Author: It should be Zheng Banqiao.
These poems are paintings. I haven't seen them either. I suggest you have a look.
As for morality, my level is limited. Let me analyze it briefly.
First of all, look at the author: He is an open-minded and bold person, and can be regarded as one of the famous upright talents in the history of China. Throughout his life, it can be roughly divided into three stages: growing up in poverty before the age of 44; From the age of 44 to 6 1 year, promotion; After sixty-one, selling paintings will reach old age.
Look at orchids again: orchids are one of the four gentlemen in China. Orchids are fragrant and fragrant.
Far away, it is called "Xiangzu". In other words, being with a gentleman is like raising an orchid.
In the flower room, it is melted by fragrance. Orchids are neither arrogant nor impetuous, and their temperament is extraordinary.
Deeply loved by people. Su Shi, a poet in the Song Dynasty, also painted orchids, and
It is an orchid among thorns. Borrowing the natural phenomenon of clusters of thorny orchids,
A gentleman can tolerate the generous temperament of a villain.
Furthermore, as for Zheng Banqiao's orchids, he was inspired by calligraphy, and advocated that "the button of the book should be penetrated into the painting", while painting orchids "the leaves of orchids should be waved by Jiao Mo and transported by cursive script". Therefore, the orchids he painted not only combined the masculine beauty of official script, but also absorbed the natural interest of cursive script.
Regarding the above poem, I found the following introduction in Baidu's entry:
Using the characteristics of orchids, it is revealed that people are neither arrogant nor impetuous in winning or losing, and have a normal heart. The poem said: "Orchids are related to bamboo books, always between green mountains and green waters, frost and snow do not fade, spring is not gorgeous, people laugh red and purple." Orchids are accompanied by people, and people should be as quiet, lasting and fragrant as orchids, neither floating nor impetuous, nor striving for beauty. Paintings that are close at hand have unlimited development and far-reaching artistic conception.