Calligraphy and seal cutting catalog

Calligraphy Edition

Introduction to the artistic composition of calligraphy and the essence of calligraphy art

Section 1: The formal composition of calligraphy art

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1. The formal meaning of Chinese characters

2. The aesthetic meaning of the "brushwork" of calligraphy

Section 2: The spiritual composition of calligraphy art

1 , The symbolic meaning of personality in the art of calligraphy

2. The emotional connotation and individual personality spirit of calligraphy

Part 1: A brief history of Chinese calligraphy art

Chapter 1 Pre-Qin calligraphy

Section 1 Overview

Section 2 Oracle Bone Inscriptions and Bronze Inscriptions of the Yin and Shang Dynasties

Section 3 Bronze Inscriptions of the Western Zhou Dynasty

Chapter Four sections: Regional calligraphy styles during the Spring and Autumn Period and the Warring States Period

And the emergence of ancient official scripts

Chapter 2 Qin and Han Calligraphy

Section 1 Overview

Section 2: The general trend of small seal script and official changes in the Qin Dynasty

Section 3: Bamboo slips and silk calligraphy in the Han Dynasty

1. Northwest Han Bamboo slips

2. Jianghuai Han Jane

Section 4: Inscription calligraphy in the Han Dynasty

1. Han Dynasty inscriptions

2. Han stele and cliff carvings

3 , Brick and Tile Inscriptions in the Han Dynasty

Section 5 The development and main features of calligraphy styles in the Han Dynasty

Calligraphers

1. Zhangcao, Jincao and Shiyou, Zhang Zhi

2. Running script, regular script and Liu Desheng and Wang Cizhong

3. Official script and Cai Yong

Chapter 3 Calligraphy of the Three Kingdoms, Two Jins, Southern and Northern Dynasties

< p>Section 1 Overview

Section 2 Calligraphy of the Three Kingdoms

Section 3 Jin Dynasty Literary Calligraphy Schools and Calligraphy Saints

Wang Xizhi

Section 4 Calligraphy of the Southern and Northern Dynasties

Chapter 4 Calligraphy of Sui, Tang and Five Dynasties

Overview of Section 1

Section 2 Li Shimin and the Four Schools of the Early Tang Dynasty< /p>

Section 3: The Romantic Freehand Calligraphy Style of the Sheng and Mid-Tang Dynasties

And the Three Masters of Tang Cao

Section 4: Yan Zhenqing, an Outstanding Calligrapher of the Tang Dynasty

< p>Section 5 Liu Gongquan and Calligraphers of the Late Tang and Five Dynasties

Chapter 5 Calligraphy of the Song (Jin) Dynasty

Overview of Section 1

Section 2 The Four Calligraphers of the Song Dynasty: Cai, Su, Huang, and Mi

Section 3: Other Calligraphers of the Song Dynasty and Liao and Jin Calligraphers

Chapter 6: Calligraphy of the Yuan Dynasty

Section 1 Overview

Section 2 Zhao Mengshun, Xian Yushu and Zhao Paishu

Jiaqun

Section 3 The Calligraphy of Hermits in the Yuan Dynasty

Chapter 7 Calligraphy of the Ming Dynasty

Section 1 Overview

Section 2 The general trend of calligraphy in the early Ming Dynasty

Section 3 Wumen School of Calligraphy

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Section 4 Huating School of Calligraphy

Section 5 Calligraphers under the influence of the trend of individual liberation in the late Ming Dynasty

Chapter 8 Qing Dynasty Calligraphy of the Dynasty

Section 1 Overview

Section 2 Romantic Calligraphers and Stele Calligraphers in the Early Qing Dynasty

Three Lines of Calligraphers and Calligraphy Calligraphers< /p>

Section 3: The Confrontation between the Bei School and the Tie School in the Mid-Qing Dynasty

Confrontation

Section 4: The Rise and Tie School of the Bei School in the Late Qing Dynasty

The Decline of the School

Basic Techniques of Chinese Calligraphy

Chapter One

The Basics of Traditional Chinese Calligraphy Techniques

System< /p>

Section 1: Calligraphy

1. Holding the pen

2. Using the pen

Section 2: Concluding calligraphy

1. Arrangement of the center of gravity

2. Performance of the situation

3. Arrangement of black and white

4. Echo of pointillism

Chapter Three-section chapter method

1. The rules of combination of words in a line

2. The rules of combination of lines and lines

Chapter 2 Key points of various calligraphy techniques

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Section 1. Seal script techniques

1. Small seal script

2. Large seal script

3. Han seal script

4. Seal Script of the Qing Dynasty

Section 2: Official Script Techniques

1. Han Steles

2. Official Script on Bamboo Slips

3. Official Script of the Qing Dynasty

The third quarter regular script

Calligraphy Techniques

1. Mid-Tang Dynasty Regular Script

2. Jin Regular Script

3. Wei Regular Script

Section 4: Running Script Techniques

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1. Three Series of Running Script

2. Brushes and Knotting of Running Script

Section 5 Cursive Script Techniques

1. Chapter Cursive

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2. Modern grass

3. Kuangcao

4. Key points of Kuangcao techniques

Section 6 Copying

1 , Writing Tools

2. Selection of Posts

3. Preparation of Posts

Section 7 Creation

1. Creative Content and Innovation

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2. Summary of calligraphy styles

3. Signing and sealing

The next chapter is a summary of the basic system of ancient calligraphy theory

1. Theory of Integrity

2. Theory of Spirituality

3. Theory of Natural Interests

4. Theory of Expression of Emotion

5. Theory of Personality Symbolism

6. Theory of academic cultivation

7. Theory of general changes

Seal cutting series

Part 1: A brief history of Chinese seal cutting art

Chapter 1 Pre-Qin Seals

Chapter 2 Qin and Han Seals

Chapter 3 Wei, Jin, Southern and Northern Dynasties Seals

Chapter 4 Tang and Song Seals

Chapter 5 Seals of Literati in Yuan Dynasty

Chapter 6 Seal Cutting Art of Literary Schools in Ming Dynasty

Chapter 7 Seal Cutting Art Schools of Literati in Qing Dynasty

Part 2: Basics of Seal Cutting Techniques

Chapter 1: Tools, materials and tools for sealing

Reference books

Chapter 2: The process of sealing

1. Preparation stage

2. Designing manuscripts and seal seals on stone

3. Carving and rubbing

4. Engraving of margins

Chapter 3: Sword Techniques and Organisms

1. Sword Techniques

2. Organisms

3. Sidebars and Borders

Chapter Chapter Four Copying and Creation

1. Basic Essentials of Copying

2. From Copying to Creation

Postscript