Entering the sect, "Wooden is only three things to be separated and not touched." What you can see with a corner of the needle is blood, blood, and life. A brief introduction to the art of writing, silk poetry, teaching, dragon method, poetry, literature, and culture. Publish Chao Rao Rencheng Sheng Waifa Shengshu) to learn and teach Yi Mian* Deep in the history of composition and composition, Jia Xuenan Yuzhou Zong Wuqi* year by year* Bai Jifang* and so on. Technique, and. The collection of "Yi Xi Fu" with the characters "Yi Xi" and "Fu" was painted in front of him. * The classics of the ancient Rao family Qiu You painted more than ten art middle school bachelor's degree xueling. (The territory of Guosuo Shangxiang Fayi is in the field of Biao Junxue Shijiao Rong's monograph on ten self-paintings and other kinds of painting, * and other Nan Yougang Haiguo Xinbai's painting theory has, , awarded, "*zhou Jifang species ( After learning from Guandun, he taught at Fuhan Road, Painting Mountain, Painting and Literature, and taught modern studies in Guangchao, Mianmian*, and Xihuang Ren taught Dan Studies in Painting, Sichuan, and Dongzhou Selected Chenmu*, Book List History He is a scholar of Eastern arts. He is a master of calligraphy and painting.
* * Illegal Li Wen* Lian Renshan collected the ancient Chinese teachings of music and history, and taught Chinese education with honors and awards. "Zhongda Li Yiyuan" Dong Jian, calligrapher, painting and engraving art has been more than 1993 1962 1982 100 60 Jao tsung-i 18 1917 45? He published academic papers and wrote in Liuyuan, wrote internal teaching articles and published Chinese literature. Shibo and other professors were taught overseas and each in Liuzhuo overseas. He learned a lot, and he was nothing more than a miscellaneous great scholar Shiyue Shidun. , The young scholar is able to spread a lot of information in the Chinese literary world to learn from the world and publish various academic texts. The four majors of learning, face sect, and other scholars in the literary world, except for the ancient teachings, have learned from the literary works.
. , . , , ? Rao Tsung-i is a contemporary cultural star in my country. He is involved in different fields such as history, archaeology, classics, education, calligraphy and painting, and is an outstanding translator. The Vice President of the University of Hong Kong once quoted Yu Qiuyu. : "If there was a Jao Tsung-i in Hong Kong, it would not be a cultural desert." Some people think that Mr. Rao can be as famous as Ji Xianlin, and call him "Southern Rao and Northern Ji". "Pearl"? Mr. Jao Tsung-i combines academics and art. He is an internationally recognized master of his generation and a master of Southern culture. He is proficient in many foreign languages, knowledgeable, knowledgeable, and has written numerous books. For more than sixty years, he has worked tirelessly to study all aspects of oracle bone inscriptions, bamboo slips, Dunhuang studies, Buddhism, Taoism, history, philosophy, ancient philology, Indian Sanskrit, West Asian epics, art history, music, poetry, calligraphy, painting and theory. , involved in everything, and achieved outstanding results. In addition to more than 60 monographs, there are also papers published in major academic journals and major books around the world, and about 400 short articles and essays. In terms of art, he is particularly accomplished in painting and calligraphy. In terms of painting, he is good at landscape painting, sketching and foreign mountains and rivers. He does not stick to one method but has his own look.
The white-painting method of figure painting has opened up a new path besides Li Longmian, Qiu Shizhou, and Chen Laolian, and has a great influence. In terms of calligraphy, Jao Tsung-i's introduction is rooted in words, while cursive script incorporates the bold charm of other calligraphy masters in the late Ming Dynasty. Seal script incorporates the characteristics of Tanikou, Tingzhou, Dongxin, and Wanbai, making it a style of its own.
It is advocated that the book should be "heavy", "clumsy" and "big" to overcome the diseases of frivolity, charm and delicacy. The breath of his calligraphy is ethereal, sincere and ancient, with sparse simplicity and solemnity within the scale, and the calligraphy and ink are soaked in it, making it extremely delicate. In fact, it can be said: "When the pen moves, the chapters are beautiful, and when the ink moves, the characters are pearls." Academic scholars: Mr. Jao Tsung-i’s status and influence in the academic history of contemporary China, ? Firstly, there are famous Chinese scholars such as Ji Xianlin, Li Xueqin, Qian Zhonglian, Jiang Boqin, Li Liansheng, etc., as well as Dai Miwei, ? Secondly, On Ikeda, Kojiro Yoshikawa, etc. Evaluation of the writings of overseas Sinologists, included in the book "On Jao Tsung-I" (published in 1995) in a Hong Kong bookstore. Briefly speaking, the three main points can be summarized as three points: the influence of inner life style, learning from others' strengths, and inner soul power. (1) In the academic research on traditional Chinese humanities in this century since Wang Guowei, a major trend is how to carry out research in Qianjia period One level higher on the basis of Zhu Lao. The road to advancement takes on different aspects depending on the scholars’ individual talents, academic styles, and academic backgrounds. For example, Mr. Chen Yinyi is good at historical theory, Mr. Qian Zhongshu is good at writing, etc. But the general spirit is the mutual corroboration of underground cultural relics and paper documents, the corroboration of foreign ancient books and the old books of our country, and the integration of foreign concepts and national academics. This general spirit is a path in which traditional Chinese academics have been baptized by the social sciences of the 20th century, tempered their academic character, and then returned to the traditional Chinese academic literature, history and philosophy, returning to their roots and creating a new path. It is the inherent life of Chinese humanities scholarship that divides and unites. Jao Tsung-I, with his special personality and intelligence, was at the forefront of this academic trend, and his achievements were comparable to those of contemporary first-rate masters.
Smell the scent of new grass and flower dew? (2) The isolation of the country due to the special era factors from 1949 to 1978, especially the crazy trampling of Chinese culture during the ten years of turmoil during the Cultural Revolution, Chinese Humanities Academic research lacks the achievements and vitality it deserves. This period was the period of advancement in Rao's intellectual life. Introduction to Jao Tsung-i. It was also the period when he grew into one of the few bridge figures between China and overseas Chinese studies. For example, in 1956, Jao Tsung-i published the "Dunhuang Edition of Laozi Xiang'er Notes", which recorded the full text of this thousand-year-old secret book in London that reflected the early Taoist thoughts of the Celestial Master, and also served as a proof of notes to clarify the original Taoist thoughts. . Soon thereafter, the French authority on Chinese religions, Camdemo, taught students this book, which later triggered a long-term plan for the study of Taoism in Europe. In the history of "the spread of Eastern learning to the West" in the 21st century, Jao Tsung-i is an important figure who set the trend. If it can be said that the spread of Eastern learning and Western learning in the 21st century will continue, Jao Tsung-i's academic position will also become of great significance. Connecting ancient and modern times, embracing all rivers? (3) Jao Tsung-i's academic and artistic attainments have reached a very high level. He integrated knowledge and art into one body, and with his erudite knowledge and profound elegance, he has become a rare master of Chinese studies in the contemporary era. At the same time, his cultural world is characterized by confidence, self-sufficiency, integration and harmony. Throughout the 20th century, when the average intellectual felt that he had to make a choice between East and West, tradition and modernity, "new school" and "old school", he did not feel any anxiety or confusion.
In his world, there is no gap between East and West, no rift between ancient times and modern times. Jao Tsung-I's knowledge, art and cultural personality have extremely important similarities with Hong Kong. It is an academic, cultural and historical phenomenon created by special geography. The standards established by this paradigm will have important implications for future Chinese scholarship. Master's style? Mr. Jao Tsung-i has been studying for more than 60 years. In his early years, he mainly focused on local history. After middle age, he also dealt with the transportation of four descendants and unearthed documents. In his prime, he expanded his studies from Chinese history to India, West Asia and even the history of human civilization. In his later years, he devoted himself to research. An exploration of Chinese spiritual history. To date, he has published more than 50 books and more than 400 papers. According to his own summary, his writings can be divided into: "Dunhuang Studies", "Oracle Bone Studies", "Ci Studies", "Historical Studies", "Bibliography Studies", and "Chu Ci Studies".
Eight major categories including "Archaeology" (including "Epigraphy") and "Calligraphy and Painting" gently open the door? 1. Dunhuang Studies: Representative works include "Dunhuang Calligraphy Series", "Dunhuang Edition Laozi Thoughts and Notes", "Dunhuang Songs" (co-author), "Dunhuang Pipa Acquaintance" 2. Oracle Bone Science: Representative works include "A Comprehensive Examination of Zhen Divination Figures in the Yin Dynasty", "A Comprehensive Examination of Oracle Bone Inscriptions" (Editor-in-Chief), and "The Record of Oracle Bones Seen in Europe, America and Asia" 3. Poetry: Representative works include "Ci Ji Ji Kao", "Chronology of Qing Ci Ci", and "Quan Ming Ci" 4. Historiography: Representative works include "Orthodoxy in Chinese Historiography", "Historical Materials of Kowloon and the Song Dynasty", "Xuantang Jilin Shilin", and "Compilation of Chaozhou Chronicles" 5. Bibliography: representative works include "Chaozhou Art and Literature Chronicle" (co-author), "Rare Books Catalog of the Fung Ping Shan Library of the University of Hong Kong" 6. Chu Ci Studies: Representative works include "A Geographic Examination of Chu Ci", "Chu Ci Book Records", and "Chu Ci and Ci, Composition and Music" 7. Archeology and epigraphy: "Tang and Song Dynasty Epitaphs", "Singapore Ancient Events", "Three Studies on Documents Unearthed in Chu" (co-author), 8. Calligraphy and painting: Representative works include "Hua (History of Traditional Chinese Painting)" and "Huang Gongwang and Residence in the Fuchun Mountains". In addition, there are a large number of calligraphy and painting works.
Unprecedented and rare? Mr. Jao Tsung-i’s academic scale and insight are mainly reflected in his strong originality.
He was good at pioneering trends, creating surprise troops, pioneering and sowing in many unfamiliar fields, and taking the lead in many new landscapes. (1) Ancient history, oracle bone inscriptions? He was the first to raise the issue of "Book of Rites" at an international academic conference (1986) ? The first person to study the specific connection between Yin rites and oracle bone inscriptions (1959) ? The first person to systematically study the characters of Zhenbu in the Yin Dynasty (1959) ? The first person to talk about the oracle bones collected in Paris and the oracle bones collected in Japan (1956-1957) ? The first person to study the Yangtianhu Chu bamboo slips (1954) ? The first time to prove that the pottery inscription ⊕ is the symbol of "sheep" (1990) (2) History of literature and art? Talk about the Dunhuang version of "Selected Works" and the Japanese banknote version of "Selected Works" by Five Ministers The first person to write annotations (1956) ? The first person to write the history of Qin in the Song and Yuan Dynasties (1962) ? The first time to make the Dunhuang manuscript "Wen Xin Diao Long" public to the world, and write the first research paper (1963) ? The first time to propose Liu Xie Literary and artistic thought is influenced by Buddhism (1963) ? The first study of the relationship between Lu Ji's "Wen Fu" and music (1961) ? The first time to reveal the category of "momentum" in the study of ancient literary theory ? The first time to reveal from the basis of literature that Han Yu's poetry was influenced by Buddhist scriptures Stylistic influence (1963) ? The first person to study Dunhuang calligraphy (1959) ? The first person to talk about the relationship between words and paintings (1974) ? The first person to talk about bamboo and stone carvings in the history of Chinese art (1974) ? Introduction and research The first person to make Chaozhou porcelain (1955) ? Proved for the first time that Wu Wei invented finger painting before Gao in the history of Chinese painting (1985) ? Used Qin bamboo slips to prove the relationship between "Nayin" and "Five Elements" for the first time (1985) ? For the first time combined "Pangu" The date of "Picture" is pushed back to the Eastern Han Dynasty (198) (3) History of religion and history of cultural exchanges between China and foreign countries? The concept of "Maritime Silk Road" was first proposed (1974)? Japanese stone carvings were used for the first time to prove that Sino-Japanese calligraphy exchanges originated in the Tang Dynasty ( 1980) ? The first person to use Ci Pai "Mu Hu Ge" to examine the historical facts of Huozoroastrianism (1978) ? The first person to use Wuxian Xuanmiao to view the stone foundation and ask for Taoist Bianwen (1974) ? The first person to tell it based on the Dunhuang papers in London, England The issue of the introduction of the Mahayana into Tibet in the history of Zen Buddhism (1964)? The first person to tell the story of the history of Vietnam in the "Ninan Zhuan" (1969). The issue of the birthplace (Xinzhou) of the Sixth Patriarch was raised for the first time (1989). The first study from Yazhang Reminding ancient China of the road to Southeast Asia (1994) (4) Geography, local history, bibliography? The first person to identify ancient place names in Singapore and translate them (1970)? In the history of compilation of modern local studies in China, the first Modern Scientific Compilation Style (1949) ? First proposed "Chu Culture" (1970) and "Wuyue Culture" (1971) as subject names? The first person to talk about the relationship between "The Book of Taiping" and "Shuowen Jiezi" (1972) ? The first person to examine an early Ming Dynasty version of "Shuo Yong" (1966)? The first person to explain the Jin Zhaocheng version of "Fa Xian Zhuan" (1974). The first person to use Chinese documents to supplement the history of Myanmar (1975). The first person to explain Dunhuang. The first person to criticize the calligraphy of the fleeting years (1979) Embroidery can dye the ruler's charm. "Zhang Baigu wrote at home, saying that the handwriting is breathy, and the big calligraphy is bold and ink: the air fiber of the ink must be long, and the grass can move when it is vertical." , clever inside, "the writing style is very sparse and rhyme when written, and the characteristics of Zhouqu are restrained and heavy," and the characters are simple and simple, and the characters are refined and condensed. The "Ge Xin Shu Ming Yu Ji Pian" is light and the winter seal script is entered into the Genzhu chapter, and the "Ge Xin Shu Ming Yu Ji" chapter is re-entered. It is an ancient book, clumsy., and the last text of "Jinshi Moist", which mainly adopts all the characters to make "Wu". ,? Pen and ink Huazhang