming of the ancients/enjoying leisure/cruising freely in life/you are a valley with two peaks and valleys. Although the coordinates are low, you have a wider sky. You are the teacher of three people. You are modest, diligent, simple, honest, reliable and trustworthy. You are the eldest of four friends. It's great that you have the same interests. You are a talented person in the world.
Written on September 29th, 2065438+0/kloc-0 in Jinling Lanzhai.
(Li Xiao: Secretary-General of Shandong Calligraphers Association, director of China Calligraphers Association, national first-class artist)