Jinyun yongrong
The era of the rise of "rhyme" is the era when scholars emerge and become protagonists in the history of calligraphy. The rise of "rhyme" is the transformation of calligraphy from craftsman technology to culture and art, and calligraphy begins to pay attention to the embodiment and promotion of humanistic spirit. The most suitable carriers are running script and cursive script.
Running script and cursive script are different from regular script which emphasizes "Fa" and cursive script which emphasizes "Yi". It has the richest subtle changes. It is said that the Jin rhyme style shown in Yuan Bo Tie is unprecedented, while Confucius Zhong Tie and Duck Head Pill Tie are the models of "rhyme".
Jin Shang Yun
Rhyme, verve and verve mostly refer to the running script created by the two kings. Running script has the most neutral beauty and leisurely bearing, and this neutral beauty can be better reflected in the charm and impression of the work.
The world-famous Preface to Lanting gives people this kind of calm feeling. As long as we talk about the preface to Lanting, we must say a vivid sentence, which is easy to say. How many masterpieces have really heard this word since ancient times? Preface to Lanting is calm and peaceful, like mountains and flowing water, such as harps and melodies, also known as the charm of Jin people.
The rhyme of calligraphy can only be expressed in words, which contains many meanings: one's knowledge, cultivation, life experience, and even one's mind and tolerance.
Not everyone can do rhyme, and Confucianism and Buddhist philosophy may coincide with the rhyme in calligraphy. On the other hand, Tang Feng is relatively clear.
Feng Tang ancient law
From Emperor Taizong to the early years of Emperor Xuanzong of the Tang Dynasty, the national strength was strong, the territory expanded, and the four directions came to Korea, and the politics, economy and culture were unprecedentedly prosperous. Literature and art have entered a new realm of greatness, broadness and arbitrariness in Wang Yang, with norms and standards, passion, romance and diversity, and famous artists and figures emerge one after another. Among them, the art of calligraphy formally established the Tang method, and the isomorphism with Wang Xizhi and Wang Xianzhi's "two kings" established two different styles of China's calligraphy art, and the final shape of the Tang method was the "face style" initiated by Yan Zhenqing.
Jin Yun, Tang Fa and Yi Song.
Jin Yun and Song Yi are more important than subjective feelings; Tang's methods tend to be objective artistic skills.
Wang Xizhi, the representative of Jinyun, and Huang Tingjian, the representative of Yi Song, should be said to be relatively close. What is the basis of modern saying that Huang Tingjian rebelled against Wei and Jin demeanor and Jin rhyme?
The most important point is that, subjectively, Yi Song and Huang Tingjian broke through the times color that Wei Jin people emphasized elegance and implicature, and injected more uninhibited and wild personality into the Song Dynasty literati. Wei and Jin dynasties tend to reveal themselves naturally, and the "ambition" of Song people is more keen on pursuing lyricism subjectively. Huang Tingjian's Pride is the most successful example of Yi Song's subjective lyric pursuit. This strong feeling of being strong and arrogant is not found in Cai Xiang of the same generation and the two kings of the previous generation. It shows the unrestrained color of Huang Tingjian himself and becomes the decisive factor to consolidate Huang Tingjian's position as a pioneer representative calligrapher.
Reprinted from Sina blog