He is the author of the first art dictionary in China, which was inscribed by Master Zhao Puchu, and Jiang Feng, former chairman of the Chinese Artists Association, wrote in the preface of the Dictionary. Praised as "a pioneering feat in the art world", it has a circulation of more than 1 thousand copies at home and abroad. The American Overseas Chinese Daily, Hong Kong Wen Wei Po, Ta Kung Pao and Ming Pao all published articles about recommendation and comment on the front page. At the same time, they were selected to participate in the international book fairs held in Moscow and Frankfurt in 1983, and won the first prize of philosophy and social science books in 13 northern provinces, municipalities and autonomous regions. In 198, with the support of the leadership of Yangzhou Municipal Party Committee and Municipal Government, he set up the "Yangzhou Painting School Research Society in Qing Dynasty", which actively promoted the study of "Yangzhou Eight Eccentrics" in academic circles at home and abroad. During this period, he published seven collections of "Essays on Yangzhou Painting School in Qing Dynasty". He and Professor Zhou Jiyin, the director of Nanyi, also edited a large-scale series of books, Yangzhou Eight Eccentric Research Materials Series, and Jiangsu Fine Arts Publishing House has published 12 volumes of various special collections with a total word of nearly 1 million. It has more effectively promoted the academic research on the "Eight Eccentrics of Yangzhou", and its influence has spread at home and abroad. Together with Professor Zhou Jiyin, he edited and served as deputy editor-in-chief of the series "Research on China Painting School", and fifteen volumes were published by Jilin Fine Arts Publishing House. He is also one of the contributors to The Complete Works of Painting and Calligraphy of Yangzhou School published by Tianjin Fine Arts Publishing House, and won the 4th National Book Award. His monograph also includes Eight Eccentrics in Yangzhou and Yangzhou Commerce, which is co-authored with the famous professor Xue Yongnian. This book expounds the relationship between the emergence of Eight Eccentrics in Yangzhou and the commodity economy in the middle of Qing Dynasty from a new perspective, and then creates a precedent for studying the relationship between contemporary culture and art and commodity economy. Kun Can, co-authored with Xue Xiang, was published by Jilin Fine Arts Publishing House. In 23, at the invitation of the Audio-visual Department of Jiangsu Publishing House, he planned to compile the multimedia CD of Yangzhou Eight Eccentrics. In 1989, he was invited to participate in the writing team of the National Seventh Five-Year Plan key research project "China Art History" by the Central Propaganda Department and the Ministry of Culture, and was one of the writers of the Qing Dynasty volume. And won the praise of Wang Chaowen, the chief editor. In 1992, he produced four TV series "The Grinch of Painting-Zheng Banqiao" for the film crew of Chinese folk customs series, and served as the chief contributor. His papers have been published and expressed in journals above the provincial level at home and abroad for nearly 1 articles. Among them, the most influential one is that in May 1985, he was invited to participate in a speech at the conference of the establishment of Huizhou Society in Anhui Province and the first academic seminar, that is, "On the Performance of Huizhou Merchants in Yangzhou in the Mid-Qing Dynasty", which stirred up a thousand waves, and since then, it has set off a wave of research on Huizhou merchants. Another article, Promoting Huizhou Merchants and Eight Eccentrics in Yangzhou, was selected and won the prize by China Century Talents.
He is also a painter, good at painting landscapes, focusing on expressing artistic conception from the traditional aesthetic thoughts of poetry and prose, boldly innovating, learning from the past without mud, and advocating the creative concept of "art comes from life". His footprints have traveled all over the country and he has been on Mount Huangshan. He pays attention to pen and ink and pursues momentum. In October 21, he held a solo exhibition in asia art center Exhibition Hall, Manhattan, new york, USA, and new york's World Journal. In 2, the evaluation value of ISC2 of the Art Quality Department of the Cultural Market Development Center of the Ministry of Culture was 162 RMB/m2. There are more than 1 art galleries, museums and memorial halls at home and abroad, and various university units collect his works. In November 22, he was seven or five years old, and he was still planning the International Symposium on Eight Eccentric Artists in Yangzhou, which was jointly sponsored by Yangzhou CPPCC and China Artists Association. Nearly 1 famous scholars at home and abroad participated in the discussion, which made great contributions to carrying forward the excellent cultural tradition of the Chinese nation and prospering the calligraphy and painting cause of the motherland. After the meeting, he also published the Collection of International Symposium on Eight Eccentric Artists in Yangzhou, which was published by Jilin People's Publishing House. His artistic achievements, such as his works and paintings, are impressive. See China Artists' Website (permanent exhibition) and the website of the Ministry of Culture for the evaluation of artistic value. His creative achievements have been recorded in China Fine Arts Yearbook, Dictionary of Contemporary China Social Science Scholars, and Dictionary of World Modern Artists.