Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is strong.
Steel bars are made of iron, and bones and muscles are cast like steel. Describe strong body or strong will.
Stiff bones and tendons describe the appearance of general weakness and limb weakness.
Describe being very tired and having no strength at all.
Describe being very tired and having no strength at all.
Try your best to describe being tired, and you have no strength at all.
A fracture means serious injury. After metaphor things suffered great damage.
Ribs like copper and bones like iron. Metaphor is very strong. It also refers to people who can take on heavy responsibilities.
Yan Liujin Gu Yan: Yan Zhenqing, a calligrapher in the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty. Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Skinning cramps describe hatred or extreme cruelty.
Cramp peeling describes exploitation and oppression as cruel.
Muscle weakness and numbness (1) describe fatigue. (2) describe the appearance of extreme fear.
Scraping bones and cramping is a metaphor for trying to search and extract people's wealth.
Crane bones and dragon ribs refer to thin and curved shapes.
Crane bone pine refers to the appearance and temperament of monks.
I'm exhausted. I'm exhausted.
Exhaustion means hard work, which makes your bones and muscles tired and painful.
Blushing muscles, describing the appearance of redness and veins standing out on the face when you are anxious or angry.
2. Idioms Daquan four-word idioms are powerful, reinforced with iron, exhausted, exhausted, exhausted, exhausted, exhausted, exhausted, exhausted, bone cramps, copper bars and iron bones.
1. Muscular and strong
Interpretation: Feng: full, full; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."
2. Steel skeleton [g ā ng j and n ti ě g incarnation]
Interpretation: bones and muscles are like steel casting. Describe strong body or strong will.
Source: Cao Yu's Half-Day Tour: "In a room with cushions and various weightlifting equipment, I met a group of young people with steel bars and iron bones."
3. Tired muscles and bones [láo jρn kǔgǔ]
Interpretation: refers to heavy labor, which makes bones and muscles tired and painful.
4. Soft muscles and brittle bones
Interpretation: weakness of bones and muscles. Metaphor article is weak.
Source: The preface and anthology of Wang Junzi: "Scholars and literary companions, painting blue and white, organizing literary embroidery, are soft and crisp, and embellished, which is self-boasting."
5. Yan Gu Liu Jin
Interpretation: Yan Liu's two kinds of calligraphy are very powerful, but their styles are different. Also known as excellent calligraphy. Same as Yan Gu.
Source: "Two Moments of Surprise" Volume II: "This book is full of bones and muscles."
3. Who is moving? What is a four-character idiom? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? How do you feel? The earth shakes, the earth shakes, the earth moves, the camera moves, the camera moves, people cry, the earth moves, the eyes move, the anger moves, the wind blows, the grass moves, the sound moves, the Chen Liang moves, the time is uncertain, people move, the eyes move, and people move. The style of writing does not move, the moose boiling ants do not move silently, and the public is used to moving at the right time. It's fascinating and unmoved. Thunder does not move, lively brain fluctuates, eyes do not move, soul does not move, eyes do not move, the mountains shake, thoughts move, turmoil moves, wires move, emotions move, people look at the machine, and when they are motionless, they often complain and laugh. Thunder moves, change does not stay, static pole moves, soil is not as quiet as static. It is still a wave of effective actions. The whole body is still, the hay is as quiet as a virgin, as quiet as a virgin, as moving as a rabbit, as motionless as a rabbit, and the hay comes first.