Calligraphy Edition
Introduction to the artistic composition of calligraphy and the essence of calligraphy art
Section 1: The formal composition of calligraphy art
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1. The formal meaning of Chinese characters
2. The aesthetic meaning of the "brushwork" of calligraphy
Section 2: The spiritual composition of calligraphy art
1 , The symbolic meaning of personality in the art of calligraphy
2. The emotional connotation and individual personality spirit of calligraphy
Part 1: A brief history of Chinese calligraphy art
Chapter 1 Pre-Qin calligraphy
Section 1 Overview
Section 2 Oracle Bone Inscriptions and Bronze Inscriptions of the Yin and Shang Dynasties
Section 3 Bronze Inscriptions of the Western Zhou Dynasty
Chapter Four sections: Regional calligraphy styles during the Spring and Autumn Period and the Warring States Period
And the emergence of ancient official scripts
Chapter 2 Qin and Han Calligraphy
Section 1 Overview
Section 2: The general trend of small seal script and official changes in the Qin Dynasty
Section 3: Bamboo slips and silk calligraphy in the Han Dynasty
1. Northwest Han Bamboo slips
2. Jianghuai Han Jane
Section 4: Inscription calligraphy in the Han Dynasty
1. Han Dynasty inscriptions
2. Han stele and cliff carvings
3 , Brick and Tile Inscriptions in the Han Dynasty
Section 5 The development and main features of calligraphy styles in the Han Dynasty
Calligraphers
1. Zhangcao, Jincao and Shiyou, Zhang Zhi
2. Running script, regular script and Liu Desheng and Wang Cizhong
3. Official script and Cai Yong
Chapter 3 Calligraphy of the Three Kingdoms, Two Jins, Southern and Northern Dynasties
< p>Section 1 OverviewSection 2 Calligraphy of the Three Kingdoms
Section 3 Jin Dynasty Literary Calligraphy Schools and Calligraphy Saints
Wang Xizhi
Section 4 Calligraphy of the Southern and Northern Dynasties
Chapter 4 Calligraphy of Sui, Tang and Five Dynasties
Overview of Section 1
Section 2 Li Shimin and the Four Schools of the Early Tang Dynasty< /p>
Section 3: The Romantic Freehand Calligraphy Style of the Sheng and Mid-Tang Dynasties
And the Three Masters of Tang Cao
Section 4: Yan Zhenqing, an Outstanding Calligrapher of the Tang Dynasty
< p>Section 5 Liu Gongquan and Calligraphers of the Late Tang and Five DynastiesChapter 5 Calligraphy of the Song (Jin) Dynasty
Overview of Section 1
Section 2 The Four Calligraphers of the Song Dynasty: Cai, Su, Huang, and Mi
Section 3: Other Calligraphers of the Song Dynasty and Liao and Jin Calligraphers
Chapter 6: Calligraphy of the Yuan Dynasty
Section 1 Overview
Section 2 Zhao Mengshun, Xian Yushu and Zhao Paishu
Jiaqun
Section 3 The Calligraphy of Hermits in the Yuan Dynasty
Chapter 7 Calligraphy of the Ming Dynasty
Section 1 Overview
Section 2 The general trend of calligraphy in the early Ming Dynasty
Section 3 Wumen School of Calligraphy
p>Section 4 Huating School of Calligraphy
Section 5 Calligraphers under the influence of the trend of individual liberation in the late Ming Dynasty
Chapter 8 Qing Dynasty Calligraphy of the Dynasty
Section 1 Overview
Section 2 Romantic Calligraphers and Stele Calligraphers in the Early Qing Dynasty
Three Lines of Calligraphers and Calligraphy Calligraphers< /p>
Section 3: The Confrontation between the Bei School and the Tie School in the Mid-Qing Dynasty
Confrontation
Section 4: The Rise and Tie School of the Bei School in the Late Qing Dynasty
The Decline of the School
Basic Techniques of Chinese Calligraphy
Chapter One
The Basics of Traditional Chinese Calligraphy Techniques
System< /p>
Section 1: Calligraphy
1. Holding the pen
2. Using the pen
Section 2: Concluding calligraphy
1. Arrangement of the center of gravity
2. Performance of the situation
3. Arrangement of black and white
4. Echo of pointillism
Chapter Three-section chapter method
1. The rules of combination of words in a line
2. The rules of combination of lines and lines
Chapter 2 Key points of various calligraphy techniques
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Section 1. Seal script techniques
1. Small seal script
2. Large seal script
3. Han seal script
4. Seal Script of the Qing Dynasty
Section 2: Official Script Techniques
1. Han Steles
2. Official Script on Bamboo Slips
3. Official Script of the Qing Dynasty
The third quarter regular script
Calligraphy Techniques
1. Mid-Tang Dynasty Regular Script
2. Jin Regular Script
3. Wei Regular Script
Section 4: Running Script Techniques
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1. Three Series of Running Script
2. Brushes and Knotting of Running Script
Section 5 Cursive Script Techniques
1. Chapter Cursive
p>2. Modern grass
3. Kuangcao
4. Key points of Kuangcao techniques
Section 6 Copying
1 , Writing Tools
2. Selection of Posts
3. Preparation of Posts
Section 7 Creation
1. Creative Content and Innovation
p>2. Summary of calligraphy styles
3. Signing and sealing
The next chapter is a summary of the basic system of ancient calligraphy theory
1. Theory of Integrity
2. Theory of Spirituality
3. Theory of Natural Interests
4. Theory of Expression of Emotion
5. Theory of Personality Symbolism
6. Theory of academic cultivation
7. Theory of general changes
Seal cutting series
Part 1: A brief history of Chinese seal cutting art
Chapter 1 Pre-Qin Seals
Chapter 2 Qin and Han Seals
Chapter 3 Wei, Jin, Southern and Northern Dynasties Seals
Chapter 4 Tang and Song Seals
Chapter 5 Seals of Literati in Yuan Dynasty
Chapter 6 Seal Cutting Art of Literary Schools in Ming Dynasty
Chapter 7 Seal Cutting Art Schools of Literati in Qing Dynasty
Part 2: Basics of Seal Cutting Techniques
Chapter 1: Tools, materials and tools for sealing
Reference books
Chapter 2: The process of sealing
1. Preparation stage
2. Designing manuscripts and seal seals on stone
3. Carving and rubbing
4. Engraving of margins
Chapter 3: Sword Techniques and Organisms
1. Sword Techniques
2. Organisms
3. Sidebars and Borders
Chapter Chapter Four Copying and Creation
1. Basic Essentials of Copying
2. From Copying to Creation
Postscript