Sacrifice to My Nephew: Written by Tang Yan Zhenqing, it is a manuscript to commemorate my nephew Ji Ming who died in the Anshi Rebellion. His works are sincere, calligraphy and articles are integrated, straightforward and unpretentious, which is a true portrayal of his calligraphy skills and is known as the second running script in the world.
Huangzhou cold food paste is the representative work of Su Shi's running script. This is a poem to send a revival, and it is a sigh of life caused by Su Shi's relegation to Huangzhou for three years. The poem is desolate and affectionate, and I feel it. The whole calligraphy is full of ups and downs, radiant and unrestrained, and there is no shortage of pens. It has a great influence in the history of calligraphy and is called "the third running script in the world".
Xuanta tablet was written by Liu Gongquan, a great calligrapher in the Tang Dynasty, at the age of sixty-four. Jiuchenggong: The inscription on Liquan in Jiuchenggong, written by Wei Zhi, was written by Ou Yangxun, a great calligrapher in the Tang Dynasty, and recorded that Emperor Taizong discovered spring water during his summer vacation in Jiuchenggong. This tablet has 24 lines and 49 words. The pen is square and round, and the strokes are thin but not stiff. Use the brushwork of official script, both rigid and flexible. The glyphs are mostly long-sided, and there are many small changes in the rigorous and neat structure, which are beautiful, vivid and distinctive.
The preface to the holy teachings of Yanta: also known as the preface to the holy teachings of Gianji. The full name is Preface to Tang Sanzang, written by Emperor Taizong and Li Shimin, and written by Chu Suiliang. Later, it was The Story of the Stone, the full name of which was The Biography of Sanzang in Tang Gaozong. The authors were Tang Gaozong Li Zhi and Chu Suiliang. Both stones are regular script, and this tablet was made by Chu Suiliang when he was 58 years old. The Preface to Wild Goose Pagoda is the most representative work of Chu Suiliang's regular script style, with beautiful and vigorous fonts and skillful brushwork. In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font.
The Monument to Danba was commissioned by Zhao Mengfu at the age of sixty-three, and it was Zhao's masterpiece in his later years. This volume is exquisite in brushwork, vigorous and powerful, and unique in style. It can be said that there is a neat and innocent charm in neatness and solemnity, and the words are tall and straight, which fully embodies the charm and spirit of Zhao Ti's calligraphy. His calligraphy has a profound traditional foundation and distinctive personality characteristics, which makes him stand out from the crowd.
The Book of the Tang Dynasty calligrapher Sun is not only an important theoretical work of calligraphy, but also a precious calligraphy work, which has been handed down in cursive script to this day. The author Sun's official position is not high, and there are not many handed down works, but a book spectrum has established his position in the history of calligraphy.