Brief introduction of Buddhist scriptures and their brushwork in Tang Dynasty

The original Ling Fei Jing was collected by Dong Qichang, a famous painter in Ming Dynasty, and was soon inscribed as the first volume by Chen Haining, Zhejiang Province. It was beautifully carved and pointillized, and was cherished by the world. Ling Fei Jing belongs to the style of writing classics. The Bible was born before the invention of printing. At that time, all books, documents and other materials needed to be copied by full-time personnel, and the calligraphy was neat and standardized, forming a unique style. Because the copied content is expressed in scripture, it is called "scripture writing". Generally speaking, before the Tang Dynasty, the scripture writing and brushwork were very rich, the structure was flat, the foot was heavy, the overall change was insufficient, the writing was mechanical and monotonous, and the artistic achievement was not high. The main reason is that copywriting has a low social status and low educational level. Copying classics is mostly a way to make a living, which naturally leads to a lack of artistic pursuit, and its achievements are difficult to compare with other contemporary calligraphy styles. In the Tang Dynasty, Wang Xizhi's calligraphy reached the highest level in the world due to the advocacy of Li Shimin, Emperor Taizong, and his style of writing classics was greatly influenced. Ling Fei Jing is a typical example, which is more accurate than before. Classic of Ling Fei in Tang Dynasty and its brushwork introduces Ling Fei Classic, the representative work of Zhong Shaojing, a calligrapher in Tang Dynasty, and interprets and analyzes the basic strokes, radicals and frame structure of the tablet in a graphic way. This book is rich in content, illustrated and easy to understand, from which readers can have a comprehensive understanding and understanding of bell-type regular script, and it is an excellent teaching material for learning bell-type regular script.