How to write the two characters of Zhao Mengfu as follows:
Meng’s stroke order: horizontal stroke/horizontal hook, vertical hook, horizontal, vertical, horizontal fold, vertical, vertical, horizontal?
Zhao's stroke order: The order of strokes is horizontal, vertical, horizontal, vertical, horizontal, left, right, right, and dot.
Zhao Mengfu (October 22, 1254 - July 29, 1322), named Zi'ang, Han nationality, also known as Songxue Taoist, also known as Crystal Palace Taoist (some say Shuijinggong Taoist), Oubo, In his middle age, he was assigned to Meng Fu. A native of Wuxing (now Huzhou City, Zhejiang Province), his native place is Lanxi, Wuzhou. An official, calligrapher, painter, and writer from the late Southern Song Dynasty to the early Yuan Dynasty, he was the eleventh grandson of Song Taizu Zhao Kuangyin.
Zhao Mengfu was smart since he was a child. In the late Southern Song Dynasty, he served as the chief minister of Zhenzhou and joined the army. After the death of the Song Dynasty, he lived in seclusion and was not an official. He had many appointments. It was not until the 23rd year of the Yuan Dynasty (1286) that he was recommended by Cheng Jufu, the imperial censor of Xingtai, and then rushed to Dadu to meet the emperor of the Yuan Dynasty and was awarded the title of doctor of the Ministry of War. Since then, he has successively served as a bachelor of Jixian, the general manager of Jinan Road, a Confucian promoter in Jiangsu and Zhejiang, and a bachelor of Imperial Academy.
From Shizu to Wuzong, Renzong and Yingzong, they were all respected. In his later years, he gradually retired, and in the sixth year of Yanyou (1319), he begged to return home due to illness. In the second year of Zhizhi (1322), Zhao Mengfu passed away at the age of sixty-nine. He was given the posthumous title "Wenmin" by Wei Guogong and was called "Zhao Wenmin" by later generations.
Zhao Mengfu was erudite and talented. He was skilled in classical Chinese poetry, versed in music and rhythm, and had a fine appreciation of poetry. In calligraphy, he is good at regular script, running script and small regular script. His calligraphy is round and graceful and is called "Zhao style". Together with Xian Yushu, he is called "Xian Zhao", and together with Ouyang Xun, Yan Zhenqing and Liu Gongquan, he is called "the four masters of regular script".
His paintings drew on a wide range of materials, had comprehensive techniques, and were both skilled in landscapes, flowers, and birds. He advocated following the example of the ancients, emphasized the "same origin of calligraphy and painting," and advocated reforming the institutional style of the Southern Song Dynasty Painting Academy, which had been popular for a long time, and created the Yuan Dynasty. The new style of painting was a leader in the Yuan Dynasty painting circle and was known as the "Crown of the Yuan Dynasty". His thoughts on painting, calligraphy and painting had a profound impact on future generations. In addition, his poetry style is gentle and involves seal seals, and he is famous for his "round Zhuwen". There are works such as "Song Xuezhai Collected Works" handed down from generation to generation.