The full name is Ode to the Prefect of Lu County, which was written in the first month of the third year of Northern Wei Dynasty (522). The monument is in the Confucius Temple in Qufu, Shandong Province, and there is no author's name. The inscription records the story of Zhang Menglong's education. Calligraphy is an authentic Beibei calligraphy style, with vigorous brushwork and retaining the old appearance of stone. But it is not that the brushwork is square, but changeable and more delicate than stone.
The font is slightly longer and the structure is beautiful. It is already a relatively standard regular script, and some strokes even have the taste of running script. Kang Youwei commented that "the structure is exquisite and the changes are endless" and "it is the Sect of abnormal style", which means that he initiated the rule of regular script in the early Tang Dynasty. This monument is also called "the first monument in Weibei".
Smart and Beautiful: Epitaph of a Black Woman
Originally named Epitaph of Zhang Xuan, the satrap of Wei Nanyang. The tomb advocates hanging, and the word "black female" (pronounced as "hè rǔ incarnation") was named "Epitaph of Black Female" for avoiding the name of Emperor Aisingiorro Michelle Ye of Kangxi. Engraved in the first year of Putai in the Northern Wei Dynasty (AD 53 1), it has 20 lines of regular script, each with 20 words and 367 words. Some people say that watching all kinds of famous Weibei stickers is more fair and less fair; More rough, less delicate; There are many sharp edges, but few subtle ones.
Because of this, this epitaph is particularly striking. Although this is a formal book, its writing style is not as rigid and inflexible as Tang Kai's. Both the center and the winger are used in brushwork, both rigid and flexible. The structure is flat, square and sparse, and there are many references. The maturity of the overall style, the change of Wei Bei and the ancient rhyme of Lishu are the representative works of Wei's epitaph.
Divided into two monuments, it describes the life story of Zheng Daozhao's father Zheng. Shangbei is in the transition period from official script to regular script. The brushwork, style, elegance and solemnity of official script can be described as multi-faceted. The lower tablet is broad and elegant, with both pen and Fiona Fang, vigorous and powerful, solemn and elegant. Kang Youwei paid special attention to this monument, calling it the "circle pen Sect" in the Northern Wei Dynasty.
Fourth, "Yan Yan Long Monument"
It is also called "Ercong" together with "Gui Bao Zibei". The brushwork is thick and vigorous, with dense structure, ups and downs and extremely rich changes. Simple style contains rhyme, clumsy and clever, which is unique among many inscriptions. Some people compare it with the tablet of Gaoling Temple in Song Dynasty, and think that "Wei and Jin Dynasties are the ancestors of calligraphers".
V. Epitaph of Su Xiaoci
Also known as Epitaph of Su Ci and Epitaph of Su Ci, it was carved in the third year of Sui Renshou (603), and the original stone is now in Pucheng County Museum. The style is similar to European style, with strict handwriting, neat composition, tall and straight structure and small font. It has both the beauty of the South Post and the preciseness of the North Monument, which is the pioneering work of Ou Yangxun School in Tang Dynasty. Because it was unearthed late, and its handwriting is clear and complete, it is the best model to learn from Wei Bei.
Official script and official script are mixed together. Official script is an immature regular script, which comes down in one continuous line with Zhang Qianbei. Tie a knot at will, use a pen at will, simple and interesting.
Seven. Exquisite brushwork: Kazuki Watanabe musician Temple Monument
Regular script belongs to official script, and silkworms can be seen at the trailing part. The knot writing generally follows the principle of symmetry and balance written by Han Lijie. Using a pen also has a strong sense of decoration, with exaggerated waves and firm brushwork; In addition, the combination of seal script, official script and regular script represents the new face of tablet calligraphy in the Northern Dynasties.
Eight, rough and simple: "Tai Jue Xiang"
It has a typical Northern Wei Dynasty stone inscription style, which is thick and heroic, forceful and vigorous. ?
It is said that more practice can strengthen the body.
Nine, dignified and beautiful: "Yuan Huai Epitaph"
It is the standard of regular script that the pen is strong and round, the structure is broad and dignified, the layout is sparse and bright, and the words are dignified and smart.
Ten, full and solid: "Shi Gong Ping"
One of the twenty products of Longmen is especially precious. Fang Bi's cutting, tight knot and rich stippling are angular, which is contrary to the weakness of the Southern Dynasties' style of writing and is regarded as "the representative of the vigorous style of writing in Weibei and Fang Bi".
Extended data
Book trace analysis
Portrait of Wang Yintang in regular script (406), Temple Monument built by General Fenglu Zhechong in regular script (436) unearthed in Turpan, Xinjiang, Inscription Monument for Emperor Donghuan in regular script (437), Yang Wen Zhuan as Emperor Donghuan Monument, unearthed in Yixian, Hebei Province in the Republic of China, and Kazuki Watanabe musician Temple Monument in Daidai (437).
References:
Baidu encyclopedia-weibeiti