Shu Su Tie is a silk ink painting created by Mi Fei, a calligrapher in the Northern Song Dynasty, in three years (1088). Now it is collected in the Palace Museum in Beijing. Shu Su Tie was written by Mi Fei at the age of 38, and it is one of the representative works of Mi Fei's running script. Mi Fei's achievements in running script largely benefited from his bold innovation and application of pen.
Miffy boldly used the brush and pendulum brushwork when using a pen. In the process of writing, the mention and pressing of the turning point are not melodramatic, but natural and natural. In the font size, length, thickness, density, shade, correction and other aspects can be handled properly.
"Shu Su Tie" was created with a long running script with six poems written by myself. The whole calligraphy is ups and downs, with a strong sense of movement. Write with Mifei's typical brush, dripping freely and in one go. Get rid of the shackles of silk weaving and potential silk, and use the pen freely, which fully embodies Mi Fei's uninhibited style of thinking about silk and bamboo.
Characteristics of Shu Su Tie;
1. Bold innovation with pen: Mi Fei used a lot of brushwork and pendulum brushwork in Shu Su Tie, making the lifting and pressing rotate freely without affectation. He is good at using the side of the pen to spread it out, making the brush strokes appear calm and neat. At the same time, he also pays attention to rhythm and rhythm in the writing process, which makes the whole work full of movement.
2. The structure is changeable: Mi Fei's structure in Shu Su Tie is changeable, and each word has its own unique style. He is good at using substitute flowers for wood, distorting and exaggerating radicals, so that every word is vivid and changeable. At the same time, he also pays attention to the layout and arrangement of the whole sentence, so that the whole work has both local aesthetic feeling and overall momentum.
3. Natural and fluent expression: Mifei showed a natural and fluent artistic style in Shu Su Tie. His calligraphy not only got rid of the bondage of silk texture, but also was free and unrestrained. He is bold and unrestrained with his pen, revealing a kind of unrestrained passion between the lines, which fully shows his unrestrained style.