I have loved calligraphy since I was a child and have been fighting for it for more than 50 years. In the long-term study of traditional calligraphy, I have drawn rich nutrition from the excellent cursive hand-down works that can best express calligraphers' feelings.
Love charity and have donated works to charity activities.
From Mr. Han's works, we can see that his books were influenced by Jin tang style. From the structure of words to the whole story, from the central pen to the proposal, we vigorously pursued the freedom of expression in strict traditional statutes, which revealed that book furniture had a solid foundation in traditional techniques and the ability to control pen and ink.
The artistic works provided by Han Shu reflect the tone of calligraphy style to a great extent, which is simple and generous, combining rigidity with softness, advocating individuality and paying attention to lyricism. The strokes of Han Shu are slow and slow, and the combination is light. Fiona Fang is prepared, calm and happy, open-minded, and there is no lack of rigor in his arbitrariness. In conciseness and massiness, it shows the charm of strength, smoothness and strangeness.
The brushwork of Mr. Han's calligraphy is remarkable, which gives people a strong ornamental impact.
Mr. Han's personality makes his favorite poems as small as four feet in the main hall and as big as one foot two feet, and he can write new ideas. For a long time, the calligraphy works of Mao Zedong's poems often appear in various book fairs, which is indeed a feature of the times. As President Mao Zedong is not only a great leader, but also a poet and calligraphy artist, Mr. Liu Yazi praised him for overthrowing the 3,000-year history and personally casting magnificent characters. His poems are ambitious and magnificent. Ingenious conception, romance, boldness, boldness, freedom and harmony, especially the well-known poems such as Spring and Snow in Qinyuan and Long March, can provide calligraphers with creative space to show their artistic personality. Calligraphers all express their enthusiasm and personal feelings for calligraphy creation in their multi-angle taste of poetry.
Without the perfect combination of realism and romanticism, and without the Mo Yun produced by the change of flowing lines, it is difficult to write famous sentences of celebrities, and it is also impossible to observe the realm, artistic conception and artistic re-creation ability of the original poem. Vivid images and profound meanings should be integrated into the book. Liu Xizai, a calligraphy theorist in Qing Dynasty, said in The Outline of Art that high rhyme, deep affection, firmness and greatness are indispensable for books.
From Mr. Han's calligraphy works, we can realize his profound understanding and appreciation of the two aspects of "Six-hole music is flat and clear rhyme" and "Qi Hao" in Mao's Hongshan Poetry in Song Dynasty. Mr. Han has made unremitting efforts and explorations on how traditional calligraphy can get rid of the old barriers of China's ancient people's elegance, show a positive atmosphere and reflect the new trend of the times. In recent years, Mr. Han's calligraphy works have been frequently selected and won prizes in various domestic competitions. Many works are collected by calligraphy lovers and international friends. In these nine years, Mr. Han, who is in the heyday of his creation, will move towards a higher realm.