Member of China Calligraphers Association, Deputy Director of Art Development Center of China Calligraphers Association. I have studied China's traditional literature since I was a child and appreciated its essence. 2011May, China's Calligraphy Concert was held in Vienna, Austria, with the whole process of music calligraphy. I have been interviewed by CCTV Digital Painting and Calligraphy Channel for many times. In 2009, he participated in a series of large-scale artistic activities, such as "Celebrating the success of Wutai Mountain's application for World Heritage-Calligraphy Exhibition of China Thousands of Calligraphers and China Calligraphy Culture Forum".
As a traditional art, calligraphy has always been similar to literature, dance and music, but it seems to be more closely related to music. In calligraphy, as Laozi said, "Whether there is mutual existence or not, it is difficult to complement each other, and the length is different, and the height is oblique." In music, opposition turns into harmony, and many things are in unity; In form, calligraphy pays attention to discipline, echo, avoidance, symmetry and change; There are tunes, melodies, beats and pauses in music; In terms of content, words are heartfelt wishes, and books are heart paintings; Both of them express the author's sincere feelings, ideals and interests through their images, and achieve the expression of true feelings.
The combination of Li Binquan's music and calligraphy is undoubtedly a successful move.
Inheriting the Millennium Calligraphy Habit
Teacher Li Binquan once said in an interview with Calligraphy and Painting Channel: "In fact, music calligraphy is not an innovation in the new era, but an inheritance of China traditional culture. There were many musical instruments in ancient China, such as guqin, bamboo and cymbals. Calligraphy people also like to improvise under beautiful music. I just continue this unique culture and deepen it. After all, the forms of music and calligraphy are richer now. "
The fetters of cursive script and musical calligraphy
Why do music calligraphy use cursive script? The outline of storing words is the rule of damaging officials, because the original meaning is cursive. Teacher Li Binquan said that cursive script is a kind of calligraphy form with personal style, and it pays attention to a wild complex. Although the composition of cursive script is difficult to shape, it also has its own principles to follow, which is very suitable for improvisation. But adding musical elements to it is in line with the desire of cursive script.
Calligraphy is a silent poem, an invisible dance, a picture without pictures, and a silent joy!
Sha Li Bao Liang Bin Quan performed "Tian Jing Sha"
At the meeting between Lu and Yu, Sha Baoliang spoke highly of Li Binquan's musical calligraphy and performed "Tianjingsha" with Li Binquan. "Dead vines and old trees faint crows, small bridges and flowing water, old roads and thin horses, sunset, heartbroken people in the end of the world. . . . . "Sha Baoliang sang deeply, and Teacher Li Binquan explained the artistic conception of the lyrics in detail in calligraphy. It is a scene, a scene, a blend of water and milk, and a background; It is meaning, it is love; Complement and help each other. Wang Guowei said in "Words on Earth": "In a word, the beauty of an article is just a realm. Boutique, required reading; Good writing is indispensable. A song "Qiu Si", my heart aches, tears are coming out.
Teacher Li Binquan's historic breakthrough in calligraphy innovation can be said to be a historic contribution to China's traditional calligraphy and a precious spiritual wealth of the Chinese nation!
He has a special habit in calligraphy. Every time he writes, he has to match a melody. He can write freely in different rhythms, and the words he writes are like the same musical melody. Calligraphy art and music art, one is the space art formed in the word field, and the other is the time art of sound construction. On the surface, they are far apart. However, Li Binquan explored their essence, found the commonness of "music is flowing music and vocal music, and calligraphy is solidified music and silent music", and combined them perfectly to create, so everyone called his calligraphy "musical calligraphy".
Cursive script is flowing, ink dance is also, never tired of it, and command is also. A calligrapher's brush is like a baton of music. Calligraphers leave tangible shapes on rice paper and direct them to cross the invisible in the air. Invisible, intangible, such as calligraphy "painting empty, sitting on the painting ground, lying on the painting quilt" also. Traditional literati regard Momo as their spare time, living alone in a humble room, splashing ink and enjoying themselves, so they often call Momo the study culture. Li Binquan's "Music Calligraphy", pen and ink should keep up with the times, go out of the study, step onto the stage, offer a feast and give a spiritual journey. Hear the sound and see the color. Instantly the timbre becomes one, and you don't know the clue. The tour guide likes it very much because of its performance. Conductor, calligrapher and performer; Bands, pens and performance carriers are also available. Observe the subject and carrier, and make clear the priorities; Dynamic subject and carrier are indistinguishable. What is its reason? The performance room, pen and ink utensils, the humanity of heaven and earth, everything is pure and integrated.
Chyi Chin, Chyi Yu, Han Lei, Zhou Xiaoou, Sha Baoliang and calligrapher Li Binquan jointly launched the "Music Calligraphy" collection. Among them, the single "Moxia" was released recently. This is an artistic work that brings together many top producers and musicians in the Chinese music scene. As a creator, Li Binquan boldly combined symphonies, strings and ancient China music into his own creation in order to carry forward the essence of traditional culture, and played a heroic movement in the music industry in China.