Changsha Qinyuanchun
Mao Zedong [Modern]
Independent cold autumn, Xiangjiang North, Orange Island.
You see the mountains and plains, and the layers of forests are all dyed; The river is full of water, and hundreds of people compete for the flow.
The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom.
Lonely, ask the boundless earth, who is in charge of ups and downs?
Took a hundred couples on a trip. Recalling the past, the years are thick.
Just a classmate and teenager, in full bloom; Scholar spirit, Fang Qiu.
Pointing out the maze, inspiring words, the dirt in Wan Huhou that year.
Remember hitting the water in the middle stream and the waves stopped the speedboat?
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In late autumn, I stood alone in Orange Island, watching the surging Hunan water running northward.
Thousands of peaks have all turned red, and layers of trees seem to have been dyed; The river is crystal clear, and a large ship is braving the wind and waves.
The eagle flies in the vast sky, the fish swims in the clear water, and everything is competing for the free life in late autumn.
Facing the vast universe, I feel disappointed: who should dominate the ups and downs of this vast land?
My classmates and I used to walk here hand in hand. Talking about state affairs together, countless extraordinary years still haunt me.
Students are in their youth and prime of life; Everyone is full of enthusiasm and energy.
Commenting on state affairs, writing these turbulent and clear articles, treating the warlords and bureaucrats at that time as dirt.
Do you still remember, at that time, we went swimming in a deep and urgent place in the middle of the river, and the waves almost stopped the fast-moving ships.
Creation background
Qinyuanchun Changsha was written by Mao Zedong in the late autumn of 1925. At that time, Mao Zedong left Shaoshan, his hometown, went to Guangzhou to give a lecture on the peasant movement and revisited Orange Island via Changsha. Facing the beautiful natural autumn scenery on the Xiangjiang River and recalling the revolutionary situation at that time, the author wrote this word.
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By describing autumn scenery in Changsha and recalling his revolutionary struggle life in his youth, this word expresses the revolutionary youth's feelings for the destiny of the country and their lofty desire to take the world as their responsibility, despise reactionary rulers and transform old China. The whole word is between phrases, blending sense with reason and scene.
Shang Kun painted a colorful and vibrant picture of Xiangjiang River in cold and autumn, and immediately expressed his feelings and raised the question of who should dominate the vast land. The word "See all the mountains and dye all the forests", a total of seven sentences, describes the colorful Qiu Jingtu seen by an independent orange island. It is not only a portrayal of the surrounding forest, but also contains the poet's fiery revolutionary feelings. Red symbolizes revolution, fire and light. "Thousands of mountains are everywhere" is a vivid expression of the poet's thought that a single spark can start a prairie fire, and it is an optimistic vision for the revolution and the future of the motherland.
"The eagle hits the sky, the fish jumps shallowly, and all kinds of frost fight for freedom." It is the poet's yearning and pursuit of freedom and liberation. The poet chose several typical scenes from mountains, rivers, the sky and the bottom of the water to describe them, which are far and near, dynamic and static, and in stark contrast. These seven sentences provide the background for the lyric behind, and set off the atmosphere. "Loneliness, ask the boundless earth. Who cares about ups and downs? " This question shows the poet's ambition and his broad mind. He turned from writing landscapes directly to expressing his feelings, and naturally brought out the lyric movement in the second half.
The second half is mainly lyrical, but there is no lack of scenery in love. "Remembering the past eventful years is strong", described by eventful years, is novel and vivid, naturally evokes memories of past lives, turns intangible extraordinary years into tangible towering peaks, and gives people lofty beauty.
The word "QIA" has seven sentences, which vividly summarizes the fighting style and heroism of early revolutionaries. "The mid-stream hits the water, and the waves stop the flying boat" is also a magnificent picture of bravely breaking the waves. It can be said that the sublime beauty of this word is interwoven with love as the warp and scenery as the weft.
Through the description of autumn scenery in Changsha and the recollection of his revolutionary struggle life in his youth, the whole poem puts forward the question of "Who is in charge of the ups and downs", which shows the revolutionary spirit and lofty ambition of the poets and comrades-in-arms who fought bravely to transform old China.