Ordinary stationery (old stationery, very cheap, everywhere) is translucent. I have been practicing calligraphy for many years and often use this kind of paper. However, some bad stationery may be covered with ink.
For beginners of calligraphy, it is best to cover the copybook with translucent paper and trace it carefully with a pen. After ten days of tracing, we can combine tracing with temporary writing. When writing, it is best to write on the tracing paper, draw a line and write a line according to it. This has made rapid progress.
(3) After a certain foundation, you can write in Mi Zige or other grids. And often compare the improvisational words with copybooks, find out the words that are not well written, and do key exercises. When paying attention to practice, it is still to describe first and then write.
Besides, when practicing, don't be greedy. As long as you follow the rules and compare the copybooks, you can practice ten pages of copybooks repeatedly. After practicing more than ten pages of copybooks, other words were basically solved.
Perseverance is very important, which is why there are no successful people.
2. Practice writing with a pen, which is usually written in ink. As a writing tool for Chinese characters, the pen has the advantages of small size, convenient carrying, convenient writing, durability, and the written characters are not easy to fade. From an aesthetic point of view, although the line expression and artistic appeal of pen characters are not as rich as brush calligraphy, they are far better than other hard pens such as pencils and ballpoint pens, because the nib is elastic and the strokes written are the same thickness.
A beautiful brushwork can also give people beautiful enjoyment. Especially in recent years, with the popularization and improvement of pen calligraphy teaching, the vast number of pen calligraphy educators and enthusiasts have made beneficial explorations and attempts on the brushwork, structure, composition and style of pen calligraphy in their teaching and writing practice, and created many excellent pen calligraphy works, including opening, closing, cursive, official and printing.
These works have the beauty of form, expression, charm, artistic conception and momentum, forming a sense of beauty with rigorous structure, echoing strokes and smooth bones, enhancing the appeal of pen calligraphy art and being widely praised by the society, making pen calligraphy a big step from simple practicality to artistic style. The composition of pen calligraphy is the skill of writing.
"Book" is writing; "Fa" means methods, skills and rules, that is, the art of writing Chinese characters. It is a unique advanced art form of our Chinese nation.
Pen calligraphy is a kind of line writing and plastic art that uses pen to express Chinese characters. Its "running script" is a method of expressing various strokes of Chinese characters with pens, and its "modeling" is the structure and composition of Chinese characters.
Therefore. Pen calligraphy is the same as brush calligraphy.
It consists of three basic and key factors: line (stroke), structure and composition, which are called the three elements of calligraphy. The so-called line (stroke) refers to the trace left by the first stroke of Chinese characters on paper.
The appearance and image of the same stroke written by writers at different levels are very different. The so-called structure refers to the correct and ingenious organization of strokes, so that all strokes of each Chinese character are arranged reasonably according to the rules, which meets the aesthetic requirements.
The so-called composition refers to the method of text layout, even if a calligraphy work is beautiful as a whole. It emphasizes the coordination, echo, coherence, density and reflection between words and lines, and makes use of the distribution of black and white, the size of fonts, the distance between words and the state of words equal to the singularity of paragraphs, so that all kinds of words can form harmonious, beautiful and interesting works of art under reasonable and ingenious layout.
Can arouse people's aesthetic feeling. Correct, clear, fluent and beautiful calligraphy.
It is not only beneficial to work and study, but also the embodiment of cultural accomplishment and a kind of beautiful enjoyment. Pen writing tools The quality of pen writing tools directly affects the writing effect, so we must pay attention to the selection and use of writing tools.
The tools for writing are pen, ink and paper. 1, there are many kinds and models of pens, and the difference mainly lies in the material used for the nib.
According to the different materials of the nib, it can be divided into three types: gold pen, iridium pen and ordinary pen. When choosing a pen, it depends on whether the two pieces of the nib are even and symmetrical, whether the top is smooth and whether the writing is smooth.
When you try to write with a pen, you can write the words "forever" and "8" many times. If the pen tip does not scrape paper, the water comes out evenly, and the writing is smooth and smooth, then the pen tip meets the use requirements.
As for the pen container, the pen cover is secondary. There are thick and thin tips, so writing exercises are suitable for pens with slightly thick tips.
2, ink practice should use blue-black ink and carbon ink, especially carbon ink is the best. It is concentrated and shiny, and it is written in black and white on paper, which is very eye-catching.
Pens should use the same color and brand of ink, and cannot be mixed. Otherwise, it will cause chemical changes, produce precipitation, and affect writing fluency.
If you want to use another ink, you should wash the pen tip and liner to dry first, and then inhale new ink. After the ink is used up, the bottle cap should be tightened in time to prevent dust, splashing and swinging.
3, paper practice pen-type paper is generally 60 grams to 80 grams of writing paper, glossy paper and non-slippery, slightly astringent, ink-absorbing copy paper. When practicing regular script fonts, it is best to write with squares on paper, which can arrange the size and structure of fonts and enhance the effect of practicing calligraphy.
Pen writing posture writing posture is very important Correct writing posture can not only ensure writing freely, give full play to writing skills and improve writing level, but also promote the normal development of teenagers' bodies, prevent myopia, spinal curvature and other diseases, which is beneficial to health.
This is also the most basic requirement of writing. Although some learners have the basic knowledge of pen writing, their writing posture is not correct enough and must be corrected.
The correct writing posture is: straight body, straight head, open arms and open feet. Sit straight.
The shoulders are flat, the back is naturally straight, and the body leans forward slightly. The chest is about one punch away from the edge of the table: the head is straight and slightly forward, and the distance from the eyes to the paper should be about one foot; The arms are naturally opened to the left and right, the forearm is flat on the desktop, the left hand presses the paper, and the right hand holds the pen, so that the pen holder leans slightly to the right, not in front of the nose bridge, and the pen tip falls in front of the nose bridge; Feet naturally lie flat on the ground, shoulder-width apart. As the old saying goes, "Anyone who studies books must learn to write first".
It can be seen that the writing method is very important for practicing calligraphy. Whether the writing method is correct or not depends on the control ability, flexibility and writing speed of the pen, which directly affects the writing effect.
Although some learners have the basic knowledge of pen writing, their writing methods are still incorrect and must be corrected seriously. The correct way to hold the pen is that the thumb, forefinger and middle finger respectively hold the lower end of the pen holder from three directions with the first section, that is, the thumb and forefinger hold the pen holder from front to left and right, the forefinger stretches forward slightly, and the middle finger presses the lower back of the pen holder with the upper and rear sides of the nails.
About an inch from the pen tip, the fingertips are lower than the thumb and forefinger. The ring finger and the little finger naturally bend to the palm of your hand in turn, close to the bottom of the middle finger, which plays a coordinating role in lifting the pen for the middle finger and cannot touch the paper.
The upper end of the pen rests on the highest bone in the third section of the index finger, and leans to the right and back, with an angle about 50 degrees earlier than that of the paper. When lifting a pen, you should "hold the pen in your palm", that is, the lower finger should hold the pen steadily, and the palm should be empty, if it is egg-shaped.
In this way, you can write flexibly and improve your writing effect. Learning pen and ink skills is a process of learning to write. In this learning process, if you want to practice writing well, you must have.
3. How can I write a beautiful pen? No matter how old you are, no matter whether your writing is formed or not, you can write well as long as you are diligent, determined and aware of the importance to your work and future. After some hard work, you can write well. Achievement lies not in age, but in ambition and perseverance.
First, you should choose your ideal copybook and consider whether it is similar to the font you wrote. After selecting the font, read it several times and analyze the main points and structural rules of the font. This is called "expressing meaning in words first", then describing it with transparent white paper first, then copying it and memorizing the key parts of each word. The specific steps are as follows:
Writing posture and writing.
(1) Sit up straight, with your shoulders flat, your back straight, your body and head straight, not low. The eyes are about one foot away from the desktop, and the chest is about three inches away from the edge of the table.
(2) The pen should be straight, the nib should be straight forward, and it is forbidden to lean inward; The tip of the index finger is about an inch from the nib.
(3) Inclination of the pen: write big letters up, the inclination of the pen is slightly larger, write small letters down, and the inclination of the pen is slightly smaller.
(4) Hold the pen easily and then move freely; Hold the pen too tightly, and the written words will not be open and generous.
Start with the basic strokes of regular script, that is, point, horizontal, vertical, skimming, pressing, lifting, hooking and folding.
A word is like a machine. When the basic strokes are practiced, it is equivalent to processing the "parts"; Practicing radicals well is like starting to "assemble"; Practicing the whole shape is equivalent to entering the "final assembly". In other words, learn "decomposition" first, and then learn "coherence". Therefore, regular script is the foundation, and basic strokes are the foundation of foundation.
When practicing writing basic strokes, you should practice them in different categories. For example, when practicing writing "three", first practice three, three, three, three, and so on, then write "coherence" and combine them.
General rules: practice basic strokes first when practicing regular script; Practice the stroke order again; Third, practice radicals; Four-practice glyph structure; Practice branch layout.
The "dot" drawing of Chinese characters should be aggravated, such as falling to the ground. For example, according to the writing methods of Zhong Shaojing and Ou Yangxun, writing in a short vertical position will be more powerful.
To master the brushwork, here means that the strokes that should be forced should be forced; If force should not be used, there should be a slight transition. For example, write words such as country, red, truth and steel. , light and heavy, will give people a sense of beauty.
Generally speaking, "three, one, three, three (four)" and other strokes are hard with a pen, while others are slightly lighter. But every stroke of a word can't be forced. For example, the words "people, big, and heaven" should be sketched lightly and painted heavily. On the contrary, it is enough to write a heavy sketch and a light sketch. In short, you can't exert yourself evenly.
There is a great relationship between writing and writing speed. The beauty of fonts and the charm of lines are mostly reflected in writing speed. The coherent gesture of echo is also reflected in the quickness of brushwork.
In order to write quickly and achieve satisfactory results, it is more important to have a good understanding of the structure of the font itself, and to write straight and upward as much as possible.
Every word should be conceived according to the basic definition of the word, and it should be written with letters and wrists, without affectation or embellishment. "The pen is full of beauty and the book is thin and hard."
4. How can I write a beautiful pen and practice it well?
Pupils and young people with amorphous fonts are generally easier to practice pen writing than adults. This is because they are easy to accept new fonts. Once they have the right guidance, the right font, the right method and a persistent attitude, they can achieve good results in a short time. It is not so easy for adults whose fonts have been finalized to practice pen writing well. Because we didn't pay attention to the quality of words before, some ugly or even misspelled words have become a bad habit, which is difficult to correct. They want to practice calligraphy now, but they often just tinker with the existing fonts and choose fonts similar to their own. This is often the case, the good ones are not learned, and the bad ones are not lost, so that the more you practice, the uglier you get.
So how do you get these people to practice calligraphy? My experience is: first of all, let them completely forget the previous fonts, start from scratch, and start practicing from the most basic point strokes. Then practice the structure. For pen words, the most important thing is structure, and the quality of structure directly affects the beauty of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into new fonts during the posting process. To change this situation, the best way is to choose block letters different from your previous fonts for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. When the shape is straight, I also want to choose a running script copybook that is completely different from my original font and I think it is very beautiful to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose a strong copybook, if the font is bloated, choose a delicate copybook. . You can learn new fonts after practicing for two to three months. I often encounter such problems in my study. I made rapid progress in the first few days, but after a while I felt that my writing was getting worse and worse. This is a normal phenomenon. At this time, as long as you just hold your horses and keep practicing, after a period of hard work, you can get out of the predicament and get on the right track. The purpose of copying is to forget the previous words, remember the words in the copybook and use them. After that, we should sort out the relationship between words and lines, which is the so-called composition. For people who just want to write beautifully, but don't want to make achievements in this respect, it is enough to do the above. This is the experience I got in my study, and I also introduced these experiences to others, and the effect is good.
You can't achieve something in the art of pen calligraphy overnight. We should not only learn to use the pen, structure, composition, charm, etc., but also give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and it will not develop and innovate, and it will not have strong and permanent vitality.
References:
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